The 24773 Cinema Contour Fixed Frame Screen by Da-Lite has a 40.5 x 95.0" viewing area, 2.35:1 aspect ratio, and 103" diagonal.

The HD Progressive 1.3 surface has a gain of 1.3, 150° viewing angle, and is ideal for applications where projector brightness and screen size require an increase in gain. The pure white HD Progressive surface offers true color reproduction, and allows for more flexibility with ambient light conditions. This seamless surface also allows for easy viewing of detail in video as well as charts and graphs in a corporate setting. HD Progressive 1.3 can be cleaned with mild soap and water, and is flame-retardant and mildew-resistant. This surface has also achieved GREENGUARD GOLD Certification. Black backing on the back of the viewing surface prevents light bleed-through.

The aluminum frame is 3” wide by 1.63” and is covered with black Pro-Trim fabric, which absorbs excess light around the viewing area. The frame is slip-jointed at corners and joints. The screen also includes standard wall-mounting brackets.

103" Diagonal    2.35:1 Cinemascope Format    HD Progressive 1.3 Surface    1.3 Gain & 150° Viewing Angle    Black Backing Retains Brightness    Surface is Seamless    3" Wide Frame    Pro-Trim Fabric Frame Covering

45° angle cut frame

Flat viewing surface mounted on the back of an aluminum frame with masking or cropping border

Standard black backing retains projected brightness

Related Questions and Answers

Q: 1. What focal length does the EZ-1 crop to due to FF read element if its 15-40mm?

A: The Angenieux EZ-2 15 to 40mm Cinema Lens Pack (Super35 and Full-Frame) will expand to cover a full frame sensor, making it function as a 22-60mm lens, when used with the full frame adapter.

Q: 2. Is the lens metadata? /I?

A: You will need to use the Angénieux MSU-1 & MSU-1A Universal Cine Servo Units for lens metadata and /i Cooke communication.

Q: 3. Will this work with the metabones speed booster?

A: We usually do not recommend using this lens with a speed booster as it is already designed to compensate for the crop factor change between Super 35mm and Full Frame. The lens can be configured as a 30mm-90mm Super 35mm lens or a 45mm-135mm Full Frame lens which will result in the same field of view for both configurations. (The field of view in Full Frame mode is 45.6°-15.9° and the filed of view in Super 35mm is 43.6-15.2°) Therefore it is more effective to use the lens in super 35mm mode then have it in Full Frame and use a Speed Booster if you plan on using it with Super35mm cameras. If you plan to use it with a Micro 4/3 camera a speed booster we recommend swapping the PL mount for EF first. Angenieux EF-Mount for EZ-1 and EZ-2 Zooms B&H # ANEZEFMOUNT MFR # EZ-EF MOUNT

Q: 4. If Im shooting with a Red Gemini, will I get a true 30mm?

A: The Red Gemini 5K has a Super 35mm Sensor. Any lens you put on it will be subject to a crop factor, which varies depending on the mode you are shooting. It will not give you a 30mm field of view as it is not a Full Frame Sensor.

Q: 5. What is the widest physical dimension of this lens? I'm trying to see what size I would need to cut out in a custom made shape I'm creating in a case. Thanks

A: The Front diameter of this lens is 114mm, which appears to be the widest part of the lens.

Q: 6. I see this series of lenses have a S35 compatibility. So how do you think these EZ lenses would preform compared to Cooke miniS4/i?

A: Angenieux has been making lenses since 1935 and their lenses are world class outstanding in build and image quality. They are in the same league as Cooke, Zeiss, Panavision, et all. I would say that the Angenieux would be of the same quality as the Cookes over all but the question comes down to what look your production needs. The Cooke look is the beloved one of warmth and easy focus roll-off. It is very complementary for faces. Angenieux is more neutral in color and again an easy focus roll-off. Then there is the big consideration that primes look different than zooms. In the end, while the differences are only apparent to the trained eye, these considerations are what make up the totality of the movie experience. I would say the decision comes down not to whether one lens is good or bad but which lens is right.

Q: 7. Does this lens share compatibility with either ARRI LDS, Cooke /i, or Zeiss eXtended data?

A: The Angenieux EZ-1 30 to 90mm Cinema Lens Pack (Super35 and Full-Frame) is not listed as having data capability.

Q: 8. What is the cleanest and cheaptest way to connect one of these to fibre optic cable entering my home? What box or adapter?

A: Your ISP would need to provision a modem that would convert the optical signal to a TCP/IP signal. The modem, in turn, would connect to the TP-Link Deco X95 AX7800 Wireless Tri-Band Multi-Gig Mesh Wi-Fi System.

Q: 9. Works for the Blackmagic Cinema Camera Pocket 4K?

A: No, the Vello Film Screen Protector for Blackmagic Pocket Cinema Camera is not compatible with the Blackmagic Cinema Camera Pocket 4K.

Q: 10. Does it come with a case?

A: For the Angenieux EZ-2 15 to 40mm Cinema Lens Pack (Super35 and Full-Frame), there is a 2-lens kit available, which come with a case: Angenieux EZ-1 30-90mm & EZ-2 15-40mm Zoom Lens Kit with Hard Case BH #ANEZ12S35PLK