The Benchmark Studio & Stage Digital XLR Cable, 6' in length, is designed for use in all AES/EBU digital audio applications. It features a robust construction and large outer diameter that makes it a highly suitable choice for digital applications in the field or in the studio. The cable is optimized for digital connections but may be also be used for analog connections.

Designed for All AES/EBU Applications    Large Diameter for Performance/Low Loss    Canare 110-Ohm AES/EBU Cable    Neutrik Connectors with Gold Gontacts

• Canare DA206 110-ohm AES/EBU digital audio cable
• Large outer diameter for high performance and low loss
• Special PE filler rods maintain constant 110-ohm impedance
• 20 AWG stranded twisted pair copper conductors for flexibility
• Hand assembled with true silver solder
• Neutrik premium black XLR connectors with gold contacts

Related Questions and Answers

Q: 1. What would I need to mount a mirrorless camera to this?

A: Though this is boom arm is designed for mounting a microphone, you could adapt it for a camera with a CAMVATE 5/8" Female to 1/4"-20 Male Mic Stand Adapter, BH #CAC0988. An Oben BD-02 Mini Ball Head, BH #OBBD02 woud be a good option to allow for more flexibility of movement for positioning the camera.

Q: 2. What kind of nuts does this use? I never got any in the package and need to know the size.

A: Unfortunately specifications for installation hardware is not available. If you have purchased the unit and are missing components, please contact Customer Service here at 800-221-5743.

Q: 3. Can I use this shock mount with either the Blue Encore 200 or the Rode M3?

A: Compatibility:For smaller diameter microphones such as pencil-style condenser mics, most dynamic or condenser handheld mics and some cylindrical shaped ribbon mics.Both mics should work with this mount.

Q: 4. How wide is this piece? Can it hold an 88 key keyboard?

A: The main surface area has a width of 43 . Most 88 key keyboards will range from 50 to 60 inches in width.

Q: 5. How well does it fit the ATR2500 USB? Is there a hole for the Headphone output and volume buttons?

A: The ATT2500 fits the sub good . No there is no hole for the headphones output

Q: 6. Will this fit my Behringer B2 Pro?

A: No, the Behinger B2 Pro Large Diaphragm Microphone has a diameter of 56mm and the On-Stage MY410 Studio Microphone Shock Mount is for use with microphones that have a diameter of 42 to 48mm. A compatible model is the On-Stage MY430 Shock Mount for Select Studio Microphones (B&H # ONMY430) which is designed to fit mics that have a diameter of 55 to 60mm.

Q: 7. will this be suitable for a three monitor editing set-up?

A: From the size of the top level I'd say no.

Q: 8. What's the maximum height of the stand itself, not the boom pole?

A: The maximum height of the On-Stage SB9600 base is 80", and the boom extends to 89", so the maximum elevation of anything mounted on the stand should be close to 165" with more reach available with the 7" boom extension. Due to the shape of the stand, maximum mounting height would depend on the boom angle and how you manage to balance your microphone, but that would be a rough estimate for a best-case scenario.

Q: 9. Would this handle the blue Bluebird SL without being shaky or unstable?

A: You will be most pleased with this apparatus. Simple set up, appealing to the eyes and it will hold your mic securely without worry. I have used it with the audio Technica and a behringer which has slightly more weight than the mic you have selected.

Q: 10. Can you attach a Rode VideoMic (with a shoe mount) to this as-is, or would you need an adapter? If so which adapter?

A: An Onstage #MA100 is required to mount the Rode Video Mic on to this Onstage boom microphone stand.