Access gorgeous expansive synthesizer sounds with tracktion Theia, a powerful software synthesizer that's based on the Hyperion synth engine and designed as an instant source of musical inspiration for music producers of all genres. Its performance-focused interface places the core controls of each sound within easy reach, allowing you to effortlessly browse complex patch designs and focus on making music.

Based on Hyperion Synth Engine    Simple Interface for Easy Music Creation    Advanced Browser, 587 Factory Presets    Advanced Sound Layers Editor    Compatible with Hyperion Soundpacks    Mac/Windows AU, VST3

Theia's minimalist interface puts the focus squarely on music creation and performance. Automatable preassigned macro controls allow for rapid adjustments to key sonic parameters while per-patch custom backgrounds aid inspiration. A waveform preview is on hand to provide visual feedback as you navigate through the carefully curated and optimized library of sounds. If you are feeling stuck for inspiration, hit the dice button for a random patch.

Finding the perfect sound in a vast library of 587 factory presets is easy using the browser which allows you to filter by instrument type, performance or emotion and then further order results by author, type, name and more. Favorites can be set with the click of a button and recalled later just as easily.

Preset content is built from one or more layers of lush sounds, and these layers can be accessed and modified via the Sound Layers Editor. Each layer can be adjusted independently with MIDI channel selection, transpose, key response zones, pitch bend-ranges, voice allocation and arpeggiation settings.

Related Questions and Answers

Q: 1. Will this work on the K-102CC boompole?

A: Yes, the K-Tek KPTA Sidekick Plug-On Transmitter Adapter for KlassicPro Boompoles will work with the K-Tek K102CCR Klassic Series Five-Section Lightweight Boompole.

Q: 2. Does this unit work with a boom microphone?

A: Yes. The microphone must be a dynamic, NOT condensor, as the unit does not supply 48V.

Q: 3. I need a line-input recorder to plug into a press box / mult-box ... would this be a good solution for that?

A: That's a great application for the Tascam DR-10X. You just have to make sure to keep and eye on it. It's a very stealable piece of equipment.

Q: 4. What do I need to drive the P-Iris stepper motors from a microcontroller source? Is there a schematic or wiring diagram?

A: The Theia Technologies CS-Mount 9-36mm Motorized P-Iris Telephoto 4K Lens BH #THTL936PR3 would be driven from the compatible camera body or base module. Please see the instructional CAD configurator video and operator's manual: https://bit.ly/3LmaWpO

Q: 5. Is it a CZ2 cable or a CZ cable.

A: The battery kit comes with a CZ cable.

Q: 6. Can I used this cable to connect the line output of a Zoom F3 into a Sony UWP transmitter?

A: Yes, the Sony EC-0.8BM cable could be used to connect a line-level source such as an audio recorder to a Sony UTX-B40 wireless transmitter.

Q: 7. Would this word with a countryman xlr lav? If not, I wish someone would make a lavalier system that would just record high quality audio from the mic. In today's world of synching in post, it would be far more reliable than a wireless system. Have tried consumer voice recorders but don't get quality I want. And, frankly, it just looks ghetto.

A: The Tascam DR-10x recorder is designed specifically to work with dynamic handheld ENG mics. It is not able to provide phantom power to mics that require it such as the Countryman lavaliers hardwired with XLR connectors.

Q: 8. output voltage?

A: The output voltage for this battery is 24V.

Q: 9. how long is this cable?

A: Cable length: 0.88 m (2.9 feet)

Q: 10. Is this prone to drop outs? Is it noisy, in quiet setting is there a high noise floor? What is the range of input gain adjustment? Can that be adjusted from the Receiver, is it viewable on the receiver ?

A: The Godox TX3-XLR Plug-On Wireless Transmitter features an adjustable 20 or 50mW output power option for a specified operating range of 196.9' / 60 m (Line of Sight), making it less susceptible to drop-outs. Noise floor experienced would be largely dictated by the specifications of the microphone connected. Although not specified, input gain adjustment is likely possible on the transmitter but not the receiver.