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Arri L7-c Plus Rgb Led Fresnel Light With Power Cord

Arri L7-c Plus Rgb Led Fresnel Light With Power Cord
  • Product Code: eq152215
  • Availability: In Stock

$9,480.00 $12,229.20

ARRI L7-C Plus RGB LED Fresnel Light with Power Cordcontinues to expand its LED spotlights with the introduction of the blue/silver L7-C Plus RGB LED Fresnel Light. Featuring a manual yoke, the L6-C Plus has a flood to spot capability with a beam angle adjustment of 12-45°. With a larger Fresnel lens compared to the L5-C Plus version, the L7-C Plus is ideal for an extra punch, providing greater throwing distances. The Plus version adopts the uniform, homogeneous light field of its predecessor, while providing up to a 90% increase in output. Similar in size and weight to its previous version, the upgraded L-Series Plus has a new 180W RGBW light engine and firmware technology, operating on the same software as the brand's SkyPanel. Other improvements include direct network connectivity for LAN input and control via Art-Net and sACN protocols. Users will also appreciate simplified onboard control thanks to a familiar and intuitive interface.

Light with 5' Long Mains Cable    Output: 113,000 Lux at 3.3' (12°)    2800-10,000K CCT; RGB    Beam Angle: 12-45°    AC Power    CRI 94 | TLCI 89    Onboard, DMX, Art-Net & sACN Control    IP20 Rated    Works with Optional L-Series Accessories    Includes 1 1/8" Junior Pin

Key Specs
Item Type1x LED Fresnel
Included Storage CaseNo
Photometrics12° at 3200K:
10,776 fc / 116,000 Lux at 3.3' / 1 m*
1198 fc / 12,900 Lux at 9.8' / 3 m
431 fc / 4640 Lux at 16.4' / 5 m
12° at 5600K:
10,497 fc / 113,000 Lux at 3.3' / 1 m*
1170 fc / 12,600 Lux at 9.8' / 3 m
419 fc / 4520 Lux at 16.4' / 5 m
45° at 3200K:
1244 fc / 13,400 Lux at 3.3' / 1 m*
138 fc / 1490 Lux at 9.8' / 3 m
49 fc / 536 Lux at 16.4' / 5 m
45° at 5600K:
1216 fc / 13,100 Lux at 3.3' / 1 m*
135 fc / 1460 Lux at 9.8' / 3 m
48 fc / 524 Lux at 16.4' / 5 m

*Standardized Measurement Supplied by the Manufacturer
Color Temperature2800 to 10,000K
Color ModesRGB, Daylight, Tungsten
Color Accuracy StandardCRI 94
TLCI 89
DimmingBuilt-In Dimmer
 • 0 to 100%
Power SourceAC Power (Cable Not Included)
Input Power100 to 240 VAC, 50 / 60 Hz
Power Consumption220 W
Fixture MountingSupport Mount
1x 1-1/8" Stud
Light Fixture
Item Type1x LED Fresnel
Included Storage CaseNo
Photometrics12° at 3200K:
10,776 fc / 116,000 Lux at 3.3' / 1 m*
1198 fc / 12,900 Lux at 9.8' / 3 m
431 fc / 4640 Lux at 16.4' / 5 m
12° at 5600K:
10,497 fc / 113,000 Lux at 3.3' / 1 m*
1170 fc / 12,600 Lux at 9.8' / 3 m
419 fc / 4520 Lux at 16.4' / 5 m
45° at 3200K:
1244 fc / 13,400 Lux at 3.3' / 1 m*
138 fc / 1490 Lux at 9.8' / 3 m
49 fc / 536 Lux at 16.4' / 5 m
45° at 5600K:
1216 fc / 13,100 Lux at 3.3' / 1 m*
135 fc / 1460 Lux at 9.8' / 3 m
48 fc / 524 Lux at 16.4' / 5 m

*Standardized Measurement Supplied by the Manufacturer
Color Temperature2800 to 10,000K
Color ModesRGB, Daylight, Tungsten
Color Accuracy StandardCRI 94
TLCI 89
DimmingBuilt-In Dimmer
 • 0 to 100%
Cooling SystemFan
Expected Lamp Life50,000 Hours
Beam Angle12 to 45°
Built-In FlashNo
Umbrella MountNo
Lens
Lens TypeFresnel
Lens Diameter7" / 177.8 mm
Connectivity
Mobile App CompatibleNo
Power & I/O
Power SourceAC Power (Cable Not Included)
Input Power100 to 240 VAC, 50 / 60 Hz
Power Consumption220 W
Mounting
Yoke TypeManually-Operated Yoke
Fixture MountingSupport Mount
1x 1-1/8" Stud
General
DisplayYes
Environmental ResistanceDust-Resistant (IP20)
Operating Conditions-4 to 113°F / -20 to 45°C 
CertificationsCE, UKCA, CB, ENEC, cNRTLus, FCC, PSE
Dimensions14.3 x 13.8 x 11.8" / 36.2 x 35.1 x 30 cm (Fixture with Yoke)
Weight19.2 lb / 8.7 kg
Packaging Info
Package Weight27.69 lb
Box Dimensions (LxWxH)21.1 x 20.8 x 17.7"

Designed as the brightest ARRI full-color Fresnel fixture, the L7-C Plus has a 7" light aperture that offers an increased output up to 90% depending on your settings, such as beam angle and CCT. This fixture has a peak intensity of 113,000 lux at 3.3' (spot beam at 5600K).

The 100-0% dimmable L6-C Plus is a "fully tunable" white light source, allowing you to match existing fixtures with color temperatures from 2800 to 10,000K. The onboard controller allows full minus-green to plus-green adjustment as well as RGB+W color gamut color mixing with hue and saturation control, enabling matching of specific shades and skin tones. A wide selection of gels are available as well. CRI of 94 and TLCI of 89 ensure color accuracy.

All functions can be controlled via DMX, an ideal feature for broadcast studios, while RDM permits monitoring of the light's status. Control and configuration are extended via Art-Net, sACN, and web page control of light and settings via HTTP.

Power options include the L7-C Plus's 100-240 VAC onboard power supply. A required power cable does not come with this light and needs to be purchased separately.

A key element of the versatility of traditional Fresnels is the ability to spot and flood the beam as needed. Whether it's a flood field for a pullback shot or a tight spot for a bright highlight, the continuous focus-ability of the L-Series Plus performs lives up to your expectations. And, unlike traditional Fresnels, which have significant light waste in spot focus, the efficient L-Series Plus optical system maintains the same field lumens in all focus positions.

Clear, defined shadows have traditionally been solely a trait of single source tungsten and daylight fixtures. ARRI L-Series Plus Fresnels provide the same single shadow properties lighting designers expect, delivering natural results.

The ARRI sliding stirrup design enables precise adjustment of the fixture's center of gravity to compensate for front-end accessories. It also gives the option of pulling the fixture back and reducing its hanging height.

Two focus knobs provide the precise adjustment and rapid flood-to-spot that users enjoy from manual, mechanical control. Knobs on both sides of the fixture ensure easy access from all positions, eliminating the need for awkward reaching around the fixture.

The strong tilt-lock provides extremely secure locking, eliminating movement and slippage and ensuring that the fixtures will stay where you put them.

The L7-C Plus allows for firmware updates through the USB port, making sure the light will always perform at its best.

The light is compatible with optional accessories, including the ones that were made for previous L-Series lights. Additionally, the separately available SkyPanel remote can also control the L-Series Plus through a USB connection.

  • Long-term performance for 50,000+ hours
  • Daisy-chain power and data
  • IP20 rated
  • CE, UKCA, CB, ENEC, cNRTLus, FCC, PSE certifications

Related Questions and Answers

Q: 1. Would This work with a Strand Or Colortran Theater Lighting Fresnel? Or only with the Arri?

A: This lamp was purpose built for the Arri.

Q: 2. Will this fit in a 0350 Pelican case?

A: Yes, the Arri L7-C LE2 LED Fresnel can fit into a Pelican 0350 case.

Q: 3. Is this compatible with Arri ArriLite 750 Plus?

A: Unfortunately, this lamp is not compatible with the Arrilite 750 +.

Q: 4. How do I attach a soft box to the Arri L-7 and what soft box components are recommended?

A: Easy. Chimera makes the speed ring that fits the L7. I have one but I rarely use it. Even at full flood, the beam vignettes on a medium quartzbsnk. So I baffle the soft box with a billowing piece of opal pinned to the spines to help spread the light corner to corner. Truthfully, I never use the L series heads for keys. They are better suited for edges and background. But there are no hard and fast rules.

Q: 5. could this fit in a tweenie 2 mole richardson fixture?

A: The Visionsmith ReLamp 300 LED for ARRI 300 Plus Fresnel (Daylight) BH #VIVSFKWD is specifically for the Arri 300 Plus housing.

Q: 6. Can this be mounted on a Matthews Hollywood Beefy Baby Stand - Triple Riser, 12' 4 using Junior to Baby adapter? If I buy 3 of these lights will it come with a case that will fit all of them? If not what case could fit all 3 of these?

A: Yes, a Matthews Junior Baby Adapter will work. I recommend getting a stand that has a junior female so you do not need an adapter. And the stand you picked is just on the edge of the supported weight. The stand I would recommend is a Matthews Hollywood Combo Steel stand. Arri does not have the lights in kits that include a case.Most cases not custom made are will not hold three in one case. Best is to pack the lights in their own case.There are than options. This one can cold one light with accessories, Explorer Cases Large Hard case 5833.

Q: 7. Why is this daylight bulb rated at 5000k? For this price you would think they would actually produce a 5500/5600 kelvin product.

A: Hi Sam, Visionsmith ReLamp went with the 5000k standard because their test showed that it produce more pleasing skin tones (as it is a little warmer) than 5500/5600K.

Q: 8. how many lumens?

A: Apparently it's a closely guarded secret. Arri does NOT publish any information regarding comparisons of their Full Color L7-C -vs- their L7 (Daylight or Tungston versions) Not sure why we are not getting exact lumens figures for many of these new Led luminaires. It is one of MOST annoying aspects of this move to teh new technologies that the manufacturers are simply refusing to give out any information other that (oh it's roughly like4 a 1K or a 650 Fresnel) Not very scientific ARRI. Please get on the ball Arri and publish precise metrics on these lights. If they are going to ask $3000 for an Led fixture, they at least can produce some detailed information about these lights. It's been a frustrating process getting a straight answer from anyone regarding these lights.

Q: 9. Will this fit in the Arri 300W or a Arri 150W?

A: It is for the 300w ARRI.

Q: 10. What is the replacement cost of the LED when it breaks or burns out? Where do you get a replacement LED internal?

A: The LED array is not user replaceable. In extremely rare case of an LED failure, the unit would have to be sent back to the factory for repair.

22/07/2024

[2800 to 10,000K] I purchased this light not to replace but to supplement the flash I work with now. I'd been contemplating starting an HMI collection but the relative high globe replacement costs and electricity consumption kept me away. Whilst I didn't expect the output to match the 1.2k HMI I was pleasantly surprised by the output. But the most impressive feature is the level of control built in to the unit. No messing around with ND grids or CC filters speeds up the workflow enormously. I usually shoot medium format digital at 50 ISO so I'm under no illusions that these lights with their present output can replace flash with the work I do now. But it is an exciting entry into continuous light sources for me. Another string in the bow. The predicted ability to upgrade the Light Engine (Arri's term for the LED array) to more powerful units in the future is another unique selling point.

5
09/07/2024

[Fresnel] its great how you can deal with differents light temperatures just with a button

5
04/07/2024

[2800 to 10,000K] The flexibility of this light is insane. One quick tip, use it in Demo Mode to simulate a TV set. it's amazing!

5
01/07/2024

[220 W ] We use these lights on location for everything from interviews to commercial work. Very versitile light with decent power (feels close to a 400 HMI). Very little heat and flicker free. The only downside, they are quite heavy but worth it for what they do.

5
26/06/2024

[2800 to 10,000K] WE are going to replace all 14 Fresnels in the studio with the LED lights, these are fantastic, they are not HOT and the subjects like this, they draw little power and I like that. Best technology in a long time, Thanks ARRI.

5
07/06/2024

[220 W ] Fantastic lights and act very similar to their fresnel counterparts. Output is around that of a 700 watt fresnel. Haven't had it long enough to see how durable they are but they look like they can take a beating. Being able to dim and adjust color temp is such a nice luxury to have. I would love for them to get the weight down or release the active cooling units. Has anyone found a good travel case for them to fit in?

5
29/04/2024

[1x LED Fresnel] I've been dreaming of this light since it came out. It works as advertised and changing the color balance is so easy. I use it mostly to wash a background in various bright colors but I also use the directional nature of the light for certain situations. I don't work in Hollywood or on a big production so I had to learn a few things the hard way. 1st the light comes with a gigantic metal post that will not mesh up with regular light stands. You have to buy a stand with a female receiver in the 1 1/8 size. All of my other lights have the female part on the light and the male part on the stand. So after buying a proper stand for this light, the light and stand weigh a ton. I'm guessing 70-90 pounds. Another shock for me is how directional the light is. I've been shooting up to this point with fluorescent lights that are mounted in a beauty type dish. They create a very soft flattering light on people. This light is harsher with sharp shadows even when it's at it's widest beam angle. When used with fill lights it all looks great but I rarely use this as the main light. It's always shining color on something or providing a focused light where I need it. This light has the heat sink fins but there is also a fan that I can hear kick on when the light is turned up over about 80%. I only hear it if I'm right next to the light with my head 1-2 foot away and I never pick it up in audio. I expect this light will last me a lifetime.

5

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