Dpa 4011Fjs Cardioid Microphone With Boom Stand

Dpa 4011fjs Cardioid Microphone With Boom Stand

Product Code: eq16321
Availability: In Stock

$7,620.00 $10,744.20

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Description
Reviews (6)

The DPA 4011FJS Cardioid Microphone with Boom Standfrom DPA 4011FJS Cardioid Microphone with Boom Standfeatures a 75cm boom floor stand and is designed for capturing professional-grade audio. It can be used in venues such as lectures, live stage, studio, public speaking events, and similar applications. The microphone features a cardioid capsule and a frequency range of 20 to 20 kHz. It is powered by 48V of phantom power.

When used for musical instruments, the microphone's capsule is a reference standard for its low-distortion and wide dynamic range. When used for voice scenarios, the 4011FJS microphone sounds natural and provides clear and accurate sound. The cardioid polar pattern also provides a noise rejecting quality for clear and intelligible speech. Additionally, no equalization is needed to remove microphone artifacts. A 75cm floor stand, a microphone clip, and a windscreen are included.

Cardioid Capsule 20 to 20 kHz Frequency Response 48V Phantom Power For Musical Instruments Excellent for Speech Low Distortion Hugh Dynamic Range 75cm Boom Floor Stand Included

Key Specs
Polar Pattern	Cardioid
Element Type	Condenser
Controls	No
Frequency Response	20 Hz to 20 kHz
Maximum SPL	144 dB
Analog Output	1x XLR 3-Pin
Power Sources	Phantom Power
Microphone
Polar Pattern	Cardioid
Element Type	Condenser
Sound Field	Mono
Diaphragm	0.7" / 19 mm
Orientation	End Address
Controls	No
Circuitry	Solid-State
Performance
Frequency Response	20 Hz to 20 kHz
Maximum SPL	144 dB
Sensitivity	-40 dB (at 1 kHz)
Dynamic Range	121 dB
Equivalent Noise Level	18 dB (A-Weighted) 25 dB (ITU-R 468)
Connectivity
Analog Output	1x XLR 3-Pin
Power
Power Sources	Phantom Power
Operating Voltage	48 V
Physical
Color	Black
Dimensions	ø: 0.75 x L: 1.38" / ø: 19 x L: 35 mm

Wide dynamic range

Comes with 75cm floor stand

Voice intelligibility straight out of the mic, no equalization needed to remove microphone artifacts

The capsule is a reference standard for low-distortion and linear approach when used with musical instruments

Provides an accurate and transparent sound

Related Questions and Answers

Q: 1. Is the base removable?

A: Yes. Thr base is removable.

Q: 2. Can this be used with a Comica Boom X-D Transmitter?

A: Yes, the transmitter for the Comica Audio Boom X-D Transmitter has an 1/8'' TRS mic input for direct compatibility with the Pyle Pro Cardioid Condenser Headset Microphone with Flexible Wired Boom.

Q: 3. What are the thread widths?

A: The thread on the end of the K&M mic stand is 5/8"-27.

Q: 4. what is the tripod leg length, and tripod maximum diameter?

A: Each of the tripod legs is approximately 14-inches long, with a total footprint of about 28-inches..

Q: 5. Is the base removable? Does it unscrew?

A: Yes. The base is removable.

Q: 6. Can you separate the vertical rod from the base tripod?

A: Yes, the boom can be separated from the base in a few different ways. This is a very versatile and configurable stand.

Q: 7. Would this hold a Rode NT1-A with Shock Mount and Pop Filter?

A: Yes, the K&M 21070 Tripod Microphone Stand with 32" Boom will support a large diaphragm condenser microphone such as the Rode NT1-A.

Q: 8. does this stand come with clips to attach mic cable to stand?

A: Yes, one snap-on clip.

Q: 9. Can it hold heavy large diaphragm mic securely?Thanks

A: Absolutely. This is the most stable tripod base mic stand there is. Its larger base makes a significant difference. If the heavy mic is going on the boom, a leg will need to be positioned under it. Much better material quality than the imitations.

Q: 10. I'm an aspiring filmmaker fairly new to professional audio. I own the Rode VideoMic and was wondering if it would attach to this boom? What type of attachment is required?

A: The microphone has a 1/4 20 female mount on the bottom of the cold shoe foot. A 5/8 -27 would be required:The WindTech M19 5/8 -27 Female to 1/4 -20 Male Adapter adapts any standard microphone stand to photo standard thread. B&H # WIM8219

Edward	06/09/2024
[Black] This stand has three vertical sections, and is short enough for a spot mic on a bass or cello, or a piano on half-stick without removing the boom, yet tall enough for a singer or an overhead spot mic on a seated musician. This stand has a heavy base for good stability, even with the boom extended. I have other short stands, but none are as flexible as the K&M 252. 5

Danny Boy	05/08/2024
[Phantom Power] The sound is both fat and loud; really nice. This mic replaced the Sennheiser MKE2, which was quieter and thinner. Though the DPA 4080's sound is really full, the speech intelligibility is superb. The spoken word is distinct and clear. Used in a Baptist church with a Sennheiser lapel (EW 112p G4) microphone. If you want pro quality sound for your sermon, get this mic. 5

Adrien	13/06/2024
[Cardioid] I love the detail that this mic picks up. The wider spread and small footprint makes it ideal for doing field recordings for sampling in music and foley. Close mikig does a good job of isolating asound, while pulling it back sets it in its environment, and its size allows it to be camera mounted with ease. Great mic! 5

Nicholas	19/05/2024
[Solid-State] I wanted to find a good stand that was super compact and this is perfect. The quality is five star. 5

Terran	25/04/2024
[Cardioid] Microphone stands are workhorses that simply must have solid construction or a gig can be destroyed if one fails. The 252 is compact (a necessity for a traveling musician) and sturdy. I've tried stands by other companies and none are anywhere as good as this one is. 5