Get your immersive audio content to optimal levels rapidly with Elixir from FLUX, a true peak limiter plug-in with support for Dolby Atmos and multichannel audio workflows, up to 32 channels. With the ability to conform to ITU-R and EBU loudness standards while preserving your audio's natural timbre, Elixir is a workflow gamechanger.

Elixir sports powerful 64-bit floating point audio processing, allowing for end-to-end 64-bit audio with compatible systems, and up to a blistering 384 kHz sampling rate. The intuitive, scalable interface can be scaled in six steps and features plenty of control over your dynamics processing, including input and output gain, true bypass, two simultaneous slots for presets (A and B), and a parameter morphing slider with automation support. Elixir comes with several True Peak presets, which automatically meet the recommended true-peak output for common platforms like YouTube, Spotify, Apple Music, Netflix, and more. This plug-in is available in VST, AU, and AAX (native and DSP) formats for macOS and Windows computers.

Ultratransparent Limiter Algorithm    Preserves Natural Timbre of Audio    Supports up to 32 Channels    Conforms to ITU-R and EBU Loudness Norms    Dolby Atmos Support    64-Bit Float DSP, up to 384 kHz Sampling    Intuitive, Scalable Interface    Parameter Morphing Slider    Platform-Specific True-Peak Presets    macOS & Windows, VST, AU & AAX Formats

With immersive audio being the new driving force in the entertainment industry, a new era in audio production is taking shape. Elixir supports up to 32 channels of processing, making it an indispensable tool for immersive audio production, including Dolby Atmos workflows. You can either control the dynamics of the multiple 7.1.2 beds you are sending to the Dolby Atmos renderer, or limit your monitoring level.

For truly delicate and fine processing tasks, Elixir presents an innovative concept called Stages, providing the option to set the algorithm to perform the limiting processing in multiple stages, with up to 12 stages in order to achieve even more precise and natural sounding results.

For example, if the threshold is set to -3 dB and the Stages parameter is set to 3, the first stage will limit at -1 dB, the second stage will limit at -2 dB, and the third will limit at -3 dB, with analyzing performed in each of the three stages.

Elixir's straightforward user interface makes it exceptionally easy to achieve great results, even under a tight deadline. Simply set the input level, adjust the Threshold according to the amount of limiting desired, and enable Make Up for gain compensation and loudness addition.

The GUI has been completely modernized, with the workflow overhauled to enhance the user experience, and optimized to visually control the whole audio content. The user interface is now scalable in six steps to easily adapt to the screen resolution of the DAW workstation. Available scaling steps include:

• 800x600
• 1000x750
• 1200x900
• 1300x975
• 1600x1200
• 2000x1500

Related Questions and Answers

Q: 1. What if you happen to be carrying a few extra pounds of body fat?

A: It should not be an issue.

Q: 2. Does this work with the new capture?

A: Sure will!

Q: 3. Does the 3/8 screw on the head also have a 1/4-20 that can revealed by pushing down on the 3/8 screw sleeve like some of the edelkrone gear ?

A: Unfortunately, this uses the standard 3/8"-16 screw.

Q: 4. Is there movement to the internal element? The one I have has looseness to the internal element when tipped up or down.

A: The Peak #1983 10x Scale Loupe does not have movement to the internal element.

Q: 5. is the body of this unit made of metal? I have the Gowing equivalent of the Peak, and the body is plastic and there are reports of failure with dropping of an expensive lens. I hesitate to use my unit.

A: The plate that slips into the device that clamps onto a belt or strap is made of metal. The flat belt gizmo is also metal so you have a secure metal to metal connection. The red protusion on the flat plate ejects the lens holding body when pushed in but also pulls out and rotates to lock the protusion from being accidently depressed and releasing the lens holder. The black wheel clamps down and secures the lens holder in place even further. The body itself to which the lenses attach is of plastic which WOULD be of concern if the slideing base that locks to the belt holder were of plastic but it's not. Metal to metal connection. I use it confidently even with both a 70-200 and 24-70 attached simultaneously. Only time it failed me is when I didn't completely rotate the 70-200 to its lock position. Fell 30 to concrete on the lens hood but did't do any evident or lasting damage.

Q: 6. Would this be appropriate for focusing through the ground glass of a 4x5 camera?

A: Yes, the Peak #1983 10x Scale Loupe would be perfect for focusing on the ground glass of a 4x5 camera.

Q: 7. Does the field of view cover the entire area of a 35mm negative (or color slide)?

A: You can see an entire 35mm slide or negative at the same time using this loupe.

Q: 8. Does it have a divider (membrane) in the middle, so it can protect the back of the lens from dust, when only one lens is mounted?

A: Yes,it has and I use it a lot of times for fast switching between lenses instead of taking it out in the bag during location shoot.Hope this helps.

Q: 9. Does this swivel or are they rigid?

A: It will have a swivel feature. You just need to simply pull directly outwards and turn whatever direction you'd like.

Q: 10. I see in the last photo that it can rotate the lens, but my son has bouht it and it can not rotate. I want it can rotate, there are 2 models ?

A: Pull it out, then you can rotate it. I had the same problem for a while. So, if you have it on your belt, pull the lenses and their holder away from your belt and then you will be able to rotate the lenses and their holder. It is such a nice tight fit that it is easy to miss.