Behringer Umc1820 Usb Audio Midi Interface Midas Preamps
- Product Code: eq160326
-
Capture your band's best performance with the Behringer UMC1820, an 18x20 USB audio interface for recording mic, line, and Hi-Z instruments into your favorite DAW. The UMC1820 features eight Midas-designed microphone preamps with +48 phantom power for powering professional condenser microphones. You can record keyboards via the line level inputs and Hi-Z for bass and guitar without a DI.
The high-quality 24-bit / 96 kHz converters capture your instruments and vocals with pristine quality, ensuring the best possible recordings. The interface features 8 inputs, two main output, and an additional eight outputs for outboard gear and headphone monitoring. Additionally, the UMC1820 includes a variety of digital I/O including SPDIF (RCA coaxial) and eight channels of ADAT, which is compatible with Behringer ADA8200 (sold separately) for expanding to a total of 16 Midas designed mic preamplifiers. There is also standard MIDI (5-pin DIN) for connecting to your favorite synths and drum machines. A 12 VDC power supply is included.
18 Input / 20 Output Audio Interface 24-Bit / 96 kHz Resolution Midas-Designed Microphone Preamps Optical I/O: S/PDIF, ADAT and S/MUX Low Latency with Direct Monitoring Two Independent Headphone Outputs Main Output w/ Dim, Mute, Level Controls Impact Resistant Chassis Includes Power Adapter
Key Specs | |
---|---|
Channels of I/O | 18 Inputs / 20 Outputs |
Maximum Sampling Rate | 96 kHz / 24-Bit |
Number of Microphone Inputs | 8 |
Analog Audio I/O | 8x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 10x 1/4" TRS Balanced/Unbalanced Line Output 2x 1/4" TRS Unbalanced Headphone Output |
Digital Audio I/O | 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Input 1x TOSLINK Optical ADAT Input (S/MUX Support) 1x TOSLINK Optical ADAT Output (S/MUX Support) |
Host Connection | 1x USB-B (on Interface) |
OS Compatibility | macOS Windows |
Power Requirements | AC/DC Power Adapter (Included) |
Parameters | |
Channels of I/O | 18 Inputs / 20 Outputs |
Built-In DSP | No |
Maximum Sampling Rate | 96 kHz / 24-Bit |
Number of Microphone Inputs | 8 |
Built-In Microphone | No |
Input Level Adjustment | 8x Knob |
Signal Processing | |
Pad | No |
High-Pass Filter | No |
Solo/Mute | No |
Connectivity | |
Analog Audio I/O | 8x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input 10x 1/4" TRS Balanced/Unbalanced Line Output 2x 1/4" TRS Unbalanced Headphone Output |
Phantom Power | 48 V |
Digital Audio I/O | 1x RCA Coaxial S/PDIF Input 1x RCA Coaxial S/PDIF Input 1x TOSLINK Optical ADAT Input (S/MUX Support) 1x TOSLINK Optical ADAT Output (S/MUX Support) |
Host Connection | 1x USB-B (on Interface) |
Host Connection Protocol | USB 2.0 |
USB (Non-Host) | No |
Sync I/O | No |
Network I/O | No |
MIDI I/O | 1x DIN 5-Pin Input 1x DIN 5-Pin Output |
Expansion Slots | No |
Wireless | No |
Performance | |
Frequency Response | Combo XLR-1/4" Mic, Line, Hi-Z Inputs: 10 Hz to 85 kHz 0/-3 dB Monitor: 10 Hz to 40 kHz 0/-3 dB |
Maximum Input Level | Mic/Line: +11 dBu Hi-Z: +18 dBu |
Maximum Output Level | Line/Main Outputs: 16 dBu Headphone: 21.5 dBu |
Impedance | Mic : 3 Kilohms Hi-Z : 1 Megohm |
Dynamic Range | 106 dBA |
Sample Rates | 44.1 / 48 / 88.2 / 96 kHz |
Sample Rate Conversion | No |
Bit Depths | 24-Bit |
Sync Sources | No |
Audio Storage & Playback | |
Media/Memory Card Slot | No |
Compatibility | |
OS Compatibility | macOS / Windows |
OS Compatibility | macOS Windows |
Mobile App Compatible | No |
Mobile Device Compatibility | No |
Required Hardware | USB 2.0 Port |
Power | |
Power Requirements | AC/DC Power Adapter (Included) |
AC Input Power | 100 to 240 VAC, 50 / 60 Hz |
AC/DC Power Adapter | 12 VDC |
Power Consumption | 20 W |
Physical | |
Dimensions | 19 x 5.1 x 1.8" / 48.3 x 13 x 4.6 cm |
Weight | 4.0 lb / 1.8 kg |
Packaging Info | |
Package Weight | 5.6 lb |
Box Dimensions (LxWxH) | 24.5 x 7 x 4" |
- 18x20 USB2.0 Audio/MIDI Interface with ADAT I/O for recording microphones and instruments
- Audiophile 24-bit / 96 kHz resolution for professional audio quality
- Compatible with popular recording software including Avid Pro Tools, Ableton Live, Steinberg Cubase, etc.
- Streams 18 inputs and 20 outputs of ultra-low latency audio to your computer, supporting Mac OS X and Windows XP or higher
- 8 state-of-the-art, Midas-designed mic preamplifiers with +48V phantom power
- Optical I/Os supporting S/PDIF, ADAT and S/MUX formats up to 96 kHz
- Simultaneous use of all analog, coaxial S/PDIF, optical ADAT and MIDI signals
- Zero-latency direct monitoring of all analog inputs while recording
- ADAT input allows for combination with Behringer ADA8200 (not included) for expanding to a total of 16 Midas designed Mic Preamplifiers
- Input/Playback Mix control and Stereo/Mono switch for direct monitoring
- Powerful dual Phones outputs with individual Level controls and Monitor A/B source select for DJ-style cueing
- Main Outputs with Dim, Mute and dedicated Main level control
- 19", 1 RU cabinet with detachable rack mount brackets
- Built-like-a-tank, impact-resistant metal chassis
Plug in microphones, instruments or line-level sources to the UMC1820's 8 combination XLR/TRS inputs for the ultimate in studio flexibility. Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow. And since the UMC1820 is compatible with all popular recording software including Apple Logic Pro, Avid Pro Tools, Ableton Live, Steinberg Cubase, and others, it's ready for anything.
The UMC1820 provides up to 96 kHz resolution for even the most demanding applications in music as well as video postproduction. Work with confidence and accuracy in your favorite recording software for professional results every time.
The integrated Midas-designed mic preamp provides the ultimate in high-quality audio reproduction in both live and studio environments.
The UMC1820 mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly and with no delay or lag in the returning signal, resulting in better performance and recording. The two powerful headphone outputs have their own level control and Monitor A/B source select for DJ-style cueing.
Related Questions and Answers
Q: 1. Made in USA or made in China?
A: The MOTU M4 is made in China.
Q: 2. Can we output audio from both Input 1 and Input 2 simultaneously to the usb so that we hear both inputs at the same time (mono-mix or stereo mix)?
A: Yes. This will allow two simultaneous inputs.
Q: 3. Are the line outs 3/4 able to be switchable outputs? For example I use Vmix for streaming and need to be able to send something different to my speakers than what is going to my headphones. So I want to make sure I can route output 3/4 as like just playback and main outputs as the master.
A: Line Outputs 3/4 will output the same audio that is coming from your main monitor outputs 1/2. The reason for outputs 3/4 is primarily for routing to outboard gear like reverb or effects processors and then bring that audio back into your line inputs, to mix with your existing audio. You can also monitor through another pair of monitors using line outs 3/4.
Q: 4. The specs say this has 32 bit. How would that compare to the 32 bit in the Zoom F6?
A: The Motu M2 records in 24-bit.
Q: 5. Is this the new 2021 version with the new DAC converter and the extra fixing screws in the front?
A: Yes, we are currently carrying the most recent version of the MOTU M2.
Q: 6. Can I connect 4 XLR Mics to this interface?
A: This interface offers just two XLR microhone inputs.
Q: 7. Can I power this with a USB-C powering jack (wall wart) and use it without a computer?
A: Yes, it can be powered via a USB-C wall adapter and used as a standalone pre-amp.
Q: 8. I noticed that the front connectors say XLR/LINE/Guitar yet I dont see a switch to change it from line to instrument. How does this work?
A: The interface adjusts automatically based on what input connection is used. Please note, the XLR connection is only meant for mic level sources, any +4 line level input should be connected to the TRS input of the interface.
Q: 9. Looking for an audio interface in the $200-$1k range that records in 32bit float, that works effectively on windows using FL Studio. Does this exist?
A: Yes, the MOTU M4 Desktop 4x4 USB Type-C Audio/MIDI Interface offers 32-bit float capabilities and is compatible for use with Windows as well as FL Studio.
Q: 10. Will this work on a 2015 iMac?
A: This should connect to a 2015 iMac via the included USB C to A cable. Your macOS will need to be 10.11 or higher in order for this unit to operate.
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