The Sonible pure:unmask Spectral Mixing Plug-Inby Sonible pure:unmask Spectral Mixing Plug-Incleans up your audio project's mix by eliminating audio interference in the frequency spectrum between two tracks. Use automatic parameterization to match the loudness to the genre in which you're working. Combine mix elements with spectral unmasking. Find the perfect setting through side-chain profiles. Refine your audio thanks to the four processing controls.

Automatic Parameterization    Spectral Unmasking    Intelligent Side-Chain Profiles    Four Processing Controls

• VST
• VST3
• AU
• AAX

• Windows 10 (64-bit) or later, Intel Core i5 or later
• MacOS 10.9 or later, Apple Silicon
• 4GB RAM
• OpenGL 3.2 or later

• Logic Pro
• Ableton Live
• Pro Tools 11 or later
• Reaper
• Cubase
• Nuendo
• FL Studio
• StudioOne

Related Questions and Answers

Q: 1. any stage box

A: You can use the Mini Stagebox 32 (SOMSB32R) or Mini Stagebox 16 (SOMSB), with the required MADI option card for the Vi1000.

Q: 2. I need to plug a device that requires 250w, would this adaptor work? What is its maximum wattage?

A: The Watson 3-Prong USA to 2-Prong Europe Power Adapter Plug, B&H # WATAGUSAE, is rated for 220-240V @10A which means it could handle up to 2200W. Keep in mind that this is not a voltage converter and will only work with dual voltage North American devices.

Q: 3. Is there a control surface (with physical faders), other than an ipad, for this unit?

A: I am not seeing that Yamaha offers a fader control surface for the TF rack version console. The closest option available at this time would be the Yamaha TF3 or TF1 console.

Q: 4. What's the difference between qu series and qu chrome?

A: Chrome has shiny knobs & faders, the regular QU has the black rubber-ish knobs.

Q: 5. can you add waves plugins ?

A: This system is Core Audio compliant. You may load WAVES plug-ins into your Mac for use with your current compatible DAW.

Q: 6. Frequency range and frequency response are...unpublished? I'd really appreciate info/ comment about these characteristics - what are the pros/cons, using the Roland CM-30 Cube as studio monitor(s)? Are they flat? & will I need a separate sub?

A: Unfortunately, the manufacturer does not list those specifications. The Roland CM-30 was designed with the traveling musician in mind, and not the studio engineer necessarily, though in a pinch, it can be used for monitoring in the studio. You would be better served with a pair of JBL LSR 305's nonetheless; B&H# JBLSR305. With the use of two monitors, one can have a better stereo image of a stereo mix. The use of a sub is optional and not necessary; though having one is good for reference.

Q: 7. I want to use this with ProTools 11 is there a usb or a slot to put a converter in?

A: The Qu-32 features a built in interface and can be used with Pro Tools using the rear panel USB connection. The interface is class-compliant on Mac OS X and drivers are available for Windows systems.

Q: 8. Will this be good enough fro a professional recording studio ? Or will I get a much better sound from a Focusrite top priced? Or will it not be notifyable ?

A: I would say the QU-32C is good enough to operate in a professional recording studio, absolutely. The QU-32C is is capable of 32x32 channel recording/playback at 24-Bit and a 48kHz sample rate over USB-B to a computer. Beyond that, the AnalogiQ digitally controlled preamps offer excellent transparency, minimal distortion, and an incredibly low noise floor, with a warm, musical sound that some digital consoles lack. In comparison to high end Focusrite products, a Focusrite interface could offer a high sample rate (upwards of 192kHz) as well as a different selection of preamps, which could potentially be noticeable depending on your acoustic environment and the speakers you're monitoring through. But a Focusrite interface will lack the hands-on control that a console like the QU-32C can offer. Both are more than capable of operating in a professional studio environment as far as audio quality goes. Deciding between the 2 really depends on your workflow. If like hands-on control, then the QU-32C may be the option for you. But if you need to record at sample rates beyond 48kHz, a Focusrite interface may be the better option.

Q: 9. Does this have a hard limiter I can apply to all 32 inputs? (I have some screamers occasionally)

A: Yes. According to page 33 in the manual for the Allen & Heath Qu-32C; "At its extreme setting the compressor can be used as a limiter to prevent the signal exceeding a preset maximum level."

Q: 10. what do you have for this package ?

A: Recommended accessories are listed on this console's webpage. For specific product recommendations, please e-mail us at: ProAudio@a href= http://BandH.com target= _blank BandH.com/a