Audio engineers and video editors in need of a complete audio restoration tool set will be impressed with iZotope RX 11 Advanced, the latest update to their audio repair software, which is considered a staple within the recording, mastering, audio-for-video, and postproduction communities. The software can operate either as a standalone application or a plug-in for both Mac- and Windows-based DAWs and NLEs. From fixing common audio problems like noises, distortions, and inconsistent recordings, to repairing severely damaged audio using Spectral Repair, the software can transform previously unusable audio into something usable.

The advanced edition of RX 11 features new state-of-the-art neural networks that supercharge the machine-learning algorithms, enabling real-time, low-latency processing for Dialogue Isolate, the highest quality stem separation for Music Rebalance, and improved intelligence and speed for Repair Assistant. iZotope also added an industry-first Loudness Optimize tool alongside the new Streaming Preview, so you can release tracks in confidence—major upgrades to their Audio Random Access (ARA) processing for a seamless workflow. All previous modules are in place for RX 11 including multichannel support, high-quality resampling, dithering, and the rest of RX's classic features. As always, RX 11 can be used as a standalone audio editor (including standalone but connected to your host via RX Connect, or as your DAW's audio editor in the case of Logic Pro), although much of it can be used as a suite of plug-ins in any DAW.

Includes RX 11 Advanced    Includes Dialogue Match    Includes Neutron 4    Includes Nectar 4 Advanced    Includes Insight 2 Metering    Includes Tonal Balance Control 2    Includes Exponential Audio Stratus 3D    Includes Exponential Audio Symphony 3D    Includes Relay and Melodyne 5 Essential    Mac and Windows, AU, AAX, VST3

• New and Improved Dialogue Isolate: iZotope overhauled Dialogue Isolate, adding in Dialogue De-reverb and state-of-the art machine learning that enables lightning-fast (real time) processing. Now you can de-noise dialog or vocals and control reverb in one easy-to-use module (also available as part of RX 11 Standard for the first time). The Advanced version includes a brand-new high-quality offline processing mode with multiband processing.
• New Streaming Preview: There’s no worse feeling than putting heaps of time into a track only to be disappointed with how it sounds on streaming services—so here comes Streaming Preview. Now you can hear your tracks the way the rest of the world hear them and release with confidence.
• New Loudness Optimize—Tracks still sounding quiet at maximum loudness? Analyze any opportunity for improvement with the smart Learn function, and automatically adjust your tracks with Loudness Optimize. Just export your new master, and you’re ready for release.
• Improved Music Rebalance: Easily reanimate an existing mix, prep for a remix, or create instrumentals and vocal stems with Music Rebalance. Shape your sound with laser focus thanks to Music Rebalance’s improved stem separation, featuring upgraded machine-learning based on the most modern neural network available. (Included in Standard and Advanced.)
• Improved Repair Assistant: Clean up tracks faster than ever with enhanced precision. Polish dialog and vocals with ease thanks to new machine-learning tech, and make final tweaks with deeper controls. The next-generation Repair Assistant goes from trusty helper to lifesaver.
• Improved Dialogue Contour: Adjust the character and expressivity of a voice with new levels of control in Dialogue Contour, ensuring that dialog edits flow seamlessly. Take care of frankenbites with ease, no matter how many takes you need to stitch together for a perfect delivery.
• New Mid/Side Mode: Visualize and process your stereo image with new Mid/Side mode in RX’s main window.
• New Audio Devices Refresh: Refresh audio devices in preferences without having to quit and restart RX.

Related Questions and Answers

Q: 1. Is this rack mountable?

A: The Roland V-1SDI is not rack mountable, it is designed to be used on a table top so you can access the control surface. However you could put this on a Sliding Rack Shelf, that way you can pull the unit out when you need to use it.

Q: 2. Does this (and the other Models) record post fader for individual tracks to the SD card? The manual mentions a "post record switch" and "When this switch is on, signals from after the MAIN fader are recorded to the SD card." That's all the info in the manual about this feature. I need to know if this switch allows recording of each channel post fader to the SD card.

A: The Tascam Model 12 Integrated Production Suite Mixer/Recorder/USB Interface appears to standardly record "pre-fader" signals to the SD card. This indicates that the signal at the input source is being recorded before it is affected further down the signal chain by EQ and individual fader level settings. There are ways to change this, such as the "POST REC Switch" you mention, which would indicate a post-fader recording of each channels "mix" level signal. The manual also mentions the ability to select the positions that recording signals are sent from each channel, including the ability to send Pre or Post Compression and Post EQ.

Q: 3. On the model 12, does the phantom power provide to all channels altogethe or we can choose which channel being phantom powered?

A: The Phantom +48V switch on the TASCAM Model 12 Integrated Production Suite Mixer/Recorder/USB Interface activates phantom power on channels 1 to 6, 7/8, and 9/10 simultaneously. When you are using condenser mics and dynamic mics together, you can use balanced dynamic mics, which will not be affected by phantom power, however, unbalanced dynamic mics cannot be used when phantom power is enabled.

Q: 4. What is the A/D & D/A on this Unit? Also, what is the max Mic Pre Gain? Specs look confusing...seems to be +50db which is not enough for a SM7b (needs 60db) without a Cloudlifter

A: Tascam does not disclose which converters they are using. And yes, you will need to use a cloudlifter when using an SM7B.

Q: 5. Will this work with the Vidiu Pro encoder?

A: Yes it will work. You will be able to output from the V-1HD through HDMI in to the Teradek VidiU Pro, B&H #TEVIDIUP.

Q: 6. Please, what is the extra port beside both the mic and phone - the one with the 2 dots?

A: The extra port next to the Mic and Phone connections with the 2 dots is actually a volume control for the Mic Input and Headphone output.http://bit.ly/2aIAA5S

Q: 7. Does this switcher and cameras used with it need to be genlocked?

A: I use canon XA20 HF M500 HF R600 HF R500 AND SOME OTHERS

Q: 8. Can this switcher be used with wirecast?

A: Although the Roland switcher can connect to a PC via USB with dedicated application for control, if you wish to bring in the program video output signal from the switcher into Wirecast on your computer, you will need to use a capture device. Examples of HDMI capture devices for PC are Magewell XI100DUSB HDMI USB 3.0 Capture Dongle or for Mac with thunderbolt, Blackmagic Design UltraStudio Mini Recorder Capture Device.

Q: 9. Does anyone who owns this have an issue with one of the main buttons sticking? I just received my brand new switcher today and Button 1 on the A bus (top row) has a tendency to stick when you press it in all the way (it stays de-pressed). It still works well and if you don't press it in all the way, it's fine. But I can't get the others to stick even if I tried but this one sticks every so often when it's pushed in all the way. It usually pops back up shortly after or you can sort of wiggle it and it'll pop up again, but I can't imagine this is normal...or is it? Outside that it all works flawlessly and I LOVE the iPad app!!

A: The buttons on this unit really should not be be sticking. Feel free to contact us at cs@a href= http://bhphoto.com target= _blank bhphoto.com/a if you feel like this is an issue you'd like addressed.

Q: 10. Does it have a PIP option?

A: Yes it does