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Schneider Xenon Ff 50mm T2.1 Lens Arri Pl Mount

Schneider Xenon Ff 50mm T2.1 Lens Arri Pl Mount
  • Product Code: eq174556
  • Availability: In Stock

$10,080.00 $14,918.40

The Schneider Xenon FF 50mm T2.1 Lens ARRI PL Mountin ARRI PL mount is part of the Xenon FF set of lenses. FF stands for full frame, and every lens in the set covers a full frame image sensor without vignetting and is designed for 4K image capture. The Xenon FF lenses are color-matched to a standard at the factory, minimizing color shift when changing lenses. They feature a 14-blade iris, providing natural looking Bokeh, with circular out of focus highlights, 300° of lens barrel rotation, and share lens gear positions and size.

The lens features a barrel with a large circumference, providing wide spacing for focus marks. Opposing focus scales provide properly oriented focus marks on both sides, so an assistant can pull focus from either side of the lens. Lens gears for focus and iris allow you to use the lens with industry standard lens accessories. The 50mm features a removable lens support bracket, so you can use an available lens support if you wish. The lens is designed to allow a lens technician to swap between available ARRI PL, Nikon F, Sony E, and Canon EF mounts, avoiding adapters and solidly mounting the lens to your camera.

Covers Full-Frame Sensors    Supports 4K Recording Quality    Color-Matched    Shares Characteristics across FF Primes    14-Blade Iris    300° Lens Barrel Rotation    Minimized Focus Breathing    Standard Lens Gears    Removable Lens Support Bracket    Lens Mount is Swappable

Key Specs
Focal Length50mm
Maximum ApertureT2.1
Lens MountARRI PL
Lens Format CoverageFull Frame
Filter ThreadM95
Image StabilizationNo
Electronic CommunicationNo
Parameters
Maximum ApertureT2.1
Minimum ApertureT22
Lens MountARRI PL
Interchangeable MountNo
Lens Format CoverageFull Frame
Image CircleNot Specified by Manufacturer
Angle of ViewFull Frame
Horizontal: 40°
Super 35
Horizontal: 28°
Focus ScalesImperial
Filter ThreadM95
Minimum Focus DistanceFrom Unspecified Point in Lens: 19.7" / 50 cm
Diaphragm BladesNot Specified by Manufacturer
Image StabilizationNo
Gear StandardNot Specified by Manufacturer
Gear RotationFocus: 300°
Electronic CommunicationNo
DiameterFront: 3.9" / 100 mm
Length5.24" / 133.1 mm
Weight2.6 lb / 1.2 kg
Packaging Info
Package Weight3.15 lb
Box Dimensions (LxWxH)10.394 x 6.929 x 5.591"

The lenses are designed to cover a full-sized image sensor and provide 4K resolution for image capture.

The lenses are color matched to a standard ensuring consistent color across lenses. This allows you to purchase lenses, as you need, without having to search through multiple lenses trying to assemble a matched set.

The lenses share the same physical characteristics across the set, this includes the length, diameter, and focus and iris gear position. This speeds up lens changes in the field, minimizing adjustments to matte boxes and lens accessories.

300° of lens barrel rotation provides for accurate focus adjustments throughout the range.

Related Questions and Answers

Q: 1. Is this lens have any type of weather sealing in the PL version?

A: The Meike 50mm T2.1 Super 35 Cine Prime Lenses offer no weather sealing.

Q: 2. Will this work with the RED Komodo?

A: Yes, it does.

Q: 3. Can it be used with BMPCC 6K & Cooke 18-100mm combo?

A: This adapter will not work with the Pocket 6K.

Q: 4. hi does these lenses have a specific characteristic to it? Is it maybe more on the vintage side or is it a modern sharp lens? thanks for your help.

A: This lens leans more on the modern, sharp end, but still has some very fine, delicate rendering and a very subtle cinema-like look. It is elegant and simple in a very subtle way.

Q: 5. is this compatible with DZO Vespid primes lenses?

A: The FotodioX Pro Lens Mount Adapter ARRI PL to Canon EF is not compatible with DZO Vespid primes lenses.

Q: 6. Would this lens work with a Blackmagic Pocket 4k camera with a .64x speed booster?

A: Yes, but an adapter will be needed. Please review the following adapter that will allow you to mount the lens Metabones T Speed Booster XL 0.64x Adapter for Canon EF Lens to BMPCC 4K Camera https://bhpho.to/2WixnVA

Q: 7. Will it fit the zcam e2 m4 without a speedbooster just the ef mount and not see any vignette

A: this is an EF mount S35 mm lens, it will fit all standard EF mount cameras and it's image circle and coverage will be limited to S35 and nothing larger

Q: 8. Is this lens support 8K footage?

A: Yes, the DZOFilm VESPID 50mm T2.1 Lens (PL Mount) can resolve 8K footage.

Q: 9. Can you buy a PL mount to swap between EF and PL?

A: No, a PL mount cannot be added to the EF version of this lens.

Q: 10. Does the anamorphic squeeze affect the lens focal length on full frame?

A: No, the anamorphic squeeze does not affect the lens' focal length on a full frame sensor.

22/09/2024

[ARRI PL] Beautiful shots and you can't beat the price.

5
08/08/2024

[M95] This is what you need for your 4K full frame work. Professional look, quality and amazing, natural picture. It render better than reality!

5
08/08/2024

[50mm] this lens is great, I use it with my FS7, FS700, A7S and A7sII, the lens cover perfectly the Full Frame sensor and give me a little more narrowed image in Super35mm, color rendition is amazing and have no breathing at all, very happy with it for 4K and more

5
29/07/2024

[ARRI PL] this lens go with my gear all the time, great performance on my FS7 and superb in my A7sII

5
21/06/2024

[M95] I seriously LOVE what these lenses do as an intro set of Cine glass. As a long time Sigma Art series user I didn't realize how much of an upgrade this was going to be from Photo glass. I'm super happy with the money i spent on this and also the 35mm. I will be getting the 24mm and 85mm ASAP!

5
12/06/2024

[Full Frame] I have all 3 of the available PL mount versions of these lenses. I used on 2 proffesional shoots and WOW WOW WOW - I still cant get over the IQ for the price but with only 1 gripe---lets get out of way-- (no focus marks on AC side) not a big deal using FF on op side typically or remote FF if I have an AC so its not really an issue) If you are looking here you like consider the DZO Vespid line. TRUE they have a full set. However they have a very vintage look with oval bokeh and bad CA(on a few focal lengths) Those are smaller lighter and MARGNIALLY sharper true) however these lens have very little CA very little if any breathing depending on FL- propper full 330 rotation on focus, they are bigger but still small- However dont look SILLY on my RED like the Vespids do. I cant say this enough MEIKE hit a homerun here and I have ZERO regrets. Just wish the whole set was already available (24mm coming end of NOV 21) ---you cant go wrong here.

5
07/06/2024

[3.15 lb] beautiful but its expensive

5
03/06/2024

[Imperial] Amazing lens for incredible price

5
23/05/2024

[ARRI PL] I've used ROKINON lenses which were quite above average. The Sirui anamorphic lens was even better. I just finished my first feature using the Sirui. Now that I just used this Meike FF on my Bmpcc4k for my trailer.... I am just blown away by the depth of field, bokeh and color depth of this lens. The quality, the weight, the build quality is on par to a much more expensive cine lens. This is the range of a 5k plus cine lens. I'm planning on buying the other focal lengths as well

5
23/05/2024

[M95] This is the best EF Cine wide-angle lens that I have seen to date. And the color rendition matches perfectly with the other Xenon FF Lenses that we use.

5

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