The nickel finished MK 2H Microphone Capsule from Schoeps gives a linear response when used indoors at medium recording distances where direct sound energy is similar in amount to reflected sound energy. Its extended frequency response and low noise make it appropriate for the most demanding applications. 

The sound inlet of the MK 2H is narrow, causing a slight, purely acoustic response elevation above 6 kHz. This reduces the high frequency loss for diffuse sound, thus helping to preserve natural sound quality.

Omni-directional pattern provides excellent pick up

Mild high-frequency rise to compensate for losses at medium recording distance

Used for spaced microphone stereo pickup and Decca Tree arrangements

Related Questions and Answers

Q: 1. Considering a shotgun mic for my H6. Would there be any reason to own both the SSH and SGH versions? Is the SSH just an SGH with stereo side recording capabilities?

A: Both the SSH-6 and SGH-6 are shotgun microphones, capable of capturing audio at farther distances than a traditional handheld microphone. The benefit of the SSH-6 is that it captures audio in stereo; a benefit mostly used in music and ambient sound recording. If you are just recording dialogue, the SGH-6 would be more than adequate.

Q: 2. Does this work with the H8?

A: Yes, this will work with the H8.

Q: 3. Does this, like the Zoom SSH-6 Stereo Shotgun Microphone Capsule, allow the H5 to record in RAW, to allow mid-side balance in post?

A: Yes!

Q: 4. What is the Signal-To-Noise Ratio for this?

A: At this time, the SNR is not specified by the manufacturer.

Q: 5. Does this mic record to three tracks; the mid to one, and the stereo side to two? If not, how would one go about mixing dialogue with ambient sound in post?

A: It is only 2 tracks. The mono mic will pick up the dialog as any shotgun would straight ahead. Then the desired amount of side can be mixed in accordingly.

Q: 6. Can this remote be used for the Zoom H6?

A: The correct remote to be used with the Zoom H6 is the Auray RC-ZH6. The RC-ZH5 is designed for the H5.

Q: 7. What's the max dB SPL this mic can handle? thanks

A: A maximum SPL rating for the Zoom SSH-6 Stereo Shotgun Microphone Capsule for H5, H6, U-44 and Q8 has not been provided by the manufacturer.

Q: 8. When using this in RAW (mid and side recorded separately, to balance later in post, rather than blending while recording) on the H5, can the H5 still record a second back-up track at reduced gain? From the little I've read on the tech of mid-side, I'm thinking it could work: capsule's stereo file 1 of 2 is mono-mid on left channel and mono-side on right channel, leaving capsule's stereo file 2 of 2 to record same at -12dB. Good guess, or wishful thinking?

A: Yes!

Q: 9. I'm wondering: is the SSH-6 as good as the SGH-6 in terms of directional 'power'? Or do i need to move it closer to the subject than with the SGH-6?

A: I conducted several tests using both the SGH-6 and the SSH-6. The SSH-6 is 1 inch longer than the SGH-6. The end of the microphone was moved back by 1 inch for each SSH-6 test. So, the distance from the end of the microphone to my mouth was always the same for both. I conducted the tests at 6 inches, 1 foot, 2 feet, and 3 feet. In each case to achieve a level above 12 dB but below 6 dB I adjusted the gain on the microphone. In all cases the two microphones required the same gain. The side stereo level on the SSH-6 was set to 0 dBfor all test. So, I would say to your question, Yes, the power and beam for the shotgun portion of the two microphones are the same.

Q: 10. Im looking for mics to record a concert in a cathedral. Which would work better for that kind of recording? This mic, or the XYH- 6 capsule?

A: I would recommend the Zoom XYH-6, because it replicates the way we would hear a performance, while sitting in front of the stage. Be aware that both the Zoom MSH-6 and Zoom XYH-6 are mic capsules that only work with Zoom recorders with the Interchangeable Microphone System.