Ideal for connecting together pro audio equipment in live and studio environments, the 6' Premier DB25 to XLR Male Breakout Cable from Warm Audio delivers eight channels of balanced analog audio from numerous inputs and outboard gear to interfaces and mixers. With high-end Gotham cabling and gold-plated connectors, this cable snake offers pristine audio quality.

The DB25 end sports an all-metal shell with balanced metal thumb screws for a durable and reliable attachment to mixers, stage boxes, patch bays, and interfaces, while the jacket features a woven nylon design that provides excellent dexterity and resilience to wear and tear. Gotham shielding ensures ultralow-noise operation, rejecting RFI and EMI. The Warm Audio Premier cables include a lifetime warranty for peace of mind.

Ideal for Studios and Stages    Metal DB25 Connector to 8 x XLR3M    Connect Interfaces to Outboard Gear    Integrate Mixers & Gear with Patchbays    8 Channels of Balanced Audio    Secure Metal Thumb Screws    High-End Gotham Cabling    Gotham Shielding for Low Noise    Custom Gold-Plated Connectors    Durable Woven Nylon Jacket

Warm Audio Premier DB25 cables use custom cable stock from Gotham, Switzerland. The design and build quality of the cable reduces RFI/EMI with pristine shielding and insulation.

Not just for show, Warm Audio Premier DB25 cables use gold plating for the connectors. Gold is a superior conductor of electricity, surpassing copper and silver as the ideal choice for passing clear audio signals with the lowest possible noise. Gold is also highly resistant to corrosion and immune to oxidation, improving the longevity of the connectors.

Like all Warm Audio gear, the Premier DB25 cable family is meticulously hand tested and inspected by trained technicians in Austin, TX USA.

Related Questions and Answers

Q: 1. Does SONY A7III support digital input from this adapter or analog only?

A: The Sony A7III will work with this product for Analog Audio only.

Q: 2. Will this work with a a7iii?

A: Yes, the Sony a7 III Mirrorless Camera will support the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone via its Multi Interface Shoe.

Q: 3. Can the XLR-K3M receive a AES3 digital signal via the XLR inputs (from say for example, the Lectrosonics DCHR) thereby eliminating the need for a second analog to digital conversion?

A: This unit is not designed to take in AES XLR connections.

Q: 4. Is this same form factor as previous model? I am usi g cage for sony xlr adapter and I hope this model will fit as well. Thank you!

A: This will be very similar in design to previous models, but not identical. While it will depend on the exact cage you have, if the XLR unit you have now sits on top or over the cage this should work in the same way.

Q: 5. Is this compatible with the FX3?

A: The Sony FX3 Full-Frame Cinema Camera has a multi-interface shoe. This makes it compatible with the XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone, as well as the Sony recommended XLR-H1 XLR Handle Unit.

Q: 6. How long is the MI shoe cable and does Sony make any longer shoe cables available separately?

A: At this time, Sony does not specify the length of this cable. We do not see any additional cable options for this unit.

Q: 7. will each input record to a separate channel on A6400, or will all inputs be mixed on one channel?

A: The input select switch on the back of the unit allows you to configure this unit to have inputs 1 and 2 recorded to separate tracks.

Q: 8. What is the micro usb port used for?

A: The Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit with Shotgun Microphone does not have a micro-USB or USB port.

Q: 9. Is the shotgun mic mount removeable? If not, are there screws which look like I might be able to take it off with some customization?

A: Yes the shotgun microphone is removeable.

Q: 10. What are the advantages and differences to consider in relation to the Sony ECM-B1M?

A: They are very different microphones. The KM3 allows you flexibility to use other XLR mics. The B1M is more compact. If you pair it with a A7RM4 its a fully digital path. If you are looking for flexibility then get the KM3. If you want a small mic with some noise isolation then get the B1M.