Dulens Apo Mini Prime 58mm T2.4 Lens Canon Ef Black
- Product Code: eq159981
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Create an expressive, softer look for your cine-style capture with the Canon EF-mount Dulens APO Mini Prime 58mm T2.4 Lens Canon EF Blackfrom Dulens. Each lens in the APO Mini series covers up to full-frame sensors and features a special coating that smooths out skin tones and adds halation for a classic vintage feel. Shoot with the aperture wide open to create a notable rainbow flare, or stop down to minimize any flaring. This APO Mini Prime lens' focus is sharp but not rigidly so, producing a gentler look.
Covers Full-Frame Sensors | T2.4-16 Coated for Smooth, Vintage Look 0.8 MOD Focus & Iris Gears 80mm Front Diameter, 72mm Filter Thread Interchangeable EF Mount 46mm Image Circle 27" Minimum Focus Distance 11 Iris Blades Focus Marks in Feet & Meters
Key Specs | |
---|---|
Focal Length | 58mm |
Maximum Aperture | T2.4 |
Lens Mount | Canon EF |
Lens Format Coverage | Full Frame |
Filter Thread | 72 mm |
Image Stabilization | No |
Electronic Communication | No |
Parameters | |
Maximum Aperture | T2.4 |
Minimum Aperture | T22 |
Lens Mount | Canon EF |
Interchangeable Mount | Yes |
Lens Format Coverage | Full Frame |
Image Circle | Not Specified by Manufacturer |
Angle of View | Not Specified by Manufacturer |
Focus Scales | Metric, Imperial |
Filter Thread | 72 mm |
Minimum Focus Distance | From Unspecified Point in Lens: 15" / 38.1 cm |
Maximum Magnification Ratio | Not Specified by Manufacturer |
Diaphragm Blades | 11 |
Image Stabilization | No |
Gear Standard | Not Specified by Manufacturer |
Gear Rotation | Not Specified by Manufacturer |
Electronic Communication | No |
Diameter | Front: 3.1" / 80 mm |
Length | 2.7" / 68 mm |
Weight | 1.21 lb / 0.55 kg |
Packaging Info | |
Package Weight | 2.095 lb |
Box Dimensions (LxWxH) | 7.8 x 4.8 x 4.6" |
Create an expressive, softer look for your cine-style capture with the Canon EF-mount APO Mini 58mm T2.4 Prime Lens from Dulens. Each lens in the APO Mini series covers up to full-frame sensors and features a special coating that smooths out skin tones and adds halation for a classic vintage feel. Shoot with the aperture wide open to create a notable rainbow flare, or stop down to minimize any flaring. This APO Mini Prime lens' focus is sharp but not rigidly so, producing a gentler look.
Related Questions and Answers
Q: 1. is there a mount conversion kit? or do we need to buy whole new lens for it?
A: The NiSi ATHENA Prime T2.4/1.9 Full-Frame 5-Lens Kit (PL Mount) can work with Nisi Lens PL adapters to attach to other camera mounts. Nisi has adapters for Sony E, Canon RF, DJI DX, and Leica L (Blackmagic 6K and Panasonic cameras). Adapter list: https://bit.ly/47wQafr
Q: 2. Is this a mount exchange, removing the PL mount, or does the PL mount connect to this EF adapter? I think it's a mount exchange
A: Yes, the Dulens EF-Mount for APO Mini 43mm Prime Lens is meant to be swapped out with the existing mount on the lens. You would remove the PL mount on the lens and then mount the Dulens EF-Mount for APO Mini 43mm Prime Lens on the lens.
Q: 3. Will this lens include distortion profiles per XD / extended data?
A: The Canon CN-E 20-50mm T2.4 LF Cinema EOS Zoom Lens (PL Mount) will include a lens data port that can offer advanced lens metadata support and functions such as aberration correction, peripheral illumination correction, and focus guide function.
Q: 4. What kind of horizontal distortion does this lens render on full frame around the top and bottom of the frame? Does it have barrel distortion, bulge distortion, pincushion distortion, or wave/ wiggle distortion? Do lines stay straight horizontally?
A: All extreme wide lenses exhibit some level of barrel, chromatic, and rectilinear distortion. If you wish to avoid these negatives while using wide lenses, do not get too close to your subject and cause barrel distortion or tilt and cause leaning lines. This Canon CN-E 14mm reduces all wide angle distortions to an absolute minimum. This is in keeping with the fact that this lens is meant for the Hollywood market where only the best will do. Final note: Wide and tele lenses have characteristics unique unto themselves. In the beginning of their camera career, people often look at these characteristics as negatives to be overcome. In time, the user knows what to look for and then exploits these characteristics to storytelling advantage.
Q: 5. Is this lens compatible with a Sony FX9?
A: Yes, the Canon CN-E 45-135mm T2.4 LF Cinema EOS Zoom Lens (PL Mount) would work. However you would have to add a PL lens mount adapter. Wooden Camera PL to Sony E Mount Pro Adapter BH #WO233400
Q: 6. Has anyone compared the Sigma Cine Primes vs Canon Cine Primes? Would love to hear if the canon is a better choice or the sigma
A: Both Canon and Sigma Prime lenses will offer fantastic images.
Q: 7. Does this lens support 6k resolution? Can i put a circular ND filter & is there a 114mm circular ND filter?
A: This lens is capable of full 4K-Resolution performance. You can use 105mm screw in filters on all the Canon Cinema Prime Lenses. Here are three suggestions in good-better-best order: Tiffen 105mm Coarse Thread UV Protector Filter B&H # TIUVP105, B+W 105mm UV Haze MRC 010M Filter B&H # BWUVMC105, Sigma 105mm WR UV Filter B&H # SIUV105Q.
Q: 8. would you recommend the cannon cn-e 35mm lens on a Blackmagic URSA Mini 4K EF camera?
A: Yes, I would. Great combination!
Q: 9. which one is better, this lens or Rokinon Xeen 16mm T2.6?
A: The Canon would be considered the overall superior lens. But the Rokinon Xeen lenses are terrific glass for the money that would perform admirably in most projects for most filmmakers.
Q: 10. What is the image circle?
A: Canon does not provide image circle specifications for the Canon CN-E 20-50mm T2.4 LF Cinema EOS Zoom Lens. However, They do say it has 8K Optical Performance and it is designed for Full Frame Cameras.
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