Se4100 Large-Diaphragm Condenser Microphone By Se Electronics

Se4100 Large-diaphragm Condenser Microphone By Se Electronics

Product Code: eq153355
Availability: In Stock

$1,047.00 $1,654.26

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Description
Reviews (9)

With a smooth response reminiscent of classic condensers of the past, the sE4100 Large-Diaphragm Condenser Microphone from sE Electronics is a great all-around mic for home or pro studios.

Featuring the same high-level performance and handcrafted vintage-meets-modern sound of the celebrated sE4400, the sE4100 sports twin 1" gold-sputtered Mylar diaphragms in a durable, solid-brass capsule. The fixed cardioid pattern provides excellent off-axis rejection, making the sE4100 a studio workhorse ideal for a wide range of sources, including vocals, guitar, drums, orchestra, brass, and much more. The sE4100 includes a shockmount, a thread adapter, and a metal case.

For Home and Pro Studio Recording Ideal on a Wide Range of Sources Classic Vintage Sound Cardioid Pickup Pattern Twin 1" Gold-Sputtered Mylar Diaphragms Solid Brass Capsule Max SPL of 157 dB -10 or 20 dB Pad 80 or 160 Hz HPF Includes Shockmount, Adapter, and Case

Key Specs
Element Type	Condenser
Polar Pattern	Cardioid
Controls	Pad, Low Cut/HPF
Frequency Response	20 Hz to 20 kHz
Maximum SPL	137 dB (.5% THD) 157 dB (.5% THD, with Pad)
Analog Output	1x XLR 3-Pin Male
Power Sources	Phantom Power
Microphone
Sound Field	Mono
Element Type	Condenser
Diaphragm	1" / 25.4 mm
Polar Pattern	Cardioid
Orientation	Side Address
Circuitry	Solid-State
Pad	-10 / -20 dB
High-Pass Filter	80 Hz, 6 dB/Octave 160 Hz, 6 dB/Octave
Filter & EQ	Low-Cut Filter: 80 Hz, 6 dB/Octave / 160 Hz, 6 dB/Octave
Gain Adjustment	No
Controls	Pad, Low Cut/HPF
Performance
Frequency Response	20 Hz to 20 kHz
Maximum SPL	137 dB (.5% THD) 157 dB (.5% THD, with Pad)
Dynamic Range	128 dB (Phantom Power, without Pad) 148 dB (Phantom Power, with Pad)
Equivalent Noise Level	9 dB (A-Weighted, Phantom Power)
Connectivity
Analog Output	1x XLR 3-Pin Male
Power
Power Sources	Phantom Power
Operating Voltage	48 V (Phantom Power)
Physical
Color	Black
Mounting Thread Size	5/8"-27 Female (3/8"-16 Female with Included Adapter)
Dimensions	ø: 1.1 x W: 2.32 x L: 5.75" / ø: 2.8 x W: 5.89 x L: 14.61 cm
Weight	9.9 oz / 280 g
Packaging Info
Package Weight	4.875 lb
Box Dimensions (LxWxH)	12.8 x 8.1 x 5.7"

Drawing from the well-regarded design of the sE4400 multipattern condenser microphone, the sE4100 offers the same performance with a few improvements and a fixed cardioid pattern.

Twin gold-sputtered 1" mylar diaphragms offer excellent results on a wide array of sound sources
True condenser technology with high-precision parts for excellent sound quality
Improved self noise, from 13 dBA on the sE4400 to only 9 dBA on the sE4100
Enhanced dynamic range over the sE4400 (128 instead of 124 dB)
Each capsule is handcrafted and individually tuned in sE Electronics' own factory

Swapping out the multipattern design of the sE4400 for the cardioid capture of the sE4100 offers improved off-axis rejection and a more affordable mic without sacrificing sound quality.

Minimizes signal bleed from unwanted sources, especially helpful in untreated spaces
Ensures high gain before feedback across the whole frequency range
Enhances directivity from the source by preventing coloration from indirect reflections and reverb

The sE4100 sports the same pad with metal switches found on the sE4400, providing:

An extended dynamic range, up to 148 dB
Greater range of applications due to wider SPL resistance
Support for close miking of loud sources such as electric guitars, brass instruments, and kick drums

The improved high-pass filter on the sE4100 changes values to 80 and 160 Hz for improved versatility. With the high-pass filter, you can eliminate low-frequency rumble or footfall noise. It also helps compensate for excessive bass when using close-miking techniques.

Road worthy die-cast housing and solid spring-steel grille for a robust build
Efficient rejection of electromagnetic interference and noise
Premium finish ensures an eye-catching look for many years of regular use
Handmade by sE Electronics engineers
Rigorously tested and tuned in house for excellent quality control

Related Questions and Answers

Q: 1. would this fit the Sanken c41?

A: The Sanken CU-41 dimensions: 50mm (2 inches) diameter. Although not tested with this microphone specifically, the Auray mount should be able to accommodate the Sanken CU-41 two-inch diameter.

Q: 2. are you gonna be bring more of this beauty? because of the russia sanctions. am worried about warranty

A: The Soyuz Microphones SU-023 Bomblet is available by special order only. Warranty service for products purchased in the United States is handled through the company's office in Los Angeles, California.

Q: 3. Will this fit the Electro Voice RE320?

A: The SHM-SCM1 will be too small for the Electro Voice RE320. I would recommend:BH# AUSSMBC10 http://bhpho.to/19hGgkf

Q: 4. Will Scarlett CM25 MkIII fit?

A: The issue with ldc mics is that there is no mounting standards. The Rycote Universal ldc shock-mount is an option: BH #RYINVUSM

Q: 5. does this support the Samson Gtrack Pro?

A: Thank you for your question. This shockmount will not fit the G track. You can use the Samson SP04 (BH #SASP04TB)

Q: 6. What is the Dynamic Range of the Rode NT1 Signature Series?

A: The manufacturer has not provided a specification for the dynamic range of the RODE NT1 Signature Series Large-Diaphragm Condenser Microphone.

Q: 7. What is the Signal to Noise Ratio?

A: The RODE NT1 Signature Series Large-Diaphragm Condenser Microphone's SNR is 90 dB A-Weighted.

Q: 8. Will this fit the Neumann U87 and TML103?

A: This mount should fit the U87 and the TLM 103.

Q: 9. Hello, would this fit to a Neumann 89i respectively over the Neumann WS89? Alternatively do Rycote 45/100 Foam and Neumann WS89 have the same dimensions?

A: Yes, the Rycote Windjammer for 45/100 Foam for Large Diaphragm Condenser should, in theory, fit over the Neumann WS89 Foam Windscreen for U89. The Rycote 45/100 and Neumann WS89 appear quite similar in size.

Q: 10. Is this the best mic for recording a quartet or small choir or group of instrumentalists where the microphone will be 5 to 10 feet way from the performers?

A: This is an excellent microphone for the price and well suited for your stated application.

Ken	15/09/2024
[Phantom Power] This is a fantastic bundle over-all, with a few nitpicks. First, the good stuff-The microphone itself is fantastic. It sounds great (I am using this for voice-over work as well as singing in my home studio), and the build quality is very impressive (solid brass body). I have used microphones that cost as much as $3,000 and while this mic doesn't sound like that, it sounds VERY CLOSE for a heck of a lot less money. The reflection filter works as advertised, and it significantly reduced the "room tone" in my recordings (I am tracking in an apartment). The shock mount and pop filter are first rate (again, great VALUE). The only things that I didn't like are that the cable is basically a throw-away or a spare because it seems like a generic cable that they just threw in (that's OK, I have good cables already). Also, the actual switches on the mic seem a little cheap. This is not that big of a deal, since once you set them, you don't really need to change them, but I thought it was worth noting. Over-all, I am VERY happy with the bundle and it arrived quickly and well packaged (thanks B&H!). 5

Jeffrey	24/08/2024
[Solid-State] Great sound, nice smooth high-end. Fairly flat response easy and versatile to use. 5

Mike	29/07/2024
[Black] I live in a tiny home and needed something to help record my baritone voice for an audio book project. The microphone is smooth and clear. I like the 80hz low cut option for my voice. The build quality on everything is good, although, the shock mount feels like the cheapest part. Nice bundle for the price 5

anyonymous	09/07/2024
[Phantom Power] All jokes aside (which is a very true and accurate statement), this microphone really did put a smile on my face. It didn't need EQ or compression for it to accurately portray the sounds I put in front of it. I bought a pair of these and set one up in front of my guitar and one for my vocal and played a live song that I tracked into pro tools. I couldn't have been happier with the results. Great product and an even better one for the price! 5

Nick	29/06/2024
[Black] These live in my studio as drum overheads, exclusively. I had recently purchased the multi-pattern version but returned them when these came out a week later. At a fourth of the cost of Coles, these are the way to go if you on a budget or just getting started. Recording drums gets expensive quick! 5

Thomas	27/06/2024
[Mono] The quality of this large diaphragm mic's sound is sensitive, crisp, and clear. The response is well balanced. But the feature that stands out is the ability to select a pickup pattern. We use these in live bluegrass band shows, in the old '30s style where we all crowd around a single mic stand. The wide cardioid pattern is perfect for this. I also use several of these for recording. Versatile, well worth the money. 5

Tony	11/05/2024
[-10 / -20 dB] When I received these mics I had a slightly mixed first impression. The case was nice but the slots for the mics left them very slightly loose. The foam windscreens fit the mics perfect and are more uniform than many I've seen. The fit and finish of the spreader bar is less than stellar and the mic clips are pretty basic. The fit and finish of the mics themselves is excellent. After just a bit of testing I was grinning and couldn't be happier with my purchase. The sound is silky smooth and very natural. I prefer a neutral sound from a mic, and these deliver. I haven't done a ton of testing yet, but from my initial testing I'm extremely pleased with the sound. What sound profile you prefer is fairly subjective, but I think these are going to be great for me. The main thing that impressed me with these mics is the low noise floor. I tested these along side a Rode NT5. Based on the specs I hoped the noise floor would be better, but it's night and day. My NT5 has a noise floor that isn't terrible, but it never impressed me. Maybe I just got a poor sample. Either way, after making test recordings I listened first to the NT5. When I switched to the sE8 my eyes went wide because it was not a subtle difference. The sE8 has a far lower noise floor. They are a bit heavier, if that's an issue for you. With the adjustable pads and high-pass filters, smooth sound and low noise these mics are versatile and offer great performance. Not the cheapest out there, but highly recommended for the price. 5

Dave	02/05/2024
[Side Address] I did a lot of research for a matched pair of SDC mics that can get close to Neumann 184s in quality but for a LOT less money. These are it. They have a great neutral-sounding response, perfect for acoustic instruments. Recommended. 5