[86 mm] For the price, this lens rocks! If it were three times the price it would still rock! There’s plenty of YouTube video reviews of technical specs, but creatively, I found that this lens gave me a cinematic (subjective, I know), shallow depth of field with crisp focus. Definitely need a focus-puller and stability, but even without the latter, you can pull off some interesting shots. This will be a holy grail lens for product filmmakers, but it’s extremely capable of pulling off some narrative shots.

Some test footage:
https://vimeo.com/509993097

[T3] I've been shooting with this lens on my RED Helium, but I also use it for stills with my A7III. The focus throw is smooth and long, and there is little breathing between short distances or between long distances (although, as expected, if you pull from a couple inches away to infinity, there is a transition where it breathes heavily). It feels well made and the images are very sharp.

[11, Rounded] The image shows a close up of a Lego set using the IRIX 150mm lens. In that picture you can see the small rigs in the gray plastic that is not visible by just looking at it.

[1:1] I needed a lightweight, cinema style macro lens for my motion control rig. This works perfectly. At the right price. Very happy

[43.3 mm] I shoot surgical/medical and thus needed that reach (compared to the Rokinon 100mm macro I was using before) in order to remain non-invasive to a health care professional's space. I also wanted a cine version of a macro so this was perfect and really there is no other option other than another 100mm macro cine lens. 
The images coming from my Fuji X-T3 with this lens are fantastic (rigged as shown using an EF to X-mount adapter). Feels like a solid lens. Not a fan of the magnetic hood but I use a matte box so no biggie. Lens cap and mount cover do suck, they feel like they could break from a drop. Focus ring is smooth but the iris ring is much looser in comparison, I wish they had the same tension.

[ARRI PL] Beautiful image and solid construction, looks great on set of a production

[T32] Switching to the IRIX 150mm T3.0 Macro 1:1 Cine Lens from the Canon 100mm macro photo lens significantly enhanced my macro videography capabilities. The added 50mm focal length allows for closer, more detailed shots and a comfortable working distance, ideal for intricate scenes. This lens incorporates cinema-grade features, including a T3.0 aperture for superb performance in various lighting conditions, and precise control over focus and aperture, elevating the cinematic quality of your footage.

The lens's build is both durable and weather-sealed, ready for any shooting environment. Its sharpness is a standout feature, delivering crystal-clear images that showcase the finest details of your subject. This sharpness, alongside the extended focal length and cinema functionality, makes the IRIX 150mm a significant upgrade for filmmakers seeking to advance their macro cinematography. It's a powerful tool that combines creativity, control, and quality, making it an excellent choice for anyone looking to step up their macro video production.

[Full Frame] What this LENS CAN DO IN Macro is MINDBLOWING!

[Full Frame] I got this lens for high end table top shoots and am very pleased with the quality and the build of the lens. Something I wold normally expect from significantly more expensive cine-macro lenses. It’s a bargen at that price point. The PL mount is a snug fit on my RED DRAGON and the rounded lens cap is a bit of a fail design since you can’t put the lens on its front the way you normally park lens that you don’t want to roll of your desk. But that’s the only downside of it and it didn’t affect the image waltet in any way.

[Full Frame] Excellent for detail shots. It works as a telephoto lens but focus pull is way to fine beyond a couple of feet away from subject to really rack focus, so I would not recommend using this as a telephoto unless you can fix focus. No complaints as a macro lens though.