Tiffen Soft Fx 1 Irnd Filter 6.6x6.6" 3-stop
- Product Code: eq173259
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This 6.6 x 6.6" Tiffen Soft FX 1 IRND Filter 6.6x6.6" 3-Stopis an all-in-one filter combining the benefits of multiple filters. Tiffen has combined innovative IRND technology with the Soft/FX filters that retain overall image clarity while softening unwanted details. This filter combines IRND to allow selective aperture and IR control with the pleasing softness of Soft/FX to deliver a great overall effect.
Tiffen's ColorCore technology provides filmmakers with the necessary tools to create the world's greatest images.
0.9 Optical Density ColorCore Technology
Parameters | |
---|---|
Filter Type | Solid ND with IR Attenuation, Soft FX Diffusion |
Exposure Reduction | 3-Stop |
Size | 6.6 x 6.6" / 167.6 x 167.6 mm |
Front Accessory Thread / Bayonet | No |
Filter Material | Glass |
3 filters in one, reducing multiple surfaces and potential reflection from stacked filters
Tiny lenslets put fine image elements out of focus while leaving large details sharp
Lighter densities are very subtle, producing almost no flare
Higher densities are more noticeable but still provide a pleasing portrait
Eliminates the potential "too sharp" look of modern cameras and lenses
For digital cameras with CMOS & CCD sensors with heightened response to the Red channel
Absorbs pollution of the Far Red (visible) and Near Infrared wavelengths
IR absorbing component is proportionate to the ND value
Ideal for lightweight or clip-on matte boxes
Made from water white glass
IRND+SFX will not ripple or distort when panning
Related Questions and Answers
Q: 1. What is the weight of the adapter itself? The specs only list the package weight.
A: The weight of Fringer NF-FX II Nikon F Lens to FUJIFILM X Camera Adapter is 180g or 6.3 ounces.
Q: 2. Does it support IBIS for XT5?
A: Yes, the Fringer NF-FX II supports the Fuji XT5's IBIS.
Q: 3. is it HD and LCD rated so no glare or dulling bin out side sunlight? Can It be cut to fit? or do you have a porduct that can. P
A: The Sony Soft LCD Protector will not dull the LCD screens. However, depending on the angle of the light, you might get glare. It is made for 3.5" LCD screens and cannot be cut. The Sensei Cut-to-Fit Soft LCD Screen Protector (6 Pack) could be cut to size. Here is the link: https://bhpho.to/3ZRZeYN.
Q: 4. Without the aperture ring, can I use manual mode on the X-H1 and change the aperture with the back dial? Or can I only use auto aperture?
A: Auto exposure only.
Q: 5. Are the 1/4 inputs on channels one through four balanced TRS?
A: Channels 1-4 on the mixer are XLR and XLR can be balanced or unbalanced. Depends entirely on how you choose to output the mic channels.
Q: 6. On the adapter without the aperture ring, can you still set the apertures on the lens using the controls built into the body of the Fuji camera?
A: Yes, it supports using the camera to control the lens aperture.
Q: 7. Is it possible to hook up this mixer to my a/v receiver (Denon AVR-4308CI) which I already connect to speakers? and how? Thanks
A: Yes, the Yamaha MG10XU could be connected to an AV receiver. You could connect the stereo outputs of the MG10XU to one of the receiver's audio inputs with a 1/4" to RCA stereo cable such as BH #HOHPR003X2.
Q: 8. This works with the autofocus motor for AF-D lenses?
A: The Fringer NF-FX II Nikon F Lens to FUJIFILM X Camera Adapter does not support autofocus with Nikon AF-D lenses.
Q: 9. Is the physical dimension between Fringer EF-FX Pro II and Fringer EF-FX II the same?
A: There are no exact dimensions available for these items, but the Fringer EF-FX II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount Camera has basically the same dimensions as the Fringer EF-FX Pro II Lens Mount Adapter for EF- or EF-S-Mount Lens to Fujifilm X-Mount Camera.
Q: 10. Can I use a dynamic and a condenser mic at the same time? Does it give individual phantom power?
A: The Yamaha Yamaha MG10XU can provide phantom power to channels 1-4 together, but phantom power cannot be toggled on/off for an individual channel. This would not pose a hazard to most dynamic microphones, although with vintage or ribbon mics you would want to be cautious.
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