[6 oz (165 g)] A must-have if you have 3-4 PSM300s. I got to combine the antennas and power all my units from one power source freeing up more power for other units in our rack. Works perfect.

[1 lb] I have 4 PSM300 and this works fantastic for streamlining the set up in my rack. It's not cheap solution to eliminate 3 power supplies and 3 antennas but in my case I consider it well worth it.

[1 lb] I haven't checked the response curve, but it sounds clean and natural on all normal programs I have used. It's true that all small transformers like this one can saturate somewhere between 20Hz and a 100Hz, especially on line level signals. But the effect would be progressive the lower Hz you go, and the harmonics produced would be even, so some people might find it pleasant.


The cool thing about this is how solid it is built, no batteries, multiple ins and outs, and it's light weight and compact for gear bags to go. It solves problems.

[6 oz (165 g)] This device is less expensive, lighter and a little smaller than the MS-2 splitters I have used in the past. I am using it as a Combiner with line-level signals. It is working with no problems.

[6 oz (165 g)] When Working in small clubs with limited channels,it allows me to save a channel for something else, I like to use the SPLITCOM to add a mic to the bottom of the snare, with the out of phase switch it has allows me to get the sound perfect everytime, I use a Beta 56 on top and a Audio Technica Pro 35 on the bottom of the snare, this unit also allows the phanton power to run thru the one side of it. The ART SPLITCOM Pro is a great tool to have for any engineer.

[1 lb] This unit is very solidly built and performs exactly as it's intended. Very simple way to combine two mic signals (Shure Beta58A mics) into one. No issues at all.

[6 oz (165 g)] I use these to split my mics between a monitor mixer and the front of house mixer. These small boxes are made in the USA and built like a tank. They do their job well without coloring the sound and also double as a mic combiner in those situations when you have run out of mic channels on the board. I have a few Rolls boxes in my toolkit and they are solid and dependable little problem solvers.

[6 oz (165 g)] This is one of those things that you've been missing for years. I shoot frequently in comedy clubs, and they have a wide range of in-house sound gear and it's not always great. Some places even plug a mic straight into the PA. This awesome little box allows me to pull a feed from any XLR mic before it goes into the PA, which means I get a nice clean audio track in my recorder with no effects and the club is none the wiser. Just mix that with some audio from a couple of SM57s set up to capture audience sound and you're in business. It's also nice that I can use it as a combiner should I ever be short an input on my recorder or my camera. I haven't had to do this in the field yet, but I've tested it at home and it works great. It's passive, so you don't need batteries or mains, and you even get phase and lift if you need them depending on your situation. The only downside is that, especially in a dark club, it's almost impossible to read the labels. I just used some neon pink spike tape to relabel mine. Oh, and that price? You can't argue with that price. You should probably get two, just in case.

[1 lb] awesome to buy from B&H they help you find what you are looking for and have low prices..

[1 lb] I was recording speeches by tying a lapel mic to the microphone on a mic stand until I found this great product. This one work as a combiner as well!!