[0.065 lb] I ordered two of these cases and they are a perfect way to carry one's, 4x5 film holders. They are very well made and I see no reason why they should not last many years. As others have said, although they are designed to hold six film holders this makes things a little tight, so I would recommend only putting in five, thus giving yourself a little more room to remove each one without fear of accidentally pulling a dark-slide out. Bottom line (to use your vernacular), would I recommend these? Absolutely...

[0.065 lb] Of course you have to pay, but Arri designs are second to none. The extensions are great for packing these down into your case, and smooth operation when you need to extend side coverage. A must if shooting with diffusion filters outside or near hard, sidey light sources.

[0.065 lb] The strength of this body is that it has expanded camera movements, more than a usual field camera. It has wider range of camera movements that was great for the look I was seeking with getting a cool Bokeh, or depth of focus with a wider range of blurred backgrounds. Like all large format cameras, it's a bit fussy to set up, but let's face it, it's not a point and shoot camera, it's a camera you learn to be fastidious and precise with. You slow things down and get it right with film so you don't have to do a lot of post processing work in photoshop. The rangefinder is right on target and makes shooting faster, especially if you do a simple shot that only needs infinity with a standard lens. It's very sturdy modular system that has lots of changeable parts.

[65mm] Replacing retaining rings on vintage equipment can give you nervous fits. Those aren't the "fits" you're hoping for when you're working to keep a vintage piece of gear working. Happily, this ring was the precise fitting replacement I was hoping for when I ordered it. Another piece of vintage gear got a new lease on life because of it. And classic lenses look like nothing else. That's why we keep them going.
Thanks, B&H for another easy solution.

[Copal #3] For Fine Art Landscape work, this field camera is the very best! It is compact, has all features for perspective control and a great selection of lenses. Construction is robust and will last a lifetime!

[Black] The only game in town for Instant photos for my 4x5 Graflex.

[65mm] This is a must have for film photography. This fits think tank belt system and it's just the right size to carry on location

[0.065 lb] It is good for my films

[Copal #3] Overall an awesome product and much needed solution for instant film enthusiasts. So far I have no real complaints but one thing to keep in mind is that in very cold temps (10s-20s) it will start to eject film without stopping. Once it warms back up it resumes normal operation so really not a concern if you aren't shooting in freezing temps. Overall I love the product and would recommend to others.

[0.065 lb] I am a photographer with a broad range of interests from landscapes to table top work. I bought a Wista 45SP in the early 1980s to replace my SinarP. It has performed admirably, it is rigid in design and precise in it shifts, tilts and drops. Front and rear standards are strong enough for the heaviest of lenses. It is durable and light enough for short overland journeys. It uses the universal Linhof/Wista lens boards and accepts extension rails and extended bellows. Wista makes superb cameras that meet the demands of all my work.