Flux Ircam Verb Acoustic Room Reverb Plug-in
- Product Code: eq157651
-
Combining state-of-the-art acoustic room simulation with reverberation, IRCAM Verb from FLUX is a hybrid reverb and audio spatialization plug-in that offers a powerful toolset for postproduction work. With creative reverb options and support for up to 16-channel immersive audio, IRCAM Verb is built for a modern workflow.
IRCAM Verb sports full compatibility with quad, 7.1.2 and 7.0.2 Dolby Atmos, and 3rd order ambisonics audio, making it ideal for processing audio intended for modern TV, film, music, and game applications. Take advantage of the convenient Channel Routing Matrix to easily match your I/O routing to your actual monitor setup, and intuitive graphical representations of your processing. Like most FLUX plug-ins, IRCAM Verb also features a powerful parameter morphing slider with DAW automation support. IRCAM Verb is available in AAX, AU, and VST plug-in formats for macOS and Windows computers.
For TV, Film, and Music Postproduction Hybrid Reverb and Audio Spatialization Up to 16 Channels of I/O Support for Quad, Ambisonics, and Atmos Channel Routing Matrix Intuitive Visualization for Processing Set of 3-Band Filters for Fine-Tuning Creative Perceptual Reverb Options Morphing Slider with Automation AAX, AU, and VST, for macOS and Windows
Parameters | |
---|---|
Delivery Format | Download |
License Type | Standard: Perpetual License |
User Support | 1 User |
Standalone Operation | No |
System Compatibility/Requirements | Operating System: Windows/macOS Plug In Formats: AAX (Native) / VST / AU USB Key Authentication: Required (iLok/iLok Cloud) |
IRCAM Verb provides 16 input and output channels, presenting the option for reverberation processing in multichannel and surround formats, including 3rd order Ambisonics and Dolby Atmos. With a built in I/O routing matrix, instant flexibility is provided for configuring the I/O in relation to the physical audio monitoring in the control room.
IRCAM Verb offers a set of 3-band filters applied to each part of the time structure for fine-tuning the reverberation characteristics. You are provided with graphical representations of Early, Cluster, and Reverb, and with controls for High Density (standard / high-density reverberation engine), Early, Cluster, and Reverb On/Solo controls, and Room Size, Reverb Start, and Reverb Gain controls.
Creative reverb options include:
- Infinite deep-freezes the reverb
- Air Absorption / Roll Frequency simulates frequency-dependent air absorption
- Modal Density adjusts the frequency smoothness of the Verb engine
- Panning offers virtual source panning-direction offset
- Width allows you to manipulate the panning width
- Diffuseness controls the directional information of the reverberation
Early Time Structure controls include Early Shape, which controls the amplitude rise or fall of early reflections, Early Min, which controls the time at which the early reflections start to appear, Early Max controls the time at which the early reflections cease to appear, and Early Distribution controls the way in which early reflections are scattered in time.
Cluster Time Structure controls include Cluster Min, which controls the time at which the Cluster starts to appear, Cluster Max, which controls the time at which the Cluster ceases to appear, and Cluster Distribution, which controls the way in which the Cluster is scattered in time.
The built in preset manager and the preset morphing slider provide instant and intuitive control of all parameters and controls. With simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback. The two Preset/Parameter slots, A and B, can be loaded with two full sets of parameters at the same time, and the morphing slider allows you to mix them and record the morph with the host automation.
Related Questions and Answers
Q: 1. how long is this cable?
A: Cable length: 0.88 m (2.9 feet)
Q: 2. Is there a cable to make this pack work with the Nikon sb700?
A: Being that the Nikon SB-700 doesn't have a high voltage port, the Quantum Turbo 3 will not be compatible with it. A compatible battery and cable you can use is Quantum Instruments QB1 + (6V) Battery B&H # QUQB1P and the Quantum Instruments MKZ3 Dedicated Module, B&H # QUMKZ3. Please see the images below.
Q: 3. Will this cable work with the Sony UTX-B1 mic?
A: The is Sony EC-0.8BM is an output cable for the UWP series receivers for connection to a device with 3.5mm mic input jack. Not designed to be used with the transmitters.
Q: 4. Do you have the version with two locking mini plugs for the Sony dual channel receiver? I can't find it anywhere.
A: There currently is no cable sold separately with two locking 3.5mm connectors. Out of the Sony duel receiver you either would, connect two cables terminating in Male XLR or 3.5mm, depending on your input device.
Q: 5. How mango or charge via USBy items can I charge at once? Does it require a plug or charge via USB?
A: This is power plug converter and does not have any USB-port to charge any USB device.
Q: 6. Can these work with Canon RF to EF Adapter too?
A: The DZOFilm Catta Coin Plug-in Filter for Catta Zoom (Artistic Set) is made specifically for the Catta Zoom lenses with E/RF/L/X/Z mounts and not to be used with lens adapters.
Q: 7. Are these adapters compatible with usb connector. Where is the usb connector attached?
A: It is compatible with Apple USB-C Power Adapters. There is no regular AC input for other chargers, such as regular USB power adapters.
Q: 8. Will this work on the K-102CC boompole?
A: Yes, the K-Tek KPTA Sidekick Plug-On Transmitter Adapter for KlassicPro Boompoles will work with the K-Tek K102CCR Klassic Series Five-Section Lightweight Boompole.
Q: 9. Is this prone to drop outs? Is it noisy, in quiet setting is there a high noise floor? What is the range of input gain adjustment? Can that be adjusted from the Receiver, is it viewable on the receiver ?
A: The Godox TX3-XLR Plug-On Wireless Transmitter features an adjustable 20 or 50mW output power option for a specified operating range of 196.9' / 60 m (Line of Sight), making it less susceptible to drop-outs. Noise floor experienced would be largely dictated by the specifications of the microphone connected. Although not specified, input gain adjustment is likely possible on the transmitter but not the receiver.
Q: 10. Can I used this cable to connect the line output of a Zoom F3 into a Sony UWP transmitter?
A: Yes, the Sony EC-0.8BM cable could be used to connect a line-level source such as an audio recorder to a Sony UTX-B40 wireless transmitter.
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