Designed for cine-style image capture and covering up to full-frame size sensors that shoot up to 8K video, the white ARRI PL-mount IRIX 30mm T1.5 Cine Lens ARRI PL Whitefrom IRIX 30mm T1.5 Cine Lens ARRI PL Whiteincorporates multiple advanced internal and external design features. External features include a 95mm front outside diameter, 0.8 MOD gears, luminous focus marks in feet, and two locations to attach a 1/4"-20 support foot. Internally, the 11-blade iris produces a smooth, rounded bokeh, and five seals protect against inclement weather and dust.

To help eliminate aberrations and distortion, the IRIX 30mm T1.5 Cine Lens is constructed with an 11-blade iris, low focus breathing, and a protective nano-coating. This lens has 180° of focus and 75° of iris rotation, an 86mm front filter thread, and it includes front and rear caps.

Full Frame | T1.5 to T16 Aperture    43.3mm Image Circle    Rounded, 11-Blade Aperture    Adaptive Focus Ring for Manual/Motor Use    95mm Front Diameter    180° Focus | 75° Iris Rotation    86mm Front Outside Filter Thread    Magnetic Filter & Shade Mounting System    Luminous Focus Marks in Feet    Sealed for Weather Resistance

The IRIX Cine 30mm is a wide 43.3mm full-frame lens that uses 13 optical elements to create crisp cinematic shots in resolutions up to 8K while keeping the focus breathing at a minimum. This lens features a relatively fast T1.5 maximum aperture and can be stopped down to T16.

Related Questions and Answers

Q: 1. Will this work for PL converted stills lenses, such as the Zeiss Jenas?

A: If the lens has a standard PL mount it will work. The Ziess lens has not been tested by Metabones at this time. The only tested lenses are the ZEISS Compact Prime and zoom lenses. Info from Metabones: https://bhpho.to/4d3rRcd

Q: 2. Does this lens have a lot of distortion? And would it hit the mirror of a DSLR if the camera is converted to PL Mount?

A: The DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) does have some noticeable barrel distortion around the edges. I suggest viewing some images shot with the the lens to determine for yourself if the amount of distortion is a deal breaker for you or not. So long as the camera has a PL mount, you shouldn't have any problems using the PL mount of the DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF).

Q: 3. Does the rear element move when you focus (like on the Nisi Athena PL Lenses?

A: Yes, the rear element on the Rokinon XEEN CF 50mm T1.5 Pro Cine Lens (PL Mount) moves, when being focused.

Q: 4. This is a 50mm on a full frame camera, so the field of view would be equivalent to a 70mm if used on a Super 35 sensor?

A: Yes, the field of view equivalent of the Rokinon XEEN CF 50mm T1.5 Pro Cine Lens (PL Mount) on Super 35mm is between 70-75mm. Every manufacturer plays around with their Super 35mm sensor dimensions.

Q: 5. How is it that DZO can make a 12mm full frame lens that accepts front lens filters, yet their 16mm can not?

A: The DZOFilm VESPID 16mm T2.8 Cine Lens (B&H # DZ16VPL) has a convex glass design that would not allow for threaded filters to mount. Usually, matte boxes are the solution for filters paired with cine lenses, with the exception of some that can support threaded filters. It's also DZOFIlm discretion to produce the type and style of cine lenses within their collection.

Q: 6. Would this connect and work well with the Komodo X?

A: The Canon Cine-Servo 17-120mm T2.95-3.9 Lens (Canon RF) is compatible with the RED DIGITAL CINEMA KOMODO-X 6K Digital Cinema Camera (Canon RF), B&H # REKOMXB.

Q: 7. Is there interference when using the greatjoy anamorphics?

A: We do not stock this PL to Sony E adapter which is a special order item so we unfortunately cannot test this in combination with the Great Joy anamorphic lenses. .

Q: 8. I just purchased a XEEN CF 50MM T.15 Ef Mount for my Red Gemini 5k. However, the lens ins't recognized by the camera so I don't get access to Aperture on the monitor nor do I get my focal points. Any suggestions or recommendations?

A: This is a fully manual lens. It does not communicate electronically.

Q: 9. Will this mount work on red komodo camera to use PL mount lens on ? And work as speed booster as well ?

A: Yes, The Metabones ARRI PL Lens to Canon RF-Mount T CINE Speed Booster ULTRA 0.71x does support the RED Komodo. Here is more info from Metabones showing RED Komodo support as well as other camera models. https://bit.ly/34Hdfk1

Q: 10. Does it has a built in focal extender like the other canon servo zooms ?

A: No, the Canon Cine-Servo 17-120mm T2.95-3.9 Lens (Canon RF) does not have a built in extender.