Midas Dl252 16X48 Fixed Format I/O Unit

Midas Dl252 16x48 Fixed Format I/o Unit

Product Code: eq174491
Availability: In Stock

$9,297.00 $11,249.37

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Description
Reviews (20)

The Midas DL252 16x48 Fixed Format I/O Unitfrom MIDAS is a 5U 19" rackmount fixed-configuration I/O unit with sixteen microphone/line inputs and forty-eight line outputs. Limited to analog connections, the unit provides a more cost-effective solution for those not needing the flexibility of MIDAS modular I/O hardware.

MIDI (In, Out, Thru) connectors and an Ethernet control port are fitted as standard. Three AES50 ports handle the (n+1) redundant digital audio interface. The DL252 is capable of being switched between 96 kHz and 48 kHz via the front panel.

A rear panel "Mute All Outputs" button is provided for aiding in onstage re-patching. The unit is also equipped with dual-redundant, universal power supplies.

16 Mic/Line Inputs 48 Line Outputs Remote Control of Inputs Three AES50 Network Ports Ethernet Control Port MIDI In, Out, Thru 5U 19" Rackmount Dual Redundant Universal Power Supplies

Parameters
Sample Rates	48 or 96 kHz
Analog Inputs	16 x XLR 3-pin female Microphone/Line
Analog Outputs	48 x XLR 3-pin male Line
Other Connectors	1 x RJ45 Ethernet 3 x Neutrik etherCON ports 3 x 5-pin DIN MIDI In, Out, Thru 1 x 9-pin D-Sub (diagnostics)
Power Requirements	100~240VAC, 50/60 Hz
Dimensions	19" 5U rackmount

Fixed Format I/O unit compatible with all MIDAS digital audio consoles

Sixteen remote control microphone/line audio inputs, fixed configuration

Forty-eight audio line outputs, fixed configuration

Switchable between 96 kHz and 48 kHz sample rates

MIDI In, Out and Thru

Three AES50 ports

Ethernet control port (using MIDAS protocols)

Dual-redundant PSUs

Digital snake and distribution network component - can be used as part of a standalone digital snake

48 audio outputs x 16 audio inputs configuration for snake applications

5U 19" rack-mountable form factor

Related Questions and Answers

Q: 1. Will it work with Sony a74?

A: No, unit is designed and made for the following Sony cams Sony FX3 E-Mount Sony FX30 E-Mount

Q: 2. Is it possible to separate the audio unit from the handle?

A: No, the Sony XLR-H1 XLR Handle Unit's XLR inputs/audio control interface can not be disconnected from the rest of the top handle.

Q: 3. What is the specs of the video output of this hand unit?

A: The DJI Focus Pro Hand Unit does not output any video. It can be used in conjunction with the DJI Transmission with High-Bright Monitor Combo, BH #DJTRC, in order to receive video transmitted from the included transmitter.

Q: 4. Could I to record multitrack to my DAW, as a audio interface?

A: The USB interface of the Midas MR12 allows you to record only a stereo mix out. The Midas MR18 18-Input Digital Mixer for iPad/Android Tablets with Wi-Fi and USB Recorder, B&H # MIMR18, will allow for multi-track recording.

Q: 5. Which projection does it use?

A: We think you are asking is there any protection filter available for this lens. As it often happen, a lens manufacturer creates a fisheye lens and then several months later a 3rd party maker comes up with a solution. That usually involves a large holder for the filter and an adapter for the lens. Unfortunately, there is no solution like that at this time.

Q: 6. Would the sennheiser mke 600 fit on this?

A: The 0.8" (20.3mm) diameter of the Sennheiser MKE 600 Shotgun Microphone will fit within the Sony XLR-H1 XLR Handle Unit.

Q: 7. Does this have any mounting points like for 1/4-20?

A: No, this is designed for manual, tactical operation.

Q: 8. Does the handle have it's own hot shoe for the Sony SMAD-P5?

A: No, the Sony XLR-H1 XLR Handle Unit occupies the required multi interface shoe required to attach the Sony SMAD-P5 Digital MI Shoe Adapter for UWP-D Series for operation.

Q: 9. Does it work with sc?

A: Yes, this is compatible with the Ronin-SC.

Q: 10. Which direction does this unit pull focus? Is forward pulling infinite focus? Is backwards pulling for close upshots or is it the opposite?

A: As you rotate the follow focus ring to the right, it will also turn the lens ring to the right.

John	29/09/2024
[48 or 96 kHz] I had a Stewart filmscreen in my old house media room and LOVED it. Had it for 11 years when it was cutting edge to have an HD projector and 110 screen. When we moved I was looking forward to getting another great screen but was worried about the price. The first one cost a bundle. Then I found these CIMA screens. Stewart quality and amazing appearance for an incredibly competitive price. HIGHLY recommend. 5

Daniel	21/09/2024
[48 or 96 kHz] The case is very well made. I like the doghouse, I don't have to hook up accessories each time!!! 5

Max	07/09/2024
[48 or 96 kHz] Build quality is average for price/class, all metal case feels sturdy and a little heavier than expected. There are a lot of options for mixers this size. I picked this one for sound quality and have not been disappointed. Very open and clear, has the punch of a soundcraft and the smoothness of an allen & heath. Excellent noise floor, which has been an issue with others. I run a high power PA rig for DJs and electronic music 5

David	21/08/2024
[48 or 96 kHz] these case are great just the right size. 5

Jeffrey	28/07/2024
[48 or 96 kHz] My only knock on this case is that the clasps on the end cap should have been reversed. When in use, there is one "dangling" clasp on the bottom of the case (from the end cap) that has to be folded up out of the way or it will mar any surface you try to set the console on. Otherwise, it's a well designed case with some nice storage. 5

Epicenter	17/07/2024
[48 or 96 kHz] This is a 3-piece case and nice for this console. 5

Mary	06/07/2024
[48 or 96 kHz] Wouldn't use anything else. 5

Edward	28/06/2024
[48 or 96 kHz] I bought the Midas M32C Rack mixer in conjunction with a Midas DL32 Digital Stage Box, in part, to facilitate a location production for national broadcast. We needed 26 mics on stage, and a 16 channel split for front-of-house mixing. In this case the DL32 was also used with a full M32 console for mastering, but the M32C was used for FOH in conjunction with an iPad (M32-Mix app). It is also completely compatible with DAW software, including Pro Tools, Nuendo and Cubase. The application running in the attached photo is Midas' M32-Edit on a MacBookPro. Both mixer and stage box fit in a 4-space rack, weighing about 25 lbs. Four 8-channel mic preamps alone would weigh over 60 lbs. The M32C and DL32 can be separated by up to 100 meters, connected by a single CAT5 cable. Connection to the computer is by WiFi, or CAT5 + USB as shown. 5

Craig	07/06/2024
[48 or 96 kHz] I'm an internet shopper. I shop pricing. B&H has me coming back again and again. Thank you! 5

David	27/05/2024
[48 or 96 kHz] For a case made in China, this is still a really good quality build. While it's made for the Midas M32R, I purchased it for the Allen & Heath SQ-5 (it's a nicer board than the M32R for a whole host of reasons) because I wanted a foam lined case, not a hard rack rail and I haven't been able to find any other manufacturer making the case to accommodate the SQ-5. This case will do it with a little work, which is what I expected. Remember to save your Allen & Heath packing foam, then see my attached photo for details on how to make a SQ-5 fit nicely into this unit. Perhaps ProX will make an SQ-5 case as soon as that mixer gains popularity. Until then, my modification is really nice. (Note: out of the box, this ProX case looks like it will fit the M32R without any modifications.) 5