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Dzofilm Pavo 28mm T2.1 Anamorphic Lens Pl/ef Mount

Dzofilm Pavo 28mm T2.1 Anamorphic Lens Pl/ef Mount
  • Product Code: eq158215
  • Availability: In Stock

$14,022.45 $21,594.57

Capture stunning cinematic images with a vintage anamorphic look using this PAVO 28mm T2.1 2x Anamorphic Prime Lens from DZOFilm. Designed to cover the Super35 sensor of cine-style cameras, this neutral-coated lens has a maximum aperture of T2.1 and employs 2x magnification, thus achieving what is commonly referred to as “true” anamorphic imaging with a 2.39:1 aspect ratio and boasting exceptional “waterfall” bokeh and elegant neutral horizontal flares.

The lens can focus at a very close range, circumventing limitations often experienced with certain anamorphic lenses, and its low-distortion barrel design retains all the desirable attributes of anamorphic shooting without sacrificing image quality. The PAVO’s PL mount can quickly be switched to an EF mount using the included EF bayonet. Focus marks are defined in feet, and the compact size and lightweight design of the lens make it an ideal option for cameras mounted on drones, mechanical and electronic stabilizers, and in handheld situations where keeping weight to a minimum is critical.

Covers Super35 Format    Interchangeable PL/EF Mount    T2.1 Maximum Aperture    Focus Marks in Feet    EF Bayonet Included

Key Specs
Focal Length28mm
Maximum ApertureT2.1
Lens MountARRI PL
Lens Format CoverageSuper35/APS-C
Electronic CommunicationNo
Parameters
Maximum ApertureT2.1
Lens MountARRI PL
Interchangeable MountYes
Horizontal Squeeze (Anamorphic)2x
Flare ColorNeutral
Lens Format CoverageSuper35/APS-C
Focus ScalesImperial
Electronic CommunicationNo
Weight2.6 lb / 1.2 kg
Packaging Info
Package Weight11.525 lb
Box Dimensions (LxWxH)18.1 x 16.5 x 9.1"

Related Questions and Answers

Q: 1. Is there a version with lens data /I?

A: At this moment dzo does not offer an alternate model of the DZOFilm PAVO with Cooke /i Technology.

Q: 2. Is this fit with Sony a7iii and a7siii

A: You will need a Canon EF or ARRI PL to Sony E Mount Adapter.

Q: 3. Will this lens work with an Autofocus lens adapter on a Sony FF camera?

A: The lens can physically mount to an appropriate adapter (such as EF to E mount), that has autofocus features, however, that will not give a manual focus lens (such as the DZOFILM VESPID 25mm T2.1 Lens (PL & EF Mounts), autofocus, as lenses require internal motors to function with autofocus.

Q: 4. How far does the rear element pl mount protrude? Is it shorter than 14.5mm to work with my metabones pl-rf 0.71x speedbooster?

A: The rear element of the Vespid 21mm T2.1 lens (PL mount) protrudes 14.3mm. Therefore, it should be compatible with your Metabones PL-RF 0.71x speedbooster, given your requirement of it being shorter than 14.5mm.

Q: 5. Can you swap the mount on this lens like with the Pictor Zooms?

A: Yes you can. The Vespid Primes and the Pictor Zoom lenses both feature swappable mounts. If you need to swap the mount on your lens we sell the DZOFilm PL-Mount Tool Kit for Pictor Zoom & Vespid Lenses B&H # DZOACC1MPL MFR # DZO-ACC1MPL

Q: 6. Does this lens have a lot of distortion? And if I converted the Canon 5D Mark III to PL Mount would it hit the mirror?

A: The DZOFilm VESPID 35mm T2.1 Lens (PL & EF Mounts) has very minimal distortion. It comes with an EF mount that would not protrude into the camera. If you use a PL to EF mount adapter, the DZOFilm VESPID 35mm T2.1 Lens would work with standard PL lens adapters.

Q: 7. Can these lenses cover gfx sensor?

A: No, the DZOFilm VESPID 35mm T2.1 Lens (PL Mount) will not cover the GFX sensor. It is for full frame.

Q: 8. Why does it says PL & EF mounts? What does it comes with PL or EF? And do you get both mounts to interchange? Thanks.

A: This and many DZO brand lenses will come with a PL mount and also include a Canon EF adapter to allow mounting on Canon EF mount cameras. This is the included EF mount adapter - https://bhpho.to/3hREizR

Q: 9. what kind of resolution can handle?

A: It will handle the amount of resolution that the sensor you put it in front of will handle. It's a cinema lens, designed for optical resolution available via sensor.

Q: 10. is this PL mount compatible with the PL mount on Metabones 0.71x PL to RF speedbooster?

A: The DZO Vespid lens would not be compatible. Please review the Metabones compatible list. https://bit.ly/3AyOg03

22/09/2024

[T2.1] Awesome lens with tons of character. Great close focus abilities too.

5
02/09/2024

[T2.1] This lens and the other DZO lens I own are amazing for the price. They are so much better then my previous SLR Magic micro primes. They function like much expensive cine primes. I use them on my Fuji X-T4 and it's a great match. I would definitely recommend DZO products.

5
01/09/2024

[T2.1] Build quality is top notch, definitely has a nice heft to it that makes it feel rugged. Focus and aperture rings are super smooth, it's a dream to pull. Being full frame VV, small and compact, excellent bokeh, zero focus breathing, it's hard not to appreciate the crazy value these lenses bring at this price point. It definitely has some character as you will run into CA, edge softness, and flaring, but all of that is subjective anyway, so definitely test first. But personally, I like that. This isn't my favorite flare of all time but it's far from the worst as I kind of enjoy the subtle flare this gives. Also the fact that it has versatility of being able to swap mounts in an underrated quality.

5
01/09/2024

[Super35/APS-C] I have been using the Vespid Lenses for both Personal and Professional use and I have been more than happy. They have a sturdy/solid build and design that you expect to find on a professional lens as well as putting out gorgeous imagery. The focus pills are buttery smooth and the lens produces nice bokeh. I also appreciate markings on the ACs side of the lens as well, small detail but a nice added touch. Can't wait to complete the set. Good pick ups for anyone wanting to get professional style Cine primes without spending a years salary for one.

5
24/08/2024

[ARRI PL] With my experience of shooting video, and using a focus motor or focus wheel. Cinema glass with hard stops make swapping out lenses and going into your shoot with 3 points of view in mind. To me, this is ultimate in film making. When your gear is easy to use, you do more. I am an absolute fan of this company and sold my prime Canon 35mm 1.4 II for this and it’s an UPGRADE.

Get one

5
23/08/2024

[T2.1] Absolutely love this lens . I use it on my Red Epic Dragon and the quality is very comparable to the Canon CNE ...

5
15/07/2024

[Super35/APS-C] Should cost more. It's a nice, clean lens for the price.

5
12/07/2024

[28mm] This is a great budget cine lens . The quality is top tier. Would highly recommend this product. I love the image quality I get out of it.

5
05/07/2024

[ARRI PL] I bought this lens along with the 100mm and now I'm waiting for the 25mm to be in stock since I like the look so much! The lens is sharp but not clinical like the sigma arts and has a beautiful roll-off from sharp details into the bokeh. Great colors and texture to the image with extremely minimal chromatic aberration (I've only seen it come up with extremely blown out background behind the subject). This is a HUGE difference from the Rokinon DSX which had such bad CA that most back-lit footage was unusable. Only cons to this lens are the weight and the extremely long focus throw if you're not shooting in a controlled set - the focus throw is definitely not ideal for fast paced environments, but still workable. All in all definitely pleased with these guys.

5
05/07/2024

[ARRI PL] Great Lens!!

5

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