Pearstone Pm Series Trs To Xlr Cable 10'
- Product Code: eq173882
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The Pearstone PM Series TRS to XLR Cable 10'is ideal for audio applications in which a device with an XLR input needs to be connected to a device with a balanced 1/4" output. Typical scenarios include connecting the output of a mixing board or audio interface to a powered speaker, or using an aux send to route signal to an outboard effects processor.
The cable is equipped with 24-gauge oxygen-free copper conductors and spiral shielding to protect against EMI and RFI noise. The professional-grade cast-zinc Rean XLR connector is field serviceable and features silver-plated contacts, while the Rean 1/4" TRS connector features a molded design for maximum strain relief. The twin conductive PVC shield reduces electrostatic noise, and distinguishes the PM series as the best value in its class.
1/4" TRS Male to XLR Male Cable 24-Gauge OFC Twin Conductive PVC Shield Spiral Shielding Rean XLR Connector Rean 1/4" TRS Connector Cast Zinc Black Shells Silver-Plated Contacts
Parameters | |
---|---|
Connector 1 | 1x XLR 3-Pin Male Straight |
Connector 2 | 1x 1/4" TRS Male Straight |
Cable Length | 10' / 3 m |
Connector Brand | Rean |
Contact Plating | Silver |
Wire Gauge | Not Specified by Manufacturer |
Shielded | Yes |
Color | Black |
Packaging Info | |
Package Weight | 0.425 lb |
Box Dimensions (LxWxH) | 10.65 x 7.05 x 1.1" |
Professional quality, field-serviceable, cast-zinc Rean connectors with silver-plated contacts
Twin conductive PVC shield reduces electrostatic noise
24-gauge oxygen-free copper conductors
Spiral shielding to protect against EMI and RFI noise
Related Questions and Answers
Q: 1. Can I use this cable to connect Rode NT-USB MINI to a mirrorless camera?
A: No, the Rode NT-USB Mini is a USB microphone and cannot be connected to a camera with an analog audio cable. It is only able to connect to a host device via a digital USB connection (or other digital connections such as Lightning with the use of an adapter).
Q: 2. Would this cable provide separate tracks out of the UwMic9, or will it be both channels mixed into both XLR’s?
A: Both channels would be mixed on both XLRs because all of the audio from both microphones is coming from a single output on the Saramonic RX9 receiver.
Q: 3. Why does this module have a power input? Can it be used by itself as a separate recorder?
A: The DC5V USB-C power input on the Zoom EXH-6e Dual XLR-1/4" TRS Input Capsule for H6essential Portable Recorder would be used for powering condenser microphones with an XLR connector, because these types of mics require 48V phantom power.
Q: 4. How long is the Locking 3.5mm TRS to XLR-Male cable?
A: The cable is 16" long, minus the connectors. End to end, connector to connector it is approximately 21.25".
Q: 5. Would this cable work with a Rode Go II receiver?
A: Yes, the Saramonic SR-UM10-CC1 would be compatible with the Rode Wireless GO II receiver.
Q: 6. If one end goes into my Rode Videomic Go, and the other end goes into my T3i, will it still work?
A: yes, I have a Rode Videomic Pro, and a Canon 6D, the cable works well
Q: 7. I know this is for mics. It looks like one of the best cables here as a 3.5mm extender. Can I use it as an extender from an audio source (computer) to an output (speaker/headphone)?
A: It is absolutely usable as an extension for computer audio as long as your speaker/headphones use a 3.5mm jack as most do.
Q: 8. Is the the cable is need to connect my rode videomic me to my nikon d3300?
A: Yes. This will work as a good extension from the rode to whatever camera you have with corresponding connection.
Q: 9. Will I lose quality if I connect two of these to maximize distance?
A: Noise can be introduced when using extension cables or adapters. To reduce this, we'd recommend using one 20' extension cable like this B&H # PEMMSB125B.
Q: 10. Will this make a high-quality, lossless connection from a Rode video shotgun mic to a Camera (DSLR or Mirrorless)? Thanks!
A: The RODE VC1 3.5mm TRS Microphone Extension Cable provides a high-quality, purely analog connection. Whether the recording is lossy or lossless will depend on the type of digital file compression used.
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