[Neutrik] I didn't believe the hype either until I replaced my good cables with Canare. First, they are just supple and second, the quality of the sound did improve in the opinion of several of us. I can't imagine anyting else for serious audio work.

[21 AWG] Everyone knows about the high end/overpriced Mo'Gomi cables! I'll place my money on these instead! Colors, high quality & more at a FAIR price. Plus, the B&H stamp of helpfulness. I'm 100% satisfied!

[10' / 3 m ] I dont have much to say about the cable other than that is it well contructed and carries a good clean sound. I use it with my MXL 870 and Behringer 1204 mixer and I'm pleased with it.

[21 AWG] I'll make this simple: These cables brought my noise floor down, and I'm a little upset I didn't start purchasing them sooner. I used to be a bit skeptical about the importance of cables, but I won't be buying anything else form now on.

[21 AWG] I've been using the Canare XLR cables purchased from B&H for several years now. I setup and tear down EVERY DAY.

Flexibility and lack of noise is excellent especially in rooms where a lot of other electronics are operating. Never a issue with crosstalk.

Best of all the colors makes my setup easily repeatable, dependable. and FAST ! Got to love THAT !!

Many thanks both to Canare & B&H. Excellent product combined with outstanding availability and service.

[Neutrik] I'm doing a series of round table discussions around the country with eight talent in each discussion session. Because i'm flying to each location, space and weight are at a premium so I'm using a Zoom F8 mixer, HOSA Little Brother 50-foot sub snake and eight dpa 4061 lavaliere microphones plus accessories and a slate. Everything has to fit in a carry in a small roller case and a small back pack so i don't have to check any bags. I'm using eight of the 10-foot Remote Audio cables to split off from the sub snake to feed the lavalieres. I carry a few-25 foot XLR cables as back up's if I need a little bit more reach. The 10-foot cables made all the difference in the world for space and weight constraints due to air travel. I've used Remote Audio cables for over a decade without a single cable failure. Remote Audio makes them tight and right.

[Brown] Quiet and reliable Hi-Fidelity.
Not cheap but you really do get what you pay for. Had my studio wired mostly in Canare Star Quad and thanks to relatively clean electricity with Star grounding I am noise free.

[21 AWG] It's a good solid cable. I have not complaints.

[Brown] Was looking for an affordable cable that came in any other color than standard black and these fit the bill beautifully. Having multiple colors makes set up, tear down and trouble shooting that much easier due to quickly being able to identify the cable sources by color instead of having to trace it back to the connection point.

[Brown] This is a review of the 6 foot Canare L-4E6S Star Quad XLRM to XLRF Microphone Cable. I'm currently using these with the Zoom F3 and Rode PSA1+. It will also be used for portable recording. It's very flexible (though I have no other XLR cables to compare it to.) You can coil it into a 3 diameter round circle without difficulty. It does fit into the clamps on the PSA1+, but I think a thinner cord might fit deeper down in the groove. For a permanent installation, you could probably force it deep down into the groove. The Neutrik nc-mxx connector snaps into the F3 with an elite click. The sound is without any hint of interference. I think the warranty should be longer, but these cables are excellent.