Designed for up to 8K cine-style image capture, the white ARRI PL-mount IRIX 21mm T1.5 Cine Lens ARRI PL Whitefrom IRIX 21mm T1.5 Cine Lens ARRI PL Whiteproduces a distortion-free, wider-angle look compatible with sensor sizes up to full-frame 35mm. External features include a 95mm front diameter, 0.8 MOD gears, luminous focus marks in feet, and a detachable 1/4"-20 support foot. Internally, 11 blades produce smooth, rounded bokeh, and four seals protect against inclement weather and dust. A fast T1.5 maximum aperture enables the IRIX 21mm T1.5 Cine Lens to capture images in low light conditions without the need for super-high ISO settings.

This lightweight, aluminum/magnesium alloy lens produces smooth, rounded bokeh, color, and contrast that matches the other primes in the IRIX Cine series. An adaptive focus ring delivers smooth focusing whether used manually or with a lens motor.

Full-Frame | T1.5 to T16 Aperture    43.3mm Image Circle    Rounded, 11-Blade Aperture    Adaptive Focus Ring for Manual/Motor Use    95mm Front Diameter    180° Focus, 75° Iris Rotation    Engraved, Luminous Focus Marks in Feet    4 Seals for Weather Resistance

The IRIX Cine 21mm is a wide 43.3mm full-frame lens that conveys the IRIX "look" featuring shallow depth of field, soft highlights, subtle mist, and distinctive bokeh created by the rounded iris blades.

Related Questions and Answers

Q: 1. How long is this lens?

A: The DZOFilm VESPID 21mm T2.1 Lens is 9.1" long.

Q: 2. what is the highest aperture on this lens? The specs on all of these SLR lenses seem to be a bit lacking in detail. Do all the microprimes have the same minimum t-stop? Thanks for any input!

A: The SLR Magic MicroPrime Cine 21mm T1.6 Lens opens at a T1.6. No, all of the SLR MicroPrime Lenses have different apertures and will be labeled in the title.

Q: 3. What is the Angle of VIew?

A: The DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) Field of view, is 112.6 horizontally and 90 vertically.

Q: 4. How is it that DZO can make a 12mm full frame lens that accepts front lens filters, yet their 16mm can not?

A: The DZOFilm VESPID 16mm T2.8 Cine Lens (B&H # DZ16VPL) has a convex glass design that would not allow for threaded filters to mount. Usually, matte boxes are the solution for filters paired with cine lenses, with the exception of some that can support threaded filters. It's also DZOFIlm discretion to produce the type and style of cine lenses within their collection.

Q: 5. Does the speed booster affect the quality of the lens? Like sharpness or chromatic chromatic aberration?

A: This is a good quality adapter however adding any lens will cause some change however small. I do not feel many people could notice a shift in image quality outside of say a lab doing a side by side.

Q: 6. Will this lens work with a Canon R6 Mk II if you use the Canon EF-RF adapter?

A: The IRIX 21mm f/1.4 Dragonfly Lens for Canon EF is compatible with the Canon EOS R6 Mark II Mirrorless Camera with the Canon Mount Adapter EF-EOS R. Keep in mind this is a manual lens.

Q: 7. Is there going to be an EF mount version of this lens?

A: There is the DZOFilm VESPID 75mm T2.1 Lens (EF Mount), BH # DZ75VEF to consider. https://bhpho.to/3zy3SAg

Q: 8. Is the IRIX MATTE BOX compatible with this IRIX 21mm PHOTO Lens?

A: Yes, the IRIX Cine Matte Box IQ can attach to the IRIX 21mm f/1.4 Dragonfly Lens for Canon EF.

Q: 9. Does this lens have a lot of distortion? And would it hit the mirror of a DSLR if the camera is converted to PL Mount?

A: The DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF) does have some noticeable barrel distortion around the edges. I suggest viewing some images shot with the the lens to determine for yourself if the amount of distortion is a deal breaker for you or not. So long as the camera has a PL mount, you shouldn't have any problems using the PL mount of the DZOFilm VESPID 12mm T2.8 Cine Lens (ARRI PL & Canon EF).

Q: 10. Would this connect and work well with the Komodo X?

A: The Canon Cine-Servo 17-120mm T2.95-3.9 Lens (Canon RF) is compatible with the RED DIGITAL CINEMA KOMODO-X 6K Digital Cinema Camera (Canon RF), B&H # REKOMXB.