Schoeps Mk 41v Microphone Capsule Matched Pair Matte Gray
- Product Code: eq173312
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The matte gray MK 41V Microphone Capsule from Schoeps comes as a matched pair, and is useful in all situations with music or speech, either as a spot microphone or as an overall directional microphone. However, this type of capsule is addressed from the side. It excels particularly in the constancy of its polar response throughout the audio spectrum. As a result, sound within 90° on either side of the main axis is picked up with virtually no alteration of frequency response or tone color. This is strongly evident with sound sources that are in motion, but is also of benefit in obtaining stable, precise stereo imaging for normal music recordings.
This capsule type is preferred as a support microphone as well as in the OCT (Optimized Cardioid Triangle) microphone system for surround sound recording. The front left and right channels in that system are picked up by sideways-facing supercardioid microphones. When mounted on CMC amplifiers, the MK 41V Capsule may be easier to use in near-coincident setups because the parallel microphone bodies will not get in each other's way.
Parameters | |
---|---|
Frequency Range | 40 Hz to 20 kHz |
Sensitivity | 14 mV/Pa |
Equivalent Noise Level | 14 dB-A (A-weighted) 23 dB (CCIR) |
Signal-to-Noise Ratio | 80 dB-A (A-weighted) |
Maximum Sound Pressure Level (SPL) | 132 dB-SPL at 0.5% THD |
Dimensions | 0.70 x 0.87" (20.00 x 22.00 mm) |
Weight | 0.6 oz (17.0 g) |
Packaging Info | |
Package Weight | 0.3 lb |
Box Dimensions (LxWxH) | 7.2 x 4.7 x 1.3" |
Comes in a pack of 2
Supercardioid for vertical pickup (side-addressed)
For a wide range of recording applications
High directivity comparable to that of a short shotgun microphone up through midrange frequencies
With especially consistent directionality throughout its frequency range
Often preferred for use in music and speech recording, as a spot microphone and also as a main microphone, especially when using the OCT recording method
Related Questions and Answers
Q: 1. if I place this device 18 away from my mouth, what is the gain level to reach -12db, and at what gain level before I can hear self-noise?
A: I don't know but this mic is the best mic I have used on this recorder!!
Q: 2. Can this remote be used for the Zoom H6?
A: The correct remote to be used with the Zoom H6 is the Auray RC-ZH6. The RC-ZH5 is designed for the H5.
Q: 3. What are the exact dimensions of the ssh-6 microphone?
A: Exact dimensions for the Zoom SSH-6 Stereo Shotgun Microphone Capsule for H5, H6, U-44 and Q8 have not been provided by Zoom.
Q: 4. Does this work with the H8?
A: Yes, this will work with the H8.
Q: 5. Is it possible to record the M and S mics on separate channels for matrixing in post? Can you do this with the Q8? Thanks in advance.
A: There is an option to either enable or disable the mid-side matrix. If you disable it and you record in MOV+WAV format, one of the WAV channels will be the shotgun mic and the other will be the side mic. Please note side is a single source in a figure-8 pattern, not two different sources (left and right side). If you are going to do post-processing and want to control the ambient sound in the mix, definitely disable the matrix. It is quite straightforward then to mix in the ambient sound in post production. You may have to split the stereo WAV file, depending on what DAW you are using.
Q: 6. When using this in RAW (mid and side recorded separately, to balance later in post, rather than blending while recording) on the H5, can the H5 still record a second back-up track at reduced gain? From the little I've read on the tech of mid-side, I'm thinking it could work: capsule's stereo file 1 of 2 is mono-mid on left channel and mono-side on right channel, leaving capsule's stereo file 2 of 2 to record same at -12dB. Good guess, or wishful thinking?
A: Yes!
Q: 7. The exact diameter and length of the mic isn't listed. I'm trying to find a foam screen for this mic. I'm aware the mic comes with a windscreen. Can anyone help me out?
A: The Zoom SSH-6 has a 1 diameter. It is also about 6 long. The Auray WSF-2216 (B&H # AUWSF2216) is currently the best available option. It is a bit longer than 6 , which means you will probably have to cut it slightly to fit the microphone.
Q: 8. Can I dj with it?
A: Yes, the MK-58 PRO can be used for DJing as well as any vocal and speaking applications.
Q: 9. Can we mix the directional shotgun mono with the stereo ambience in post? Or is the mix embedded into the audio track as set on the device?
A: The mix will be a mid-side stereo track. You would need mid-side decoder plug-in software to separate the mono mic and the bi-directional mic stereo track in post production.
Q: 10. Would this mic work well with a Blackmagic Pocket Cinema Camera? Many thanks for your answers!
A: If you are connecting this mike to a Zoom H5, H6, or Q8, and you wanted a stereo shotgun mic (as opposed to a standard mono shotgun mic) then it will work with virtually any camera. But it will not connect directly to your BMPCC without first going through a Zoom recorder.
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