[T2.9] -Reparacin.


Para un objetivo con zoom (incluso si es un zoom bastante corto), me impresion lo poco que respira el objetivo. A pesar de tener una gran rotacin de enfoque de 300 grados, hay una respiracin mnima al cambiar el enfoque de infinito.

-distorsin

El Tokina 11-20 mm T2.9 es un objetivo gran angular rectilneo, lo que significa que es capaz de mantener lneas rectas razonablemente rectas.

-Color


Como la mayora de los otros lentes Tokina, el 11-20 mm se inclina hacia los tonos clidos, lo que personalmente me gusta, sin embargo, esto puede no ser del agrado de todos.


-Competencia

En trminos de lentes de cine que cubren este rango focal en esta parada en T, realmente no hay otras opciones a menos que desee gastar $ 52,450.00 USD en la lente de zoom ultra gran angular de 9.5-18 mm T2.9 F de ARRI .

La competencia ms cercana vendra de la propia lente T3 de 11-16 mm de Tokina.

-Conclucion

Si est buscando una lente gran angular de cine adecuada que no pese mucho, no cueste una pequea fortuna y funcione realmente bien, la Tokina Cine 11-20 mm T2.9 es muy difcil de superar.

Tokina ha hecho un buen trabajo con este objetivo y, en mi opinin personal, es el mejor lente este rango focal del mercado actualmente


sin duda un paso adelante con respecto a la versin T3 de 11-16 mm de la compaa. La carcasa del cine, sobre todo la calidad de construccin y la atencin al detalle, lo convierten en una lente mucho ms pulida y profesional que sera ideal para usar en cualquier nivel de produccin.

[T22] These lenses were a dream of ours to own, quite expensive but after having them for a few weeks......wow. We really want to go back and re shoot everything cool we have ever done! The look they have is absolutely awesome......so happy with them. Super easy to work with...and the quality is second to none.

[Full Frame] Perfect zoom range starting at 70mm. Will be perfect for 4k applications as well. Excellent image quality and color balance. But you expect that from a Zeiss lens

[15 to 30mm] Very happy with this lens. A good investment.

[Full Frame] The 11-20 ATX is a great wide angle geared cine lens, it matches close enough to the Tokina Vista Primes, which is nice for swapping for a lighter and smaller rig for gimbal shots inside cars and tight spaces. The added threaded filters are perfect for not needing to use a matte box to drop in ND’s saving more space and weight. The FIZ rings have the perfect amount of resistance and are butter smooth. Focus rotation from it’s closest point to infinity is about 300 degrees, so doing a smooth pull will be much easier with a remote focus unit. Lastly not a lot of distortion in its widest, and it’s almost non existent at 20.

[T22] Extremely lightweight and completely another type of beast if comparing with either Nikon or Canon plastic lenses. Interchangeable mount makes it a really cool lens for many situations. In PL version, you can also add a 2x Extender and get a 140-400mm with still a extremely good quality and very useful for wildlife as well as other appplications. Mount is very solid and weight helps to move quickly as well. Wether you want to shoot a film, a comercial, a concert or music video, having this lens will open you to a whole new world of possibilities due to its characteristics. The quality of this lens surpassed my expectations honestly but since it is not a rehoused still lens, but a whole new cinema lens design it makes sense. Many grumpy cinematographers would still say this is neither a DSLR lens nor a High End cinema lens, but I can tell you this lens is up to compete with bigger and more expensive lenses anytime for a much lower price, which still is not low but worth each penny.

[T2.9] Sharp, very low distortion, great build quality. Best lens I own.

[2x] I've had this lens for a little over one year now and it's basically lived on my Sony FX9 and FX6 since the moment it arrived to my door. The Zeiss CP.3 35mm lens is the perfect size and weight to fit in my backpack for when I need to pack light but packs the same punch as any top of the line cinema lens.


The optics on this lens are just outstanding. Beautiful color renditions matched with a tack sharp image really help get any job done.


I couldn't recommend this lens, or any of the other CP.3 lenses, more. It will definitely always have its place in my kit.

[T2.9] Love how well constructed is this lenses and its performance. No chromatic aberrances in its widest at 11mm. None noticeable vignettes and vertical distortion at the sides of the image. One of my wise investments! Use it with BMPCC6KPRO.

[15 to 30mm] Not as much distortion as you would expect. Little CA. All around great lens.