The 46mm Okko Pro UV Filter 46mm for Camera Lens Protectionprovides proven protection for your valuable camera lens' front element from dust, grit, sand, rain and sea spray. This robust lens filter with all-weather protection is for everyday use in all environments.

Okko Pro has built this filter to last with German-made B270 Schott glass and a lightweight aluminum frame. An ultra-thin 1.1mm glass profile and frame prevents vignetting. High quality optical glass allows 99.5% light transmission. 16 layers of nano coating absorb UV light for clarity and pure color.

16-Layer Nano Coating    Aluminum Alloy Frame

Absorb ultraviolet light to prevent ghosting. Providing 99.5% light transmission; no adjustments to the exposure setting required.

Constructed from high-quality, lightweight, matte black aluminum. Designed for lens protection. Still able to use your standard lens cap. Easy clean.

Ultra-thin frame minimizes the vignetting effect when shooting wide open. 1.1mm glass thickness offer full protection for your lens.

Related Questions and Answers

Q: 1. Is this fully compatible with the DJI RS2 Gimbal?

A: The DJI RS 2 Gimbal Stabilizer can work with most lenses. The support weight is part of the concern. The Panasonic Lumix S PRO 16-35mm f/4 Lens is around 1.1 lbs and the gimbal can support up to 10 lbs. It will work but note, that when you zoom the lens you will need to balance the gimbal each time. Most use prime lenses when using a gimbal or do not zoom the lens.

Q: 2. I just received this lens and noticed a floating element that moves when I turn the lens end over end. Is this normal, like the focusing elements are free to move until the lens is mounted and camera is powered on?

A: While different manufacturers employ different mechanisms for various reasons within their lens (autofocus motors, image stabilization, etc), I believe in this case what you're seeing is part of their double-magnet linear motor AF system. It would most likely also be something that would only activate when the lens is powered.

Q: 3. Does the tripod collar also have a 1/4x20 screw hole?

A: Yes, the tripod collar has a 1/4" mounting thread.

Q: 4. What is the point of this lens? Wouldn't it make sense for it to be f1.2 or even f1.0 for the price?

A: compering to other 50mm 1.4, this lens has Optical Design 13 Elements in 11 Groups vs (nikon 50mm 1.4 ) 8 Elements in 7 Groups vs ( canon ef 50mm 1.2 ) 8 Elements in 6 Groups , Diaphragm Blades 11, Rounded , vs 9, Rounded , vs 8, Rounded that what makes this lens so good

Q: 5. Where is the lens made?

A: This lens from B&H is made in Japan.

Q: 6. How is it about noise in video in AF-C? Is it without any nise, quiet as f.e. P 24-105/4-it means NO noise in video? Because I bought sigma 50 1.4art l-mount and it was bad idea -audible in every my video with AF-C:-(,thanks a lot!....(panasonic S1H)

A: It should be as good as the 24-105 lens

Q: 7. Will this lens work on a Lecia SL body?

A: Yes, this lens is an L mount so it will fit on the Leica SL body.

Q: 8. where is the lens made?

A: The items country of origin is China.

Q: 9. Does this lens work on leica SL? Someone say after few weeks this lens turn default to MF in leica SL, CL.

A: With a firmware update, this lens should work perfectly on the SL. Just make sure the manual focus clutch is not enabled if you want to use autofocus.

Q: 10. What is the primary difference between this and the "non-pro" lenses. Is the glass the same, but different ring controls?

A: The Panasonic Lumix S PRO 16-35mm f/4 Lens would be the only 16-35mm lens designed for the Leica L-mount lens mount. The closest lens options to the above lens would be the Sigma 14-24mm f/2.8 DG DN Art Lens for Leica L, B&H # SI142428L, or the Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Leica L, B&H # SI185028DCLM. The main difference between the above lens is the Sigma 14-24mm f/2.8 DG DN Art Lens for Leica L would be wider and would be twice as bright as it has a constant f/2.8 aperture. Both the Panasonic and Sigma lens are considered professional lenses from the respective manufacturers. The Sigma 18-50mm f/2.8 DC DN Contemporary Lens for Leica L would be a more economically-priced lens. It has a brighter aperture with a constant f/2.8 aperture and it has a longer optical zoom range, but the optical image quality would not quite be on par as the image quality from the professional lens options listed above. Build quality and optical performance would be main differences between "professional" lenses and standard or entry-level lenses.