The DPA 4018ER Supercardioid Microphone with Cablefrom DPA 4018ER Supercardioid Microphone with Cableis designed for capturing professional-grade audio. It can be used for music recording in broadcast, ENG, film, and long-distance miking applications such as booming, dialogue, interview, and table or spot-recordings. The microphone features a uniform and controlled supercardioid capsule that provides maximum separation without off-axis frequency peaks and dips for an even sound around the microphone. Additionally, the rear lobe pattern is minimized for isolation. The 4018ER offers a frequency range of 20 Hz to 20 kHz and is suitable for use as a spot or hanging mic for orchestra recording situations. The microphone is powered by 48V of phantom power and includes an SM4000-C suspension mount.

For Broadcast, ENG and Film Recording    20 Hz to 20 kHz Frequency Response    48V Phantom Power    Well Controlled Supercardioid Pattern    Great for Spot Recording Situations    Foam Windscreen is Included    Suspension Mount is Included

Directional supercardioid pattern

Uniform frequency with independent directionality

Low noise and high sensitivity for distant positioning

Can be used for spot miking orchestra sections and singers

Related Questions and Answers

Q: 1. can I use the MKH 50 outdoor to record sound? Is it so bad?

A: If you plan to use the Sennheiser MKH 50 outdoors, which is entirely feasible, it would be highly recommended to combine it with a sturdy windshield such as BH #RYSSKS or BH #RYWSQAT.

Q: 2. What will provide some protection for the mic from damage (only need for use indoors) better than the foam windscreen?

A: The only accessories made to actually mitigate damage to the MKH 50 P48 Microphone would be a case for safe storage and transport. In general, wind protection such as foam is not meant to protect against damage, only excessive wind noise and should not be misconstrued for physical protection. While it's true the foam can provide some slight protection against shock, you should still treat the microphone with the same level of care as you would with out any wind protection.

Q: 3. Where is the MKH 50 made?

A: Country Of Origin GERMANY

Q: 4. How does this compare with the 8060 for use as an on-camera mic?

A: The Sennheiser MKH 50 P48 Microphone and the Sennheiser MKH 8060 Short Shotgun Microphone are both very good mics. The MKH 8060 has frequency response range of 50 Hz to 25 kHz and a maximum sound pressure level rating of 149 dB while the MKH 50 has a frequency response range of 40 Hz to 20 kHz and maximum SPL rating of 134 dB. The MKH 50 has a built-in -10 dB pad which allows for more headroom while increasing the maximum SPL rating to 142 dB, and it also has a low frequency roll-off switch to minimize rumble and noise. The MKH 8060 has no switches or controls. The equivalent noise level is similar for both mics, at 11 dB (A-weighted) for the MKH 8060 and 12 dB (A weighted) for the MKH 50. The MKH 50 is a shorter mic at 0.98 x 5.91" while the MKH 8060 measures 0.75 x 7.01". The MKH 50 has a supercardioid pickup pattern while the MKH 8060 has supercardioid pattern at low to midrange frequencies and transitions to lobar in higher frequencies. The MKH 50 is designed for use as a spot mic, usually mounted on a boom for overhead applications to focus on one person to record dialog. It is often used for studio applications. The MKH 8060 is better suited for mounting on a camera and it can be used for a wider range of applications such as films, documentaries, and outdoor shooting. The MKH 8060 is also moisture-resistant.

Q: 5. Does this contain the same removable capsule as the DPA 4018C?

A: This mic has the same 4018 capsule as the 4018C variant.

Q: 6. is there a recommended pistol grip for shooting situations where a boompole is not feasible? for the mkh50

A: The Auray Universal Microphone Pistol Grip (BH #AUGRIP) is a recommended handheld pistol grip for adapting to the shock mount and microphone in the Sennheiser MKH 50 Supercardioid Microphone Kit.

Q: 7. Compared to the DPA 4097, what is the reach of the 4018? In other words, how far from the speaker's mouth can the 4018 be used to still get good sound?

A: Both the DPA Microphones 4097 CORE Micro Shotgun Microphone and the DPA Microphones d:dicate MMC4018 Supercardioid Microphone Capsule have directional supercardioid pickup patterns. DPA does not specify a specific distance from the source for optimal sound capture. As sound sources can vary, different distances from the source to the microphone can achieve similar or different results depending on the scenario. In general, however, 2-3 feet is a typical distance for good audio capture with this style of mic.

Q: 8. Is this shock mount appropriate for the Razer Seiren Emote mic?

A: No, the DPA Microphones Microphone Shock Mount UA0897 would not be an appropriate choice for this mic. I would suggest a universal shock mount such as the Rycote InVision Universal Microphone Shock Mount (BH #RYINVUSM).

Q: 9. I hope you have a promotion of DPA4017C with cinela pianissimo, will you have it?

A: DPA Microphones 4017C Compact Shotgun Microphone with MMP-C Preamp B&H # DP4017C

Q: 10. Is the spec. given here for the diaphragm an error? i.e., 0.05' / 16 mm. Surely 16mm = 0.5'

A: Here us the specification as published by DPA microphones: Capsule Diameter - 16mm (0.6 in).