[21 AWG] I dont have much to say about the cable other than that is it well contructed and carries a good clean sound. I use it with my MXL 870 and Behringer 1204 mixer and I'm pleased with it.

[Neutrik] I've been using the Canare XLR cables purchased from B&H for several years now. I setup and tear down EVERY DAY.

Flexibility and lack of noise is excellent especially in rooms where a lot of other electronics are operating. Never a issue with crosstalk.

Best of all the colors makes my setup easily repeatable, dependable. and FAST ! Got to love THAT !!

Many thanks both to Canare & B&H. Excellent product combined with outstanding availability and service.

[21 AWG] It's a good solid cable. I have not complaints.

[21 AWG] used them from snake to moniter. helped eliminate some buzzzes.

[Yes] I'll make this simple: These cables brought my noise floor down, and I'm a little upset I didn't start purchasing them sooner. I used to be a bit skeptical about the importance of cables, but I won't be buying anything else form now on.

[Yes] Everyone knows about the high end/overpriced Mo'Gomi cables! I'll place my money on these instead! Colors, high quality & more at a FAIR price. Plus, the B&H stamp of helpfulness. I'm 100% satisfied!

[21 AWG] Bought this cable to connect my SM7B to a Elgato Wave XLR, worked
like a charm!

[21 AWG] I'm doing a series of round table discussions around the country with eight talent in each discussion session. Because i'm flying to each location, space and weight are at a premium so I'm using a Zoom F8 mixer, HOSA Little Brother 50-foot sub snake and eight dpa 4061 lavaliere microphones plus accessories and a slate. Everything has to fit in a carry in a small roller case and a small back pack so i don't have to check any bags. I'm using eight of the 10-foot Remote Audio cables to split off from the sub snake to feed the lavalieres. I carry a few-25 foot XLR cables as back up's if I need a little bit more reach. The 10-foot cables made all the difference in the world for space and weight constraints due to air travel. I've used Remote Audio cables for over a decade without a single cable failure. Remote Audio makes them tight and right.

[21 AWG] Quiet and reliable Hi-Fidelity.
Not cheap but you really do get what you pay for. Had my studio wired mostly in Canare Star Quad and thanks to relatively clean electricity with Star grounding I am noise free.

[Neutrik] This is a review of the 6 foot Canare L-4E6S Star Quad XLRM to XLRF Microphone Cable. I'm currently using these with the Zoom F3 and Rode PSA1+. It will also be used for portable recording. It's very flexible (though I have no other XLR cables to compare it to.) You can coil it into a 3 diameter round circle without difficulty. It does fit into the clamps on the PSA1+, but I think a thinner cord might fit deeper down in the groove. For a permanent installation, you could probably force it deep down into the groove. The Neutrik nc-mxx connector snaps into the F3 with an elite click. The sound is without any hint of interference. I think the warranty should be longer, but these cables are excellent.