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Zeiss Nano Prime 24mm T1.5 Cine Lens Sony E Feet

Zeiss Nano Prime 24mm T1.5 Cine Lens Sony E Feet
  • Product Code: eq154649
  • Availability: In Stock

$13,470.00 $17,241.60

Equip your Sony E mount cinema camera with a high-speed full-frame lens using this ZEISS Nano Prime 24mm T1.5 Cine Lens Sony E Feetfrom ZEISS. This wide-angle lens has an aperture range of T1.5 to T16 to achieve a wide depth of field. A 12-blade rounded iris provides a soft, natural bokeh. The focus ring rotates 280° and the iris ring 90° for intuitive adjustment. A 95mm front diameter and M86 filter thread allow you to incorporate different matte boxes or filters into your camera configuration. Markings on the lens are in feet for precise focus pulling. The lens mount is interchangeable to accommodate a wider range of camera bodies using separately available mounts.

Covers Full-Frame Sensors    T1.5 to T16 Aperture Range    12-Blade Rounded Iris    Native Lens Data Communication    ZEISS eXtended Data    95mm Front Diameter    13.8" Minimum Focus Distance    Lens Scale Marked in Feet

Key Specs
Focal Length24mm
Maximum ApertureT1.5
Lens MountSony E
Lens Format CoverageFull Frame
Super35/APS-C
Filter Thread86 mm x 1.0
Image StabilizationNo
Electronic CommunicationYes
Parameters
Maximum ApertureT1.5
Minimum ApertureT16
Lens MountSony E
Interchangeable MountYes
Lens Format CoverageFull Frame
Super35/APS-C
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Horizontal: 74.2°
Focus ScalesImperial
Filter Thread86 mm x 1.0
Minimum Focus DistanceFrom Camera Sensor: 13.8" / 35 cm
Diaphragm Blades12, Rounded
Image StabilizationNo
Gear StandardNot Specified by Manufacturer
Gear RotationFocus: 280°
Iris: 90°
Electronic CommunicationYes
CoatingMulti-Coating
Environmental ResistanceWeather-Resistant (Unrated)
DiameterFront: 3.7" / 95 mm
Focus Ring: 3.9" / 100 mm
Iris Ring: 3.1" / 80 mm
Length3.5" / 89 mm
Weight1.9 lb / 876 g
Packaging Info
Package Weight3.295 lb
Box Dimensions (LxWxH)9.2 x 8.9 x 8.9"

Electronic communication integrated into the lens transfers lens metadata like model, focusing distance, and aperture value to the camera body. ZEISS eXtended data technology enables focal length, focus position, iris setting, and depth of field calculation metadata transmission to a wide range of cameras and production equipment. All the lens data can be leveraged for accurate focus pulling when combined with a rangefinder or recorded alongside the video footage and applied in post-production.

  • Maximum T1.5 aperture for deep depth of view and increased area of focus
  • 12 aperture blades for smooth, circular bokeh
  • 95mm front diameter; interchangeable lens mount
  • 13.8" minimum focusing distance
  • The Nano Prime lenses cover a wide range of Sony E mount cameras, including the VENICE 1 or 2, BURANO, FX9, FX6, and FX3. This allows the lenses to be utilized for both your A-cam or B-cam configurations. Thanks to similar gearing and front diameters across the range of lenses, switching between focal lengths is a breeze.

    Related Questions and Answers

    Q: 1. Why wouldn't they make a PL version?

    A: ZEISS Nano Primes are cinema lenses designed for modern full frame mirrorless cameras. They are available today in Sony E-mount. Also, the ZEISS Nano Prime lenses are equipped with ZEISS’s tried and tested easy-to-operate interchangeable mount system (IMS). It enables a quick change from E-mount to additional lens mounts in the future.

    Q: 2. What size filter does it use?

    A: 77mm

    Q: 3. Have they fixed their aperture communication problem with Sony? Loxia lenses have issues with bodies newer than A7iii

    A: The Zeiss Nano Primes do not share components with Loxia, and are fully compatible with all Sony E-mount cameras. Zeiss has tested them extensively on everything from an A7IV to the Burano & Venice and they have discovered no compatibility issues.

    Q: 4. If I were to get this for my C100 (super 35mm Sensor), would the lens then translate to 35-40mm?

    A: The C100 has a Super35 sensor and the Rokinon 24mm will convert to roughly a 36mm.

    Q: 5. Does it support auto focus?

    A: No, the Rokinon 24mm T1.5 Cine DS Lens for Micro Four Thirds Mount is a fully manual lens.

    Q: 6. Hi,What is really different between this VDSLRII version and the DS Cine Lens version? Beside just the colour match correction? Do they sharper and focus movement more precise? or anything?Thank you.

    A: Outside of the different labels, you can consider these lenses identical. You can buy either one and get the same performance.

    Q: 7. Which filter size does this lens have?

    A: 77mm

    Q: 8. how will it work with Sony PMW F3?

    A: You can use this lens on that camera. You will need an adapter. See below. You will not need the adapter's aperture feature with this lens but you will if you get Canon EF lenses.

    Q: 9. Does this lens suffer from the same focus issues wide open as the previous lens? (I.e. very soft at 1.5 and doesnt get sharp until 2.8?)

    A: We looked and were not able to find the specific issue you are mentioning with this company's lenses. Generally speaking, the Samyang/Rokinon lenses are remarkable values. Generally customers are very happy with the image and build quality particularly for the price they are paying. I would say that the general rule of thumb that any lens is sharper, has better contrast and color 2 stops down from wide open, applies here. That being said, I don't think you will see a great difference here.

    Q: 10. Will there be a PL version T1.5? Lower cost and lighter than Supreme Prime. Kind of like Sigma did, but color matched with CP.3

    A: No, the ZEISS Nano Prime lenses will never be in PL or LPL mount. These lenses are meant to match the Supreme primes and are not "clinical," like the CP.3's.

15/09/2024

[Yes] In over 40 years of industrial and feature film making, the Irix primes are my favorite series of prime lenses, favored over the big name lenses that cost 4-5x. They are fast, sharp, have very natural-looking out-of-focus highlights, and the sealing is a bonus for those like us, who shoot a lot of exteriors. Hopefully Irix will soon offer something in the 65mm-85mm range so we can relegate our current short telephoto to the B camera lens set.

5
11/09/2024

[Multi-Coating] It never stoped to amaze me the kind of build this lens has. Nice big and a little on the heavy size. I will compromise well build for fragility, I may also add this has a very nice glass. Overall very satisfied with the lens.

5
08/09/2024

[86 mm x 1.0] Bought this for my Mini Ursa G2. Lens is sharp with a vintage flavour. The flares on it are gorgeous

5
06/09/2024

[Multi-Coating] For the money, you cant go wrong. Solid build and great size. Image is just fantastic.

5
22/08/2024

[Imperial] I have the 24mm and the 50mm FF primes now and love them. They are my first cine primes I've invested in. There standard form factor fits my camera build and mat box, which previously was for L series auto fucus lenses.

5
19/08/2024

[Multi-Coating] If you're just stating out in the world of cinema film, this is the perfect lens. Great with focus, no breathing.

5
05/08/2024

[Yes] I actually purchased the 24, 50 and 85 version of this lens. This thing is built like a tank. Picture quality is beautiful and works great with our Z Cam E2 F6.

5
01/08/2024

[12, Rounded] These lenses are insane, I still preffer to DZO's Vespid line. The 24mm(mine is PL) is another great lens in the line up. Everything is great here, its a little soft but lends itself to more of a cinematic look in this regard. I preffer the size and weight as well as the look of these to DZO - they arent too small like the Vespid's (may be a selling point for you, not me) Low CA Low/NO breathing... proper housing screw in 82mm front filters- these are proper cine lens for 1/4 of the price. This is an excellent edition, now hurry up and release the 16mm, 105mm, and lastly 135mm so I can complete my set!

5
13/07/2024

[Yes] This lens is truly a gem. Superb craftsmanship, sharpness and color rendition., it's a wide angle lens with very little distortion. Pulling focus is a breeze with this lens. With added accessories it has turned my BGH1 into a full-fledged cinema rig.

5
27/06/2024

[12, Rounded] The 50mm is a very good lense, nice and weighted, smooth focus can get pretty stiff in cold temperatures, give a nice warm image great boca and love the colours makes it quick and east to read. I don't know why the 24mm cost more thou.

5

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