Shure Sm4 Cardioid Condenser Microphone Kit

Product Code: eq159445
Availability: In Stock

$807.00 $1,081.38

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Description
Reviews (17)

Bring the studio home with the SM4 from Shure, a large-diaphragm condenser microphone designed to provide home studios with accuracy and controlled low frequencies. Ideal for vocal and instrument recording, the SM4 features a 1" brass dual-diaphragm capsule and a patented RF shielding design for blocking unwanted interference.

The very high SPL handling of 140 dB allows you to capture sound sources like amplified instruments, drums, and epic vocal belting without fear. The internal pop filter helps reduce pesky plosives and rumbles for cleaner recordings. The low-profile design helps to avoid obscuring subjects on camera, ideal for streaming and content creation. The SM4 Kit includes a shockmount, a detachable magnetic pop filter, and a zipper carrying case.

For Home Studio Recording Smooth and Natural Audio Capture RF Shielding Blocks EMI Noise Ideal for Vocals and Instruments 1" Brass Dual Diaphragm High SPL Handling of 140 dB Internal Pop Filter Reduces Plosives Low-Profile, Streaming-Friendly Design Rugged All-Metal Construction Includes Shockmount, Pop Filter & Case

Key Specs
Polar Pattern	Cardioid
Element Type	Condenser
Controls	No
Frequency Response	20 Hz to 20 kHz
Maximum SPL	140 dB (1 kHz, 1% THD, 1-Kilohm Load) 145 dB (1 kHz, 1% THD, 2.5-Kilohm Load)
Analog Output	1x XLR 3-Pin Male
Power Sources	Phantom Power
Microphone
Polar Pattern	Cardioid
Element Type	Condenser
Sound Field	Mono
Diaphragm	2 x 1" / 50.8 x 25.4 mm
Orientation	Side Address
Controls	No
Pad	No
Circuitry	Solid-State
Performance
Frequency Response	20 Hz to 20 kHz
Maximum SPL	140 dB (1 kHz, 1% THD, 1-Kilohm Load) 145 dB (1 kHz, 1% THD, 2.5-Kilohm Load)
Sensitivity	-38 dBV/Pa
Connectivity
Analog Output	1x XLR 3-Pin Male
Power
Power Sources	Phantom Power
Operating Voltage	48 V
Physical
Color	Black
Mounting Thread Size	5/8"-27 Female
Weight	1.02 lb / 0.46 kg
Packaging Info
Package Weight	2.76 lb
Box Dimensions (LxWxH)	10 x 8.2 x 4.2"

Equipped with a brass 1" dual-diaphragm capsule, the SM4 captures clean, controlled low-end and smooth, detailed highs. The uniform cardioid polar pattern provides superior off-axis rejection of unwanted noise, and the large sweet spot reduces proximity effect.

Block unwanted RF noise from common wireless devices, including cell phones, laptops, and wi-fi routers. The proprietary system features an integrated pop filter and a woven-mesh Faraday cage that shields the microphone capsule for clean audio capture.

The internal pop filter enables clean, plosive- and rumble-free recordings for easier postproduction work. Compress or EQ to taste without bringing forward unwanted elements that can plague recordings and mixes. Additionally, the SM4's XLR output works with any interface

to achieve professional-quality recordings, no matter the environment.

Optimized to capture a wide range of sound sources, from soft vocals to loud instruments, including drums, guitar amps, and horns, the SM4 sports an exceptionally high SPL handling of 140 dB.

The SM4 sports a rugged, all-metal construction featuring cast Zinc. A sleek, low-profile design won't obscure the performer or environment, making an excellent streaming companion.

Related Questions and Answers

Q: 1. where do i connect the xlr cord?

A: The Senal SC-550X will require a pre amplifier and phantom power in order to operate. This can be done with a mixer or other device such as a computer interface, and will depend on your particular application.

Q: 2. Is it Mac & Garageband compatible? I assume so but just checking.

A: The Senal SC550X Cardioid Condenser Mic with USB Dual Audio Interface & Cable Kit is compatible with Mac OS X and garageband.

Q: 3. is this made by sony?

A: These are not SONY products. The microphones are made by Senal and RODE.

Q: 4. Is this mic compatible with this https://a href= http://www.bhphotovideo.com/c/product/1023480-REG/auray_bai_2x_2_sect_brdcst_arm.html target= _blank www.bhphotovideo.com/c/product/1023480-REG/auray_bai_2x_2_sect_brdcst_arm.html/a ?

A: Yeah! The kits themselves come with all of the materials you need to rig it up, too.

Q: 5. does this come with a cable you can plug into a computer with?

A: These are not USB microphones. They would need an interface to connect to a computer via USB.

Q: 6. Does this product come with a wire for it?

A: No, an XLR microphone cable is not included with the MXL 770.

Q: 7. I have a small production coming up where I have to record someone singing. Is than an appropriate mic for singing vocals? The talent will be listening to the music via headphones so this mic will only capture her voice.

A: For a recording application like the one you are describing, the Senal SC-550X would be a great model to consider for this application.

Q: 8. will it work with a mac?

A: Yes - with a compatible audio interface. Focusrite Scarlett 2i2 - Portable USB Audio Interface B&H # FOS2I2

Q: 9. Could I mount this on a C-stand or a light stand or do I have to buy a dedicated mic stand?

A: This Mathews c stand adaptor 252038N and the Auray thread adaptor would allow mounting of microphone to a C stand.It is not recommended to do this in a volatile environment; a mic stand is best.

Q: 10. does this mic have usb?

A: This is an XLR microphone - there is no USB output. The Senal UB-440 Professional USB Microphone B&H # SEUB440 might be a similar comparable USB model.

Dustin	24/09/2024
[Side Address] for recording my classical guitar 5

Ashwin	18/09/2024
[Mono] The voice sounds very bassy. Its pretty sensitive. Loved the fact that the shock mount came with it. Its well built. Its sensitive. When I monitor it I can hear sounds from far but when I use to for my calls like Zoom or teams, it just sounds great. 5

anyonymous	09/09/2024
[Phantom Power] Great microphone in good price. I usually use it for the trumpet, and it has a warm sound which is unusual for the condenser microphones in this price range. It also allow me to record little details such as articulations and dainamics. 5

kingdarrick	05/09/2024
[Mono] I purchased one two years ago, this one will be it's partner. 5

Michelle the Trumpeter	03/09/2024
[Side Address] After doing much research I settled on buying 2 of these. I had done some previous recording with 2 SM57's, but the SM81's have a flatter sound. I have only used these to record trumpet, but they sound is great and handles the loud sound and quick response very well. I also bought a Fathead Cascade to put right at my bell, and I personally like that sound better when I'm running only one mic. The 81's are going to sound great in the hall though. I do wish that they made one box for two mics. 5

anyonymous	02/09/2024
[48 V] Used for live sound with Allen & Heath WZ4 and QSC 16 kW system. Clear and crisp, very controlable especially going into low note vocals. This is a new purchase. Will have to see how it performs a few more times. 5

EB	28/08/2024
[2.76 lb] The Shure SM137 is very clear and flat, and with a controllable proximity effect. The flat frequency response in particular makes this a superb performer as far as versatility goes, being well suited to most applications in a studio style setting. As far as small diaphragm condensers go, this is as accurate as any, and with the Shure brand it's most certainly hardy. Also an excellent price for a very professional microphone. 5

Alan	08/08/2024
[Cardioid] I'm a full time audiobook narrator. I have tried several mics, including a Neumann TLM 103, a TLM 102, a Sennheiser MK4, a Sennheiser 416 and a Shure SM7B. For my voice, the KSM32 beats them all. It's very warm sounding and very versatile. It's an excellent buy. 5

Shelton	07/08/2024
[48 V] I bought this mic to track vocals for podcasting and public radio and I am so glad I did. It easily competes with higher tier mics and when it comes to quality and durability, this mic exceeds expectations. I loved it so much that I bought another one for a friend. Seriously. Buy this mic. And enjoy saving yourself hundreds, if not thousands. 5

Roger L.	03/08/2024
[Black] I’m not a career sound person. I do videography part-time (nights/weekends). My points of reference are built-in camera mics; DLSR add-ons like Rode’s Pro (short shotgun) & Stereo Pro; and built-in mics on portable recorders, like Zoom H5 & H1. Compared to those, my Shure PGA81-XLR’s have been a step up. The balanced line XLR cables pick up less ambient RF noise, giving me less audio clean-up work in post, and better audio results for the clean-up that I still do. And the cardiod pick-up pattern helps reduce audience noise, and phase interference between mics used in xy pairs for stereo. These are built like little tanks. I’ve had them 2 years, and use them every shoot. Seem indestructible. They list at 40-20,000 Hz (I guess all the dogs & toddlers listening to my videos appreciate the 10k+ end; I can’t hear it). Since these have no built-in low-cut (a.k.a. high-pass), I use them in shock cages on mic stands and don’t handle them during recording. This works very well. (Tip: in floor-pounding environments like theater, I like to put the mic stands atop a hand-cut circle of Damplifier automobile sound dampening foam.) I’m not qualified to comment on the ear-love from these: how “warm” or “sizzly” or “present” or they are (“with hints of oak, hominy, and spent transmission fluid”). But I am very fussy about sound, and these have been my go-to mics for best capture. I’ve used them for 50-piece orchestra projects; the conductor said the recording “brought tears to his eyes.” (Yeah, yeah, I know: happy tears!) I wouldn’t hesitate to recommend them, at least for anyone like me, looking to up their audio game from the non-XLR realm. But if your first use is run-and-gun video, then consider instead something like the Audio-Technica AT2022 or AT875R, since both are designed for DSLR-mounting. The 2022 is for low background noise settings and where stereo is important. The 875R is for high ambient/competing noise settings and where monaural sound is no big sacrifice. 5