Atlasied Bluebridge 16X16 Dsp Audio Processor

Atlasied Bluebridge 16x16 Dsp Audio Processor

Product Code: eq175490
Availability: In Stock

$13,841.97 $18,548.24

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Description
Reviews (7)

The AtlasIED BlueBridge 16x16 DSP Audio Processorfrom AtlasIED BlueBridge 16x16 DSP Audio Processoris a platform designed for sound reinforcement and AV applications. The DSP Processor can provide audio and Ethernet connectivity for TCP/IP third party control and programmability. Using microphone preamps from THAT Corporation and 24-bit converters, this processor obtains a low noise floor. The 40-bit floating point DSP engine is designed to prevent digital clipping and to obtain maximum speed and power to process advanced algorithms in complex system designs. The unit can operate on any network, and when connected, the processor will be recognized and controllable. The processor provides standard mixers, gain sharing auto-mixers, delays, equalizers, level controls, duckers, filters, as well as many other processing capabilities. This processor is UL rated and intended for use in houses of worship, restaurants, presentation and conference rooms, courtrooms, and other areas in need of sound reinforcement and AV applications.

Parameters
Dimensions	L x W x D: 1.8 x 19.0 x 9.0" (4.4 x 48.2 x 22.9 cm)
Input Type	Microphone or Line, Software Selectable
Input Gain	-40 to +15 dB in 0.25 dB Steps
Phantom Power	48 V, Software Enabled
Output Type	Line
Output Gain	-40 to +15 dB in 0.25 dB steps
Output Impedance	50 ohms
Processor	40-bit Floating Point
Sampling Rate	48 kHz
Power Requirements	90 - 240 VAC (50-60 Hz)
Digital to Analog Converter	High Performance 24-bit
Packaging Info
Package Weight	10 lb
Box Dimensions (LxWxH)	24 x 14.25 x 3.25"

Open architecture programmability

THAT Corp microphone preamps

Ethernet network connectivity

TCP/IP third party control capability

Low noise floor

Four logic inputs/outputs

48 kHz, 40-bit floating DSP engine

EQ modules include parametric, graphic, and anti-feedback

Crossover modules include Butterworth, Linkwitz Riley, and Bessel with slopes from 6 to 48 dB per octave

Filter modules include high shelf, low shelf, and all pass

Mixer modules includes a gain sharing auto-mixer, a gating auto-mixer, a matrix mixer, a standard mixer, a LR mixer, and a LCR mixer

Generator modules come in sine tone, sign sweep, white, and pink

Dynamic modules include a compressor, expander, limiter, and ducker

Output peak and signal indicator LEDs

Safety listed to UL60005

Related Questions and Answers

Q: 1. Can this be used as a live keyer for a virtual set with dynamically moving cameras? The promo materials seem to only mention fixed cameras.

A: The Blackmagic Design Ultimatte 12 4K Keyer Advanced Compositing Processor can be used in virtual sets, but the handling of foreground and background would be done with external processing.

Q: 2. Can you use a garbage matte with the HD Mini model?

A: Yes, the Blackmagic Design Ultimatte 12 HD Mini Keyer/Advanced Compositing Processor does support garbage mattes.

Q: 3. Can the Ultimatte 12 Mini output Program HDMI and SDI simultaneously? (For example to a Switcher and a PC at the same time)?

A: Yes, the Blackmagic Design Ultimatte 12 HD Mini Keyer/Advanced Compositing Processor can output both from the SDI and HDMI simultaneously.

Q: 4. Can you do c-41 with it?

A: The Jobo SilverBase Compact Rotary Film Processor with Tank and Reel Kit does not offer temperature control, which is required for C41 or E6 processing. The Jobo CPE would be recommended for color film processing: https://bhpho.to/4do6IJy.

Q: 5. What program do most people use for the virtual sets, unreal engine?

A: you can use unreal engine or Virtual set royalty-free stock footage

Q: 6. in relation with your answer “You will need at least 1 Ultimatte 12 and an Ultimatte Smart Remote 4 to control them and key your set. You will also need cameras and a virtual set software.” what is unclear to me is which set is going to make the render for the camera motion is ultimate 12 does that?

A: The Ultimate only does the keying of the image camera over background. It does not have virtual set type rendering of the image or modify the background.

Q: 7. How different is this keyer than say the Atem HD8 keyer or the Atem mini pro keyer?

A: The Blackmagic Design Ultimatte 12 HD Mini Keyer/Advanced Compositing Processor is much more advanced than the keyer built into the ATEM Switchers. With the Ultimatte model, you will have many more options to clean up the key.

Q: 8. Why don't inputs 2,3,4 (B, C, D) on the 8k function? Only input one (or A) works!

A: When receiving an 8K signal, the Blackmagic Design Ultimatte 12 8K Keyer/Advanced Compositing Processor uses all 4 inputs for the single 8K signal as quad link is required for the full 8K resolution.

Q: 9. Hello, the "what's in the box" does not list the magnet (BH #JOM • MFR #J1504). Do I need to buy it separately?

A: No, you do not need to buy the Magnet. It doesn't show on our website, but the magnet does come with this kit.

Q: 10. Does this item have locking wheels? What mechanism does it use to lock them?

A: That is an Atlas Boom it does not have locking wheels. It is used primarily for used for vocal and string recording.

Christopher	05/09/2024
[48 kHz] A fantastic kit — Powerful little speakers. Light enough to easily carry them around, and good-quality hardware to connect them. I definitely recommend a subwoofer for these. 5

Mike	02/08/2024
[50 ohms] I needed great vocal monitors that covered a lot of width for our stage. 2 of these cover about 15 feet wide nicely - with great sound! 5

Paul	05/07/2024
[48 kHz] I have an original K10 and the addition of the K8.2 is very welcome. the K8.2 delivers great balance between brilliant highs and tight, round low end with a nice punch of power. all in a small user friendly package. 5

Ruess,	29/05/2024
[10 lb] Trying to 'down-size' my live keyboard rig. Agonized about whether the 8 speakers would have enough depth to them. They work perfectly for my use (moderate volume band, piano/organ/synth - all sound great). 5

Edward	21/05/2024
[48 kHz] For a little background, I have owned a K10, a KW122, and a KSub. Our GB band owns many QSC speakers, as well, including the K8, K10, K12, KW152, and KW181. I am a guitarist and bassist and sometimes run a pre-amp into the K-series speakers directly for lower volume situations. The original K8 has always been my favorite for acoustic guitar and I have used one many times to perform outdoor wedding ceremonies. The wide dispersion pattern and detailed midrange sits nicely with acoustic instruments. The K8.2, to me, almost sounds like the original K10 in regards to depth of sound while retaining the wider dispersion of the 8" driver. It puts out a lot of quality sound in a small form factor. I'm sure many of us are happy that the K8.2 also has the ability to be used as a floor monitor, too, which is another application I will be using mine for. The new onboard DSP, while not as quick to navigate as the analog dip switches of the original K-series, adds lots of functionality. Most notable for instrumentalists is the addition of the high impedance input setting on channel B. Combined with the onboard EQ and three different high pass filter settings, you can skip using a pre-amp and plug straight in, if a simplified setup is needed. I plan on using it this way for playing lower volume cocktail hour duo scenarios. Also, thank you B&H for offering this speaker with the carrying bag included. It made it easy to decide where to purchase it! 5