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Schoeps Decca Tree Set 2s | Professional Microphone Kit

Schoeps Decca Tree Set 2s | Professional Microphone Kit
  • Product Code: eq173315
  • Availability: In Stock

$18,306.00 $28,557.36

The SCHOEPS CCM 2S Omni-Directional Compact Microphone with LEMO Disconnect has an omni-directional pattern. It is a miniature true classic condenser microphone (no electret used). The capsule and amplifier form an inseparable unit in a single housing. The microphone includes a K5 LU 16’ Detachable LEMO to XLR-3M Adapter Cable with 3mm diameter, SGC Stand, and wood box.


It has a slight high frequency emphasis for universal use. It is used for essentially suitable pickup of low-frequency information and room sound. If directivity is not required (e.g., close miking), the omni CCM 2S + windscreen W 5 or W 5 D will offer low sensitivity to wind, popping, and handling noise for outdoor recording. It is an all-purpose capsule for music and speech and also for use at moderate distance (at or near the reverberation radius).


The MK 2S Microphone Capsule exhibits a slight high-frequency emphasis for frontal sound incidence, with only a slight roll-off of high frequencies off-axis and in the reverberant sound field. The frequency response characteristic of the CCM 2S falls between that of the CCM 2 and the CCM 3 Micrphone, making this microphone suitable for a wide range of applications.


The CCM 2S is particularly useful in 2- and 3-microphone stereo arrays, where its placement near the reverberation radius of the sound field presents a sonically balanced pickup favored by many recording engineers. It has become a popular pressure transducer.


The included K 5 LU Cable is an adapter cable from the LEMO output connector of the CCM _L Compact Condenser Microphones to XLR-3M.


The included Miniature Stand Mount with Swivel SGC is adjustable from 0° through 100° in either direction. The internal thread of the SGC screws onto any 3/8” rod (e.g., vertical support rods STR) or stand adapter. The SGC is an integral part of the HC miniature cable hanger and the TCg table stand.

Key Specs
Element TypeCondenser
Polar PatternOmnidirectional
ControlsLow Cut/HPF
Frequency Response20 Hz to 29 kHz
Maximum SPL136 dB (Phantom Power)
128 dB (Plug-In Power)
Analog Output1x LEMO Coaxial (on Mic)
1x XLR 3-Pin Male (on Included Cable)
Power SourcesPhantom Power
Microphone
Sound FieldMono
Element TypeCondenser
Polar PatternOmnidirectional
OrientationEnd Address
CircuitrySolid-State
PadNo
High-Pass Filter20 Hz, 12 dB/Octave
Filter & EQLow-Cut Filter: 20 Hz, 12 dB/Octave
ControlsLow Cut/HPF
Performance
Frequency Response20 Hz to 29 kHz
Maximum SPL136 dB (Phantom Power)
128 dB (Plug-In Power)
Off-Axis Rejection>55 dB
Sensitivity-37 dBV/Pa
Connectivity
Analog Output1x LEMO Coaxial (on Mic)
1x XLR 3-Pin Male (on Included Cable)
Cable Length16.4' / 5 m
Power
Power SourcesPhantom Power
Operating Voltage10 to 48 V
Physical
ColorBlack
Mounting Thread Size3/8"-16 Female
DimensionsL: 1.8" / L: 46 mm
Weight1.2 oz / 33 g

True condensers do not require electronic frequency response correction

Balanced, low-impedance output via removable 16.4' (5m) cable; LEMO to XLR-3M connector

For universal use

Small and light

LEMO disconnect allows for use of special accessories

Boasts flat frequency response

Sound is extensively independent of directional pattern

Has low noise and distortion

Runs on both 48 and 12V phantom

Can be used with very long cables over 328' (100m)

Matte gray non-reflective surface finish

Omni-directional pattern

Slight high-frequency rise to compensate for losses at moderate recording distances

For a very wide range of recording applications

Often preferred for spaced microphone stereo pickup and Decca Tree arrangements

Applications: Orchestra in stereo and surround

Can be used for use with general instrument including organs

Related Questions and Answers

Q: 1. I saw Potato Jet put a C300 Mark III on this thing... is it safe to assume it would work with a C200?

A: This gimbal offers support for large cameras such as the Blackmagic Pocket 6K, Panasonic S1H, and Canon EOS 1DX Mark II. They do not list the C300 Mark III. That being said, if someone where to be able to balance a C300 Mark III on it you would think the C200 would work in the same way. It is not something we are able to recommend though.

Q: 2. Hi, is this compatible with a Canon 6D Mark II?

A: The Zhiyun CRANE 2S Handheld Gimbal Stabilizer Combo Kit is compatible with the Canon 6D mkII.

Q: 3. Will the included camera control cables interface with a Blackmagic Pocket Cinema Camera 6k, or do you need to buy a separate cable?

A: The Zhiyun-Tech CRANE 2S Handheld Gimbal Stabilizer includes a USB-C to USB-C cable that interfaces with the Blackmagic Design Pocket Cinema Camera 6K (Canon EF/EF-S) for control.

Q: 4. Only works with Phantom Power?

A: Yes, the Deity Microphones S-Mic 2S Shotgun Microphone operates using phantom power only.

Q: 5. What is the payload capacity of this gimbal?

A: Much like the Weebill-S before it, this gimbal does not list a specific capacity. However Zhiyun rates it to to work with cameras as small as the A6400 up to smaller cinema camera options like the Pocket Cinema Camera 6K and Z Cam E2 with mid range zoom lenses.

Q: 6. Can this support the weight of the z9?

A: The Zhiyun CRANE 2S Handheld Gimbal Stabilizer Combo Kit has not been tested with the Nikon Z9. However. the gimbal has been tested with the Canon 1DX mk II which has a similar weight to the Nikon Z9. We believe it will support the Nikon Z9 as well.

Q: 7. Would the Rycote 18cm not be too large for this mic? Just wondering whether the 12cm Rycote wouldn't be a better fit for a mic that has a length of 148mm?

A: Yes. The 12cm would be a better fit.

Q: 8. How many inches is it from the very tip of the XLR end to the begining of the notches?

A: Deity has not provided this specific measurement for the Deity Microphones S-MIC 2S unfortunately.

Q: 9. Is this mic capable with the Sony a7 IV ?

A: The Deity Microphones S-Mic 2S Moisture-Resistant Short Shotgun Microphone requires a 48V-enabled XLR connection, which is not found directly on the Sony A7IV Camera. To connect the Deity S-Mic 2S to a camera such as the Sony A7IV you would need to implement a camera mixer such as BH #SASRPAX1 Saramonic SR-PAX1 Two-Channel Audio Mixer, which would provide the preamp needed by the Deity S-Mic 2S and calibrate the audio signal to the level expected by the Sony A7IV audio input.

Q: 10. Will this mic diameter fit well on the mic holder that comes with the Fx6?

A: Although Sony does not specify the diameter of or compatibility for the microphone holder found on the FX6, the 0.75" diameter found on the Deity Microphones S-Mic 2S Moisture-Resistant Short Shotgun Microphone is relatively common and will likely fit nicely inside the FX6 microphone holder.

27/09/2024

[Low Cut/HPF] I am using this for recording violin, acoustic guitar, mandolin, and piano, and all sound great. I already own the mk4 and love it, but wanted something a little more directional that can reject some of the room noise, since I am not recording in a totally isolated environment. The mk41 sounds just as good as the mk4 and definitely cuts down on any background noise. Only downside is that I have less leeway to move around when recording, whereas with the mk4, which has a wider capture, it's a little more forgiving. But I got the mk41 specifically for this purpose to just focus on what's directly in front of it, and it's doing the job even better than expected without any loss of quality or musicality in the tone. Love it! And plus one for B+H's amazing customer service. They were extremely helpful.

5
01/09/2024

[Phantom Power] I've only used it once so far for and indoor scene but I couldn't help but notice how it performed over my Sennheiser MKH 416. True, the MKH 416 is better equipped for outside but up until now that was all I had. I loved how if my actors were slightly off from their spot or turned their heads I suffered no roll-off problems at all. The over all tone of the voices was so clear and natural. I can't wait to use this mic on a larger scale.

5
25/08/2024

[10 to 48 V] great great great

5
16/07/2024

[Low Cut/HPF] excellent mic,great sound,i like it

5
29/05/2024

[Mono] In short: low self-noise, improved isolation from room reverb, balanced frequency response, needs an audio recorder with quality preamps

I used to run a shotgun mic into my Canon C70 for all my interviews, indoor or outdoor, and now my workflow and quality has improved dramatically. I find this microphone well balanced across the frequency range, with soft s sibilance and no boominess in low or mid-range frequencies. It does a slightly better job at isolating from room reverb, which results in greater source sound clarity. You need to pair this mic with the clean preamps of an equally exceptional audio recorder to really appreciate the sound, as the self-noise levels of your camera preamps can disguise how truly quiet this mic's self-noise actually is. It needed about 15db more gain than my shotgun mic, but between the audio recorder upgrade and this mic my noise floor is now -5db lower than running my shotgun straight into camera. What I hear through my headphones now is truly a natural mirror of real life sound and room tone, not merely an interpretation of it mixed with the hiss of camera preamps. Hard to describe until you A/B test for yourself, but it is the most natural sounding microphone I've ever used!

5
09/05/2024

[Black] I used it on a few interviews and it sounds awesome. Very natural.

5
17/04/2024

[Solid-State] The sound is crystal clear, no coloring at all but of course you have to get it close to the source. I think this is the best mic you can buy for interiors and unlike a new camera, it will last me forever. Expensive, yes, but I think it will hold its value and is a good investment for my audio bag.

5

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