Lighting designers and event coordinators looking for a set of weather resistant LED uplighting fixtures will be impressed with the chrome, IP54-rated American DJ Element H6 PAK, a complete, all-in-one lighting system with six battery-powered LED PAR fixtures in a durable flight case with onboard battery charging well suited for clubs, mobile DJ setups, houses of worship, bands, live stages, and more.

Each fixture is powered by four 20W RGBAW+UV LEDs that produce a 17.6° beam angle, making them great for wall washing. A built-in handle and feet allow the lights to be simply dropped into place—ready to go. A built-in kickstand allows the beam to be angled inward towards the wall if required, which creates a more intense wash and minimizes light spill onto the ceiling.

With an IP54 rating, the Mirage H6 fixture can withstand the rigors of on-the-road wear and tear, great for indoor and temporary outdoor applications. The integrated Aria X2 wireless DMX features a signal LED indicator. The robust battery will operate for up to 12 hours on a single color or up to 6 hours changing colors.

Open Box Products Have a Limited 2-Year Manufacturer Warranty    6 x Battery-Powered RGBAW+UV LED PAR    Built-In Aria X2 Wireless DMX    0-100% Dimming with 6 Modes and 4 Curves    Charging Case for 6 Light Fixtures    Four 20W 6-in-1 LEDs per IP Fixture    Five Operational Modes    7 DMX Channel Modes    Battery Life: 12 Hours Single Color    Case Can Charge 6 Fixtures    IP54 Rated for Outdoor Use

• 4 x 20W RGBAW+UV LEDs (6-in-1 red, green, blue, amber, white, and UV)
• Life expectancy: rated at 50,000 hours
• Beam angle: 17.6°
• Contact charging system
• Control protocol: wireless DMX
• Wired Digital Communication Network
• DMX channel modes: 6, 8, 9, 12, 14, 15, or 17 channels
• Remote control: wireless DMX, UC-IR (included)
• 5 operational modes: RGBAW+UV Dimmer Mode, Auto Run Mode (13 programs, & 1 color/fade combo mode), Static Color mode, and Wireless DMX Control
• Battery life: 6 hours in normal mode and 12 hours in energy save mode (single color)
• IP54 rated: partial protection from dust and water splashes
• Built-in kickstand to angle fixture when sitting on the floor
• 4-touch button OLED display inside cover panel
• Built-in Aria X2 wireless DMX with signal LED indicator
• 63 built-in color macros
• LED pulse and strobe effect (0.2 to 11 Hz)
• Flicker-free operation
• Electronic dimming: 0 - 100% with 6 dim modes and 4 dim curves
• Run all night—no duty cycle
• Battery charge indicator on each fixture

Related Questions and Answers

Q: 1. Is the 1/8 line out a balanced TRS connection?

A: Yes it is TRS, No it is not balanced. Its a stereo line output.

Q: 2. Can this be hooked up to a speaker to hear the recorded music?

A: Yes. It has a built in speaker as well.

Q: 3. I'm concerned about the description of the -12db backup recording. Obviously you want to use professional-quality XLR mics, but the manual says that the backup-recording feature only applies to the L/R inputs. But those appear to be the inputs for the attachable modules, not the phantom-powering XLR connectors on the unit. The optional XLR module doesn't provide phantom power.This means the backup-recording feature is useless for phantom-powered mics! Is this really the situation? What is the point of having this feature if it can't be used with high-quality mics for location recording, which is when you need that feature the most?Thanks for any insight.

A: As far as we know this is the case. A back-up recording in this device is just that - a back-up, insurance recording - just in case of disaster. Something is better than nothing. Backup-recordthe ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.

Q: 4. Does the H6 have output capabilities if you wanted to use as a remote unit for an on-site broadcast? (Or is it strictly a recording device?)

A: It is primarily a recording device. It does have 1 unbalanced 3.5mm line output.

Q: 5. Does this come with a carrying case that fits all the components?

A: A hard case is included.

Q: 6. Does the device allow you to create unique file names? When relinking media during editing I don't want to have multiple clips named "Zoom 1" etc.

A: You can change the project names for recordings created on the H6 to use a unique name. Although the root portion of file names within a project can be the same for multiple files, there will not be duplicate file names since the extended name of each file will be different. Here is a link to the H6 user manual for more details (see page 25 for folder and file structure, page 50 for changing project names): https://www.bhphotovideo.com/lit_files/534154.pdf

Q: 7. Can it charge NiMH AA batteries directly via USB?

A: No. The USB is just for audio transfer.

Q: 8. what year is this recorder model, 2019 or 2020?

A: We receive new inventory for the H6 frequently from Zoom so our stock is from the current year (2020).

Q: 9. How can you sync H6 audio with separate video? With the stero-only output, it looks like I'll have to do any post-editing on the recorded wav/mp3 files from the SD card...

A: You will need to download the separate audio from the H6 (SD card) and video files from the camera onto a computer and use a software program such as DaVinci Resolve, Adobe Premiere Elements, iMovie, or any other video editing software you prefer to sync up the tracks. If your camera records audio, you can use the camera's audio file as a guide track to help with matching up the audio files that were recorded with the H6.

Q: 10. Cmo adapto o ensamblo la grabadora en una cmara Cannon Mark IV?

A: To connect your H6 to a Canon Mark IV, simply connect an aux cable from the Line Out of your H6 to the Mic In on your Mark IV. Then, enable the attenuator in the Mark IV's audio menu and set the gain to your liking.