The Bower 24mm T1.5 Cine Lens for Samsung NX Mountis a wide angle prime lens that covers full frame DSLR Sensors. The lens is a wide angle lens for shooting with full frame sensor cameras, and can be used on APS-C and 4/3 sized cameras. The lens features a maximum aperture of T1.5, which makes it a very fast lens that delivers a crisp image with low chromatic aberration across the imaging field. This is accomplished by using 13 optical elements in 12 groups with two aspherical elements. The lens also features multi-coated optics for good contrast, flare reduction and optical performance.

The internal focus design that keeps the front of the lens from rotating, which allows it to work with accessories and available lens mounted filters, such as a polarizer, while allowing you to focus as close as 10.2 inches from the image plane. Designed for shooting HD video, the lens features built-in iris and focus gears, allowing you to use available follow focus units and iris motors. A silent iris design allows you to pull aperture smoothly during a shot while shooting video. The tulip-shaped lens shade is removable and you can attach optional filters using the 77mm threaded front mount.

Wide Angle Lens for Full Frame Format    13 Glass elements in 12 Groups    Anti-Reflective Multi-Coated Optics    Aperture Range T1.5 to 22    Internal Focus Mechanism    Close Focus 10.2 Inches    Geared Focus and Iris Rings    Silent Iris Ring    Removable Tulip Lens Hood    77mm Filter Size

Related Questions and Answers

Q: 1. Will this work on a Panasonic GH-4?

A: It will not. The GH4 uses the Micro 4/3 mount, this lens is 4/3 mount.

Q: 2. Is this lens compatible with Canon T3i ?

A: Yes it is

Q: 3. is this compatible with Nikon d3300 camera?

A: The Bower 24mm T1.5 Ultra-Fast Wide-Angle Cine Lens For Nikon F Mount Cameras will fit and work perfectly to a Nikon D3300. It will also work with any other Nikon mount camera even ones that are FX or full frame sensor cameras.

Q: 4. There seems to be a version2 of the same lens out there. What's the difference?

A: The version Samyang 24mm T1.5 VDSLRII Cine Lens for Canon EF Mount B&H # SA24T15C lists improved optics and coatings over the Samyang 24mm T1.5 Cine Lens for Canon EF-Mount B&H # SA2415C.

Q: 5. Does it support auto focus?

A: No, the Rokinon 24mm T1.5 Cine DS Lens for Micro Four Thirds Mount is a fully manual lens.

Q: 6. Does it come with a lens hood?

A: A detachable petal shaped lens hood is included.

Q: 7. does this product offer image stabilization?

A: No. It does not have stabilizer. Its simple as a cine lens.

Q: 8. can this be used on a BMPCC?

A: I'm afraid not, this lens has a Four Thirds Mount, which is not the same as an MFT mount. We do however have this Rokinon 24mm T1.5 with an MFT Mount that you could use instead with the Pocket Cinema Camera.https://bhpho.to/2nFXJh3

Q: 9. Are the gears on the Samyang the same as the Rokinon Cine DS line? Will I be able to swap without adjusting my follow focus like the Cine DS?

A: The gears on both Samyang and Rokinon Cinema Lenses are the standard 0.8 pitch gears. However the position of those gears on the lenses may change from lens to lens. You may need to adjust your follow focus when switching lenses.

Q: 10. What exactly is the difference between these Cine DS lenses compared to their equivalent non-DS lenses? I get that the DS lenses have some new markings to make it easier to look at focus and adjust exposure. But what is the difference in the DS lens that makes it cost about $200 more?Also, what different markings are there on the lens that make it obvious this is a Cine DS lens compared to the previous models? If you were looking at the two side by side, how could you tell the difference?

A: ) All of the gears are unified among all Rokinon Cine DS lenses. The focus and aperture gears are exactly aligned so that the user does not have to re-adjust his/her follow focus when swapping out lenses. 2) The new Cine DS lenses now feature dual focusing scales, one on each side. 3) All of the Cine DS lenses are tested to be color matched to provide the same color & contrast in video production.