Rupert Neve R6 500-series Stereo Color Bundle
- Product Code: eq170266
-
With 150% of the required current for a 6-space 500-series enclosure, the Rupert Neve R6 500-Series Stereo Color Bundlewill help you hear the full potential of your modules. The headroom in available current helps prevent the power rails from falling under a higher than expected load. LED metering shows you how much power is being used and the internal power supply has been designed with double shielding to avoid significant magnetic induction in any of the channel positions.
The solid steel chassis has a collapsible handle for portability. The unit offers a total of eight balanced I/O channels with interchangeable TRS, XLR, and DB-25 connections with a 48V phantom power bus. The channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from and to DB-25, XLR, and TRS connectors. To accommodate 500 series modules that are slightly out of spec, the unit has variable-position screw holes to make the installation process go more smoothly. A 500 series link function can be enabled in pairs using the link jumpers on channels 1-2, 3-4, or 5-6. Matching blank panels are also available to cover any empty slots.
Two-Channels of Tape Emulation True Tape Circuitry 15 / 30 IPS Tape Characteristics Blend between Pre and Post Signals Red and Blue Silk Circuit Adds Texture 6-Space 500-Series Rack 150% Current for Six 500-Series Modules 8-Channel I/O, Thru on Channels 7/8 Double Shielded PSU to Manage Induction Balanced DB-25, XLR, and TRS Connections
Parameters | |
---|---|
Function | Tape Emulator |
Number of Channels | Single |
Inputs | 1x XLR |
Outputs | 1x XLR |
Controls | 1x Trim knob, +/- 12 dB 1x Saturation knob 1x Blend knob 1x Texture knob 1x Tape Effect In button 1x 15/30 IPS button 1x Silk button |
Maximum Output Level | 23.25dBu |
Frequency Response | Line amp specifications, with tape circuit disengaged: Measured at +10dBu, trim at unity Main Output +/- 0.25 dB from 5 Hz to 60 Khz -2 dB @ 120 kHz Tape FX specifications: 15 IPS, Input @ -0 dBu -3dBu @ 28 kHz Saturation @ minimum 0dBu @ 10 Hz +5dBu Peak @ 60 Hz Saturation @ maximum -3dBu @ 20 kHz -3dBu @ 12.5 Hz +2.4dBu Peak @ 60 Hz 30 IPS, Input @ -0 dBu -3dBu @ 120 kHz Saturation @ minimum -3dBu @ 10 Hz +3.15dBu Peak @ 125 Hz Saturation @ maximum -3dBu @ 100 kHz -3dBu @ 12.5 Hz +1.3dBu Peak @ 110 Hz |
Noise | Line amp specifications, with tape circuit disengaged: Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms Unity Gain: better than -100dBu Tape FX specifications: Measured at Main Output, un-weighted, 20 Hz - 22 kHz, Input Terminated 40 Ohms Saturation @ minimum: better than -100dBu Saturation @ maximum: better than -100dBu |
Total Harmonic Distortion/Noise | Line amp specifications, with tape circuit disengaged: @ 1 kHz, +20dBu output level: better than 0.0025% @ 20 Hz, +20dBu output level 0.07% Typical (2nd and 3rd harmonic) Tape FX specifications: 15 IPS, Input @ -0 dBu 0.4% @ 3 kHz to 1% @ 175Hz typical Saturation @ minimum greater than 1% below 175 Hz typical Saturation @ maximum 1% at 6 kHz typical 0.3% @ 1 kHz to 3% @ 50 Hz typical 30 IPS, Input @ -0 dBu 1% at 1 kHz typical Saturation @ minimum 0.6% @ 400 Hz 5% @ 20 Hz typical Saturation @ maximum 1.5% @ 20 kHz to 0.4% @ 1 kHz typical 0.4% @ 1 kHz to 2 %@ 50 Hz typical |
Meters | 1x 8-segment Level meter 1x 8-segment Drive meter |
Power Requirements | Supplied by 500 series rack with 110-125 mA @ +/- 16V DC |
Dimensions | Not specified by manufacturer |
Weight | Not specified by manufacturer |
Packaging Info | |
Package Weight | 2.175 lb |
Box Dimensions (LxWxH) | 10.1 x 7.8 x 3" |
Prevents power rails from failing under a higher than expected load
Features balanced DB-25, XLR, and TRS connections to ensure connectivity wherever you go with the back panel patch bay
Monitors the current usage to ensure that you never run short of power. The metering can also be useful for troubleshooting a module that is severely overdrawing its allotment
Helps avoid significant magnetic induction in any of the channel positions
Allows you to quickly and easily convert your signal from/to DB-25, XLR, and TRS connectors
Provides reliable power to your microphones using the +48V bus
Provides durable and reliable use in a range of recording applications with rubber feet for both horizontal and vertical mounting
Improves the portability of the enclosure
Makes it easier to install 500 series modules that are slightly out of spec
Enables Channels 1-2, 3-4, or 5-6 to be linked using link jumpers
Related Questions and Answers
Q: 1. Can this unit be calibrated and/or certified for industries that require measurement with calibrated/certified instruments?
A: Calibration and possible certification are done by the USA distributor of Sekonic. https://bit.ly/3BmQwoK .
Q: 2. Can this unit measure PAR of grow lights. I see it measures PPFD. Is this PPFD the same as PAR? I'm new at grow lights. It looks to be the same. Ie mol m2 s-1 or. umol m2 s-1
A: No, the unit will only allow the following reading CIE1931/CIE1964 CIE1976/CIELUV CRI (Color Rendering Index) Correlated Color Temperature (TCP) Deviation (Δ uv) Dominant Wavelength (λd) Footcandle Horizontal Footcandle (HFc) Lux Lux Sec (HLx) Peak Wavelength (λp) Photosynthetic Photon Flux Density (PPFD) Purity (Pe)
Q: 3. Can this also be used to measure light levels (F stops)? Ambient, spot, or incident?
A: This meter can be used to measure incident light, measured as lux. There are no aperture or shutter speed or ISO numbers on this meter. These would need to be derived from the lux measurement and the ISO speed rating, to determine f/stops and shutter speeds. As a reference point for your calculations, Exposure Value (EV) 0 is equivalent to 1 second at f/1.0. At ISO 32 film speed, EV0 is the correct exposure for 10 lux incident light level. For ISO 500, at 110,000 lux, the correct exposure would be EV17. Remember that EV represents a collection of equivalent settings, so EV17 could be 1/1000 sec at f/11 or 1/500 sec at f/16 or 1/250 at f/22 or 1/125 at f/32 or 1/60 at f/44, and so on. For the same ISO 500 speed, 55,000 lux would require one unit lower EV than at 110,000 lux, thus 55,000 lux would require EV16 for ISO 500. With 110,000 lux and ISO 125, the correct exposure would be EV15. One of the possible shutter & aperture combinations for EV15 would be 1/250 at f/11. These examples should enable you to create exposure tables for yourself, relative to the lux readings you get from this meter. It does beautifully at measuring the spectrum of light sources and determining color rendering index and color temperature.
Q: 4. Can this unit be calibrated or certified for industries that require measurement with calibrated/certified instruments?
A: The Sekonic C-7000 Color Meter has all safety and accuracy certifications, but no specialized industrial certifications.
Q: 5. Can the C-7000 automatically take multiple data points (30 points every 1 minute)?
A: The Sekonic C-7000 Spectrometer Color Meter Bundle Kit BH #SEC7000K does not have the ability to do 30 readings per minute.
Q: 6. What's the diference between this and the C-800?
A: The Sekonic C-7000 Spectrometer Color Meter BH #SEC7000 is designed for industrial applications and the C-800 is designed for photo and video based work.
Q: 7. Does the C-7000 have a spot-metering accessory for reading reflected light? (For calibrating color off cinema screens)
A: No, at least as of September 2021, there is no accessory for the Sekonic C-7000 SpectroMaster Color Meter Bundle Kit (B&H# SEC7000K) to use it for spot metering.
Q: 8. Can I use it with Sonos Play 1?. if yes, what other component do I ?
A: You would need the Sonos Port to connect this turntable to a Sonos system.
Q: 9. I'm tight on surface space. Can you supply the L and W dimensions not of the whole unit but just of the outside of the feet?
A: This information is not specified by the manufacturer.
Q: 10. Will I need an additional preamp to power my speakers?
A: You will need an amp to power your speakers if they are passive.
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