Atlasied Tsd Bluebridge 4X4 Dsp Audio Processor

Atlasied Tsd Bluebridge 4x4 Dsp Audio Processor

Product Code: eq175487
Availability: In Stock

$3,782.97 $5,333.99

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Description
Reviews (10)

The AtlasIED TSD BlueBridge 4x4 DSP Audio Processorfrom AtlasIED TSD BlueBridge 4x4 DSP Audio Processoris a platform designed for sound reinforcement and AV applications. The DSP Processor can provide audio and Ethernet connectivity for TCP/IP third party control and programmability. Using microphone preamps from THAT Corporation and 24-bit converters, this processor obtains a low noise floor. The 40-bit floating point DSP engine is designed to prevent digital clipping and to obtain maximum speed and power to process advanced algorithms in complex system designs. The unit can operate on any network, and when connected, the processor will be recognized and controllable. The TSD BlueBridge processors offer fixed application embedded designs and the ability to design custom drag and drop systems. The TSD processor can be used for system designs that require limited I/O's, but require a modern DSP platform. The design can be used as a standalone device to run a sound system or as a supplement to an existing system.

Parameters
Input Type	Mic or Line, GUI selectable
Configuration	Electronically balanced
Gain	-40 to +15 dB in 0.25 dB Steps
Polarity	+/-, GUI selectable
Input Impedance	>10 kOhms
Maximum Input Level	+20 dBu
Phantom Power	48 V, GUI Enabled
Output Type	Line
Ouput Impedance	50 ohms
Maximum Output Level	+20 dBu
Frequency Response	20 Hz - 20 kHz
Dynamic Range	110 dB Type (unweighted)
Common Mode Rejection Ratio	>100 dB (50 Hz - 10 kHz)
Distortion	0.002% (1 kHz @ +4 dBu)
Dimensions	1.5 x 4.0 x 5.2" (3.9 x 10.1 x 13.2 cm)
Weight	15 oz (425 g)
External Power Supply	cUL, CE, RoHS, TUV
Packaging Info
Package Weight	3.545 lb
Box Dimensions (LxWxH)	13.2 x 10.5 x 2.8"

Drag and Drop architecture

Mic or Line selectable inputs

Balanced high gain outputs

Output peak and signal indicator LEDs

Low noise floor

THAT Corp mic preamp

Ethernet network connectivity

24 dB converters

48 kHz, 40-bit floating DSP engine

External power supply included

Related Questions and Answers

Q: 1. Does this item have locking wheels? What mechanism does it use to lock them?

A: That is an Atlas Boom it does not have locking wheels. It is used primarily for used for vocal and string recording.

Q: 2. in relation with your answer “You will need at least 1 Ultimatte 12 and an Ultimatte Smart Remote 4 to control them and key your set. You will also need cameras and a virtual set software.” what is unclear to me is which set is going to make the render for the camera motion is ultimate 12 does that?

A: The Ultimate only does the keying of the image camera over background. It does not have virtual set type rendering of the image or modify the background.

Q: 3. Do I retain camera control capabilities (ISO, shutter, focus) if I use the HDMI Ultimatte 12 with my BMPCC and ATEM Mini setup?

A: Yes it does. Just make sure to send the return feed from the ATEM Mini to the Ultimatte 12.

Q: 4. what else should i get to make a copllete virtualset epuipment ?

A: You will need at least 1 Ultimatte 12 and an Ultimatte Smart Remote 4 to control them and key your set. You will also need cameras and a virtual set software.

Q: 5. What are the dimensions and weight of the base?

A: The Atlas Sound SB36WE base measures 15" from corner to corner, but unfortunately we do not have a spec for the weight of the base alone.

Q: 6. Can this be used as a live keyer for a virtual set with dynamically moving cameras? The promo materials seem to only mention fixed cameras.

A: The Blackmagic Design Ultimatte 12 4K Keyer Advanced Compositing Processor can be used in virtual sets, but the handling of foreground and background would be done with external processing.

Q: 7. Which 8K-capable cameras can be used with Ultimatte 12? What about the URSA 12K?

A: There are very few cameras that output 8k at this time. But Studio camera systems like the Sony UHC-8300 is one option. https://bit.ly/3xsWeG0

Q: 8. Can i use a 4k camera with internal recording and send video signal via hdmi at the same time? Does it downscale automatically?

A: The Blackmagic Design Ultimatte 12 HD Mini Keyer/Advanced Compositing Processor does not downscale at this time. It would be recommended to check with your camera's capability to record 4K internally and send a 1080p signal via HDMI in order to confirm compatibility.

Q: 9. How different is this keyer than say the Atem HD8 keyer or the Atem mini pro keyer?

A: The Blackmagic Design Ultimatte 12 HD Mini Keyer/Advanced Compositing Processor is much more advanced than the keyer built into the ATEM Switchers. With the Ultimatte model, you will have many more options to clean up the key.

Q: 10. Why don't inputs 2,3,4 (B, C, D) on the 8k function? Only input one (or A) works!

A: When receiving an 8K signal, the Blackmagic Design Ultimatte 12 8K Keyer/Advanced Compositing Processor uses all 4 inputs for the single 8K signal as quad link is required for the full 8K resolution.

Pgt Miguel Loo	28/09/2024
[20 Hz - 20 kHz] Hight quality, fast delivery, good product 5

Kenny	24/09/2024
[Line] Great price for the package! And it got here very fast! Thanks 5

wb	21/09/2024
[+20 dBu] Used it to drive (4) four Atlas M1000 8" Sound Masking speakers.� At half volume it was extremely loud.� Simple volume control and White / Pink noise selector plus a little bit of EQ.� More than most people need. 5

Paul	14/09/2024
[Line] I have an original K10 and the addition of the K8.2 is very welcome. the K8.2 delivers great balance between brilliant highs and tight, round low end with a nice punch of power. all in a small user friendly package. 5

Bradley	08/09/2024
[50 ohms] I am using this interface primarily to record 2 stereo pairs from my Elektron Octatrack and multitracking with Ableton Live and Adobe Audition. I'm monitoring on JBL LSR205s & KRK KNS8400s. The build quality of the interface is very nice and the knobs feel durable with no wobble and a good amount of rotation pressure that feels precise and smooth. I have am experiencing very low latency on OSX El Capitan and successfully multitracked into my iPad using Beatmaker. The compressors sounds nice, especially for the price range. I find them to be perfectly subtle; there to enhance your audio recording rather than act as an effect. I think that's a smart decision for an onboard compressor since you could get more dramatic, pumping, compression in your DAW if that's what you're going for. Overall I'm really happy with this interface. I could hardly find reviews of this line so hopefully this is helpful for anyone else looking at these. 5

Mike	11/07/2024
[50 ohms] I needed great vocal monitors that covered a lot of width for our stage. 2 of these cover about 15 feet wide nicely - with great sound! 5

Christopher	07/07/2024
[>10 kOhms] A fantastic kit — Powerful little speakers. Light enough to easily carry them around, and good-quality hardware to connect them. I definitely recommend a subwoofer for these. 5

Edward	06/05/2024
[+20 dBu] For a little background, I have owned a K10, a KW122, and a KSub. Our GB band owns many QSC speakers, as well, including the K8, K10, K12, KW152, and KW181. I am a guitarist and bassist and sometimes run a pre-amp into the K-series speakers directly for lower volume situations. The original K8 has always been my favorite for acoustic guitar and I have used one many times to perform outdoor wedding ceremonies. The wide dispersion pattern and detailed midrange sits nicely with acoustic instruments. The K8.2, to me, almost sounds like the original K10 in regards to depth of sound while retaining the wider dispersion of the 8" driver. It puts out a lot of quality sound in a small form factor. I'm sure many of us are happy that the K8.2 also has the ability to be used as a floor monitor, too, which is another application I will be using mine for. The new onboard DSP, while not as quick to navigate as the analog dip switches of the original K-series, adds lots of functionality. Most notable for instrumentalists is the addition of the high impedance input setting on channel B. Combined with the onboard EQ and three different high pass filter settings, you can skip using a pre-amp and plug straight in, if a simplified setup is needed. I plan on using it this way for playing lower volume cocktail hour duo scenarios. Also, thank you B&H for offering this speaker with the carrying bag included. It made it easy to decide where to purchase it! 5

Ruess,	11/04/2024
[3.545 lb] Trying to 'down-size' my live keyboard rig. Agonized about whether the 8 speakers would have enough depth to them. They work perfectly for my use (moderate volume band, piano/organ/synth - all sound great). 5