[1:1] Having used IRIX lenses since initial launch of their Cinema Line, I would say the 65mm lens is a great addition to the line up. Having used it it already on a project with the RED Komodo and Canon Focal Reducer I would have to say the image it produces is great. I have not noticed any chromatic aberrations in the footage I have shot.

[1:1] Excellent for detail shots. It works as a telephoto lens but focus pull is way to fine beyond a couple of feet away from subject to really rack focus, so I would not recommend using this as a telephoto unless you can fix focus. No complaints as a macro lens though.

[86 mm] Switching to the IRIX 150mm T3.0 Macro 1:1 Cine Lens from the Canon 100mm macro photo lens significantly enhanced my macro videography capabilities. The added 50mm focal length allows for closer, more detailed shots and a comfortable working distance, ideal for intricate scenes. This lens incorporates cinema-grade features, including a T3.0 aperture for superb performance in various lighting conditions, and precise control over focus and aperture, elevating the cinematic quality of your footage.

The lens's build is both durable and weather-sealed, ready for any shooting environment. Its sharpness is a standout feature, delivering crystal-clear images that showcase the finest details of your subject. This sharpness, alongside the extended focal length and cinema functionality, makes the IRIX 150mm a significant upgrade for filmmakers seeking to advance their macro cinematography. It's a powerful tool that combines creativity, control, and quality, making it an excellent choice for anyone looking to step up their macro video production.

[Multi-Coating] Beautiful image and solid construction, looks great on set of a production

[150mm] I shoot surgical/medical and thus needed that reach (compared to the Rokinon 100mm macro I was using before) in order to remain non-invasive to a health care professional's space. I also wanted a cine version of a macro so this was perfect and really there is no other option other than another 100mm macro cine lens. 
The images coming from my Fuji X-T3 with this lens are fantastic (rigged as shown using an EF to X-mount adapter). Feels like a solid lens. Not a fan of the magnetic hood but I use a matte box so no biggie. Lens cap and mount cover do suck, they feel like they could break from a drop. Focus ring is smooth but the iris ring is much looser in comparison, I wish they had the same tension.

[T3] Right out of the box it is really a heavy duty professional lens. The focus is a bit stiff, but might loosen up over use. Happy with it and looking forward to shooting with it over time.

[Sony E] I've had many lenses over the years, I often researched what others liked or believed what YouTube videos said, but this time I decided to make a choice and decide for myself if this lens was for me. From the moment I opened the box of the Irix 30mm T1.5 RF version, I knew I had made the right choice. The weight of the lens, the position of the gears and the out of the box colors paired with my Red Komodo left me speechless. The lens handles light just the way I've been looking for, and the look the lens adds to the already amazing image quality and color accuracy of R3D made this lens for me a winner. I highly recommend this lens, especially if you want a true cinema lens and desire quality and performance at an outstanding price point. Will definitely purchase more from this brand in the future.

[150mm] I got this lens for high end table top shoots and am very pleased with the quality and the build of the lens. Something I wold normally expect from significantly more expensive cine-macro lenses. It’s a bargen at that price point. The PL mount is a snug fit on my RED DRAGON and the rounded lens cap is a bit of a fail design since you can’t put the lens on its front the way you normally park lens that you don’t want to roll of your desk. But that’s the only downside of it and it didn’t affect the image waltet in any way.

[Sony E] The IRIX 150mm is an excellent choice for those looking to capture highly detailed, true-to-life close-ups. Its magnification ratio means you can get incredibly close to your subjects, rendering them in life-size on the screen, which is perfect for both professional and creative projects. The T3.0 aperture ensures that you have flexibility with light, working well in both bright outdoor settings and more controlled indoor environments.

This lens is built to last, with a robust, weather-sealed construction that can handle a variety of shooting conditions without breaking a sweat. The focus and aperture adjustments are smooth and precise, which is crucial for making those critical, on-the-fly changes during a shoot.

Image quality is where this lens truly shines, delivering sharp, clear visuals with beautiful background blur that helps your subject stand out. It's equipped with features like geared rings that are compatible with follow-focus systems, making it an excellent fit for professional video production.

While it's a bit heavier and requires manual focus, the quality and versatility it offers make it a worthy addition to your kit. Overall, the IRIX is a solid investment for filmmakers and videographers seeking exceptional detail and build quality in their work.

[Sony E] The image shows a close up of a Lego set using the IRIX 150mm lens. In that picture you can see the small rigs in the gray plastic that is not visible by just looking at it.