The 65.6' MKDS20 Microphone Cable Double-MS from Ambient Recording MKDS20 7-Pin XLR Microphone Cable 65.6'can be used in various audio applications such as live stage, theater, broadcast, recording studios, houses of worship, and more. It features a 7-pin XLR male to 7-pin XLR female connector. This cable is constructed with a polyurethane coating, and is designed to be flexible, even in very low temperatures. The insulated wires provide protection from EM or HF interference.

For Live Stage, Theater & Broadcast    Protects Signal from EM/HF Interference

• Braided screen
• Non-crush, breaking resistant
• Cold Resistant
• Easy spooling and unspooling

Related Questions and Answers

Q: 1. If a nanolockit its connected to my panasonic gh5 will the camera internal mics still record audio and if the Panasonic DMW-XLR1 XLR is connected?

A: If the camera has no XLR adapter and you plug the NanoLockit's time code cable into the 3.5 mm jack, the camera's internal microphone is off.If they feed it into one of the inputs of the Panasonic DMW-XLR1 XLR Microphone Adapter B&H # PADMWXLR1 , you can still connect a microphone to the second XLR.

Q: 2. Does this require an audio recorder or some other device to send timecode to it?

A: The Ambient Recording NanoLockit Miniature Timecode Synchronizer with Logging Feature generates its own timecode.

Q: 3. Do I need a special cable to connect the NanoLockit Miniature to a Sony FX9 camera?

A: Yes, you will need the Ambient Recording LTC-OUT Lockit Time Code Out to BNC / L5P-BNC(BH #AMLTCOUT) to connect the Ambient Recording NanoLockit Miniature Timecode Synchronizer with Logging Feature to your FX9.

Q: 4. If I am plugging this into a dslr to jam timecode on the camera, am I still able to record audio on the camera, or this unit takes up BOTH camera audio channels?

A: The Ambient Recording ACN-NL-L NanoLockit Miniature Timecode Synchronizer with Logging Feature (2-Pack) (B&H# AMACNNLLD) can deliver timecode to one channel of the audio recorded by a typical two channel (typically called stereo) audio recording capable camera. As such, you would still have the other channel free for recording audio from a microphone or other audio source.

Q: 5. will it work with Sennheiser mmd 935?

A: No, the HHAII-S is not compatible for use with the Sennheiser MMD 935. The Ambient Recording HHA-SSH Handheld Microphone Adapter (B&H # AMHHASSH) is the correct model to use to convert a Sennheiser MMD 935 mic capsule for use with Sony/Shure/Lectrosonics handheld mic transmitters.

Q: 6. You can get two Atomos UltraSync Ones for less than this, and those have displays. Is there some advantage to NanoLockit?

A: Professional gear is more reliable and has the features professionals need. The Ambient Recording ACN-NL-L NanoLockit Miniature Timecode Synchronizer with Logging Feature (2-Pack) is professional gear.

Q: 7. My nano do not work with Sony Venice , I send lemo 5 pin and BNC

A: This Time code cable from Ambient Recording for the NanoLockit and Sony Venice camera would need to be added to the kit. https://bhpho.to/3KdmUiQ

Q: 8. Can this use with C300MKII and Sound Devive Premix6 as the C300mkII has a timecode input with sdi cable, does NanoLockit has a SDi adapter?

A: According to Ambient: The NanoLockit does not have a SDI port. To supply the Canon C300 MKII with time code, you have to use the camera's BNC TC port. For syncing up this camera with the new Sound Devices MixPre-6, you will need the ACN-ML-D double pack and the LTC-OUT cable. Ambient Recording LTC-OUT Lockit Time Code Out to BNC / L5P-BNC B&H # AMLTCOUT

Q: 9. Can the battery be user replaced when necessary?

A: The battery is built into the NanoLockit and not user serviceable.

Q: 10. Can this record a timecode sequence on its own, not connected to any cameras or other devices, and then have its’ data overlayed over a separate timecoded sequence in post, with the green or red markers showing on the timeline?

A: The Ambient Recording NanoLockit Miniature Timecode Synchronizer with Logging Feature (Single Unit) will log markers based on timecode. As long as the timecode is jammed before recording, those markers can be imported into an Adobe Premiere Pro timeline. You can read more about that process here: https://bhpho.to/3xNZtLi