I purchased the 31mm Dulens lens & don't regret it. I enjoy the color rendition of this lens. It's a sharp lens and it has a dare I say Vintage look lol. Its a small & light weight lens and packs a punch. It doesn't Flare as much as I thought it would - to mitigate some flaring just add a
Matte Box when shooting out doors. I also like alternating from Full frame 31mm to Super 35 and get closer to a 50mm look with this lens. It lives on my Lumix s5iiX camera 70% of the time. It pairs well with the FotodioX Pro Lens mount Adapter Arri PL to L mount cameras. Keep in mind the Aperture ring is a little tight to turn but I would say its a good thing when using this lens - you don't want the aperture ring to turning easily when in use. This lens is definitely worth considering when shopping for your next budget Cinema Lens. Cheers!

I have so many vintage lenses and I want to convert them all into LPL mount. And I love and trust Simmod. This adapter is expensive, yes, should it worth this much? No. But it’s made of very high quality materials. Not sure if it’s the L mount or this adapter but it wiggles just a tiny bit. Tiny but it’s there. Doesn’t bother me. My next step will be getting their conversion kit for FD SSC lenses. Then this expensive purchase will become more valuable. Also, super happy that Simmod partnered with BH! This way I can get all the simmod parts, accessories with free shipping and no tax with Payboo!

The build quality is great and it produces a great image.

well made, holds the camera still ( using a canon rebel with a 100 mm macro attached.), happy with it so far.

best lens for bmcc 6k FF, recommend 10/10. warm lens

I bought this on the recommendation of a friend who consults for many of the most well-known lens manufacturers (think of the names you know). While it's not anamorphic, it is a beautiful, well-behaved, full-frame lens, and a welcome addition to the lens locker. Crisp, without being clinical, and having a gorgeous vintage vibe from the lens coatings. I'll echo what others have said regarding the close proximity of the aperture ring to the lens mount, but other than that, I've really enjoyed it, so far.

Very good copy stand that is easy to setup and if need be take down when not in use. The height adjustment works well and provides precise adjustment of the camera.

Having dealt with adapters over many years, you know that nothing comes close to a PL mount (don't get me started on positive lock EF, not even close... plus even Canon has kicked EF to the curb). LPL now takes PL and makes it literally bigger and better. For whatever reason, changing PL lenses always took a while to get it to sit in perfect for the lock to work, but so far with LPL it's been a piece of cake every time. Maybe that's an added bonus thanks to the rear guide? Anyhow, you may be thinking well the LPL to L is still a click-in adapter to the camera body. Correct, but Ron has created a collar that allows you to bolt the collar down to a plate along with the camera cage, then tighten the collar on the adapter and it's not moving. To be honest, even without the collar, these mounts are super accurate, so very little play with them to start with, but the collar just locks everything down tight. I always hated when using a follow focus (especially a focus motor) and every time you made an adjustment it shifted the lens in the mounts. Even the tiniest bit of movement showed up in the shot, so when you have two weak points, you get a lot of movement when you throw in some torque. With this setup, any movement between the lens and camera is now completely gone. I bought 4 LPL to L mounts and collars, instantly you should realize that is a big investment, but 100% worth it. Every time I use them, they make me happy, so thank you Ron and crew for continuing to push this industry forward!!

Works perfect with my fx3, fx6 but could not get it to go on the Venice 2.