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Izotope Ozone 11 Advanced Mastering Software

Izotope Ozone 11 Advanced Mastering Software
  • Product Code: eq168436
  • Availability: In Stock

$1,197.00 $1,855.35

Audio engineers, producers, and musicians in need of a complete mastering solution will appreciate iZotope Ozone 11 Advanced, software that delivers superior-sounding releases with an innovative suite of mastering plug-in components. Ozone 11 Advanced boasts several updates and enhancements including Clarity, Transient/Sustain, Upward Compression, and Assistive Vocal Balance functions, which make it easier than ever to craft a balanced and precise sound.

Use the new and improved Master Assistant to get you to the level you wish as transparently as possible, or choose Vintage mode if the mix needs some more weight, vibe, or color. The Vintage mode is very useful as it applies colorful strokes in the mastering process, generating custom, vibey presets. Or, use Match EQ to help you get the most out of this process in every part of the frequency spectrum. As with previous versions, you can load up your favorite tunes into the referencing section for instant A/B comparisons. You can audition lossy codecs and apply dithering to the master. The software is compatible with Mac and Windows platforms in AU, VST3, and AAX formats, as well as NKS environments as well.

EQ, Dynamic EQ, and Dynamics Modules    Exciter, Stereo Imaging, and Maximizer    Vintage EQ, Compressor, Tape & Limiter    Master Assistant with Vocal Balance    Match EQ Module + Transient/Sustain    Reference, Codec, and Dither Section    Standalone or Plug-In / Mac or Windows    AAX, AU, VST3, and NKS

Parameters
Delivery FormatDownload
License TypeStandard: Perpetual License
User Support1 User
Standalone OperationYes
System Compatibility/RequirementsOperating System: Windows/macOS Plug In Formats: VST3 / NKS / AAX (Native) / AU 

Meet your new favorite plugin. Effortlessly achieve a smooth master that sounds professional, polished, and maximizes loudness without penalties. Pull the blanket off dull mixes without ever sounding harsh.

  • Psychoacoustic Clarity Processing
  • Mid/Side and Transient/Sustain Modes
  • Action Region Selection
  • Difference Metering
  • Delta Monitoring

Harness the power of AI to rescue problematic mixes in ways that were previously impossible. Apply any Ozone module to an isolated stem to control the internal balance of a mixed file with mind-blowing precision. Mix revisions are a thing of the past.

Unlock your creative potential by separately enhancing the transient and the sustain. Get the most out of your masters with this innovative addition to the classic tools, or explore new sonic frontiers by leveling up to the latest, cutting-edge Ozone modules.

Make mixes LOUD while preserving dynamics with Ozone’s intelligent limiter and new Upward Compress.

  • Soft Clip—boost loudness while maintaining high fidelity
  • Intelligent Release Control (IRC) modes react to your sound to reduce distortion and pumping
  • Threshold Learn mode intelligently sets loudness to a target LUFS level
  • True Peak detection ensures your audio doesn’t clip after export

Achieve clear and perfectly balanced vocals that will bring out the emotion in your music. Through analyzing hundreds of top songs, our Master Assistant learned how to sit the vocals in the mix, and with our new AI Vocal Checker, you never have to worry about levels again.

Related Questions and Answers

Q: 1. Can I connect two of these to an ATEM 2 m/e in order to have two operators control two separate programs? Say a broadcast and a live IMag?

A: Yes you can. You can several control surfaces and computers connected at the same time.

Q: 2. Can the top bus be used as 20 preview inputs and the bottom as 20 program inputs?

A: No, the top bus can only be used for program inputs and the bottom for preview inputs as they are labeled as such on the panel.

Q: 3. Will this control a Marshall Electronics CV620 PTZ Camera?

A: The camera is capable of being controlled by the ATEM supporting VISCA protocol and the Advanced Panel. So the panel should control this camera assuming it is connected to an ATEM that supports PTZ. Not all models do. We have not tested this camera but it looks like it should work.

Q: 4. What's the power requirement for this device via Ethernet (POE)? I want to power it via Ethernet, but I want to ensure I buy the correct Network switch.

A: The Blackmagic Design ATEM 1 M/E Advanced Panel is not POE compatible.

Q: 5. Is this panel compatible with the Blackmagic Design Smart Videohub 12 x 12 6G-SDI? If so, is it a good option to use with the panel?

A: No, the Blackmagic Design ATEM 2 M/E Advanced Panel is not compatible with the Blackmagic Design Smart Videohub 12 x 12 6G-SDI. You will need to use the Videohub Master Control Pro or Videohub Smart Control Pro with the Blackmagic Design Smart Videohub 12 x 12 6G-SDI.

Q: 6. will this work with the Sony SRG X400 cameras?

A: Yes, you can connect the Sony SRG X400 cameras via SDI video cabling.

Q: 7. Just to be clear. I can control my Atem 4 M/E broadcast 4k and hyperdeck extreme 4k all on one ATEM 1 M/E advanced panel?

A: Yes you can. All of those products are compatible with each other. The Advance Panel can control all current ATEM models.

Q: 8. Can I control multiple ATEMs from this device, say a Constellation 2 M/E, an ATEM mini and an ATEM extreme? Can they be mapped to ME1&2, ME3 and ME4?

A: The Blackmagic Design ATEM 1 M/E Advanced Panel is capable of controlling one ATEM switcher at a time, as it can only accept one IP address.

Q: 9. We are waiting for our Advanced Panel to come in and I am looking for the manual so I can begin to learn the control panel. Can't find it online. Any help?

A: We have the manual available on the webpage for the Advanced Panel. You can find it in the overview Tab underneath the In The Box section. Also feel free to use this link https://www.bhphotovideo.com/lit_files/594728.pdf

Q: 10. I have this tripod and love it for use both with a DSLR and for binoculars. I noticed the center column is two pieces. Is there a center column extension tube that can be mounted to increase the column height, especially for binocular use?

A: Unfortunately there is no extension available for the center column of this tripod. My sincere apologies.

29/09/2024

[Download] I swapped out the Shure SM7B for this because it took too much to drive it (I used a Cloudlifter) and the results were inconsistent and just okay, at best. I had read about this mic being similar in build, but a supercardioid condenser mic instead of dynamic. The sound was warm and clear like a dynamic, and no additional switches to fool around with. Just plug in your XLR cable and get to work. I re-recorded all of the podcast episodes (they're short-form) I originally used the SM7B for (none of which sounded the same), and finally got the pro-grade sound and consistency I wanted! I'm absolutely in love with it - you get what you pay for!

5
07/09/2024

[Yes] At the new price point, this is one of the best broadcast/vo mics in my arsenal, hands down. Crisp, focused, and more portable than an SM7B (or another new favorite of mine, the BP40), the Ethos is a fantastic mic. Avoid the Icon, hoard the Ethos.

5
29/08/2024

[Yes] I've used the SM7B and the Electrovoice RE20 for voice and broadcast work. Those microphones have a strong characteristic rendition of voices -- coloration, if you will -- and, as dynamic microphones, good ambient noise rejection.


The Ethos goes above and beyond the capabilities of both of those classic microphones for my use. Though it is a condenser mic, noise rejection is good enough that I can record interviews directly into a Zoom H6 in a reasonably quiet room -- similar to what I can do with a classic dynamic mic, but without the need for additional power. (If you have significant ambient noise, like a loud air conditioner, neither type of microphone will save your audio capture.)


Sound quality is where this microphone really sets itself apart. It's like having a good studio condenser mic -- the type used to record delicate, complicated tones like acoustic guitar -- in a general-use context. Overtones are present, and there is no aggressive roll-off in any part of the tonal spectrum (unlike the SM7B, which rolls off high wavelengths to the point of distortion in my opinion). The result is a natural tone that is not highly colored. This helps me not only produce natural-sounding voice content; it also gives me excellent flexibility, because this mic could also be used for instrument recording and other general-purpose capture.


Overall, I'm still a fan of the RE20 if a classic broadcast tone is what I want. However, I would be happy to use the Ethos for all my voice and general-purpose audio work. The fact that it does not need much power makes it practical for recording field interviews, which means this mic gets used a lot more than the RE20. Bonus points for the excellent ball-head mount included with the mic. As far as I'm concerned, the Ethos is the best voice and general-purpose microphone in its price range.

5
21/08/2024

[Yes] This one is an interesting and good-sounding microphone. It feels like a broadcast microphone with decent noise rejection, but it sounds like a condenser with a little bit of mid-forwarding sound.

5
08/08/2024

[1 User] I love this software! Has made my life so easier. It is simple but still delivers wonderful results every time. I miss some more options when it comes to the types of music genre you are mastering but I dont think its very important. The sound is very high quality and it becomes more clear and louder after the master but not too loud of course. Its also suposed to deliver mastered tracks ready for selling on iTunes. That is good. Have not sold on itunes yet but hope and think it will do when that day comes!

It costs a bit of money but worth it in my opinion.

Get it!

5
05/08/2024

[Yes] After recording 32 tracks at a concert and discovering that every single track had popping and clicking I was severely stressing. Izotope saved the day. Lots of work, but incredible results. I almost trashed the recording but it turned out okay after several treatments in Izotope.

5
08/05/2024

[1 User] I bought this product as another microphone for singing/podcast recording purposes. I've used Shure SM7B, which is legendary for many great reasons, but this microphone is my new favorite! I would highly recommend this mic to anyone who does voiceover, singing, and podcast work. It is pricey, but it definitely pays off!

5

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