[7 x 7 x 7"] Interchangeable mic

[Black] I use these for recording depositions. For the price you can't beat the price.

[Black] These are well-built and are solid enough to withstand the wear-and-tear that our preachers always put on them. Recommend for the rough-n-tough pastors!

[7 x 7 x 7"] I am using this lav mic to amplify a 5 string banjo. I had been using a generic electret battery driven lav mic (think radio shack) for that purpose, replacing the mini-plug with a female 1/4 inch, then using a standard guitar cord, plugging into a Baggs Para DI, then into the board of the sound system with an xlr mic line. That was OK, but I had lots of thin wire to coil, a fragile battery pod and the nusiance of dead watch batteries if I forgot to switch the thing off. The SM11 of course needs no batteries and the wiring is much more robust than the cheap lav mic. I can go direct into a mixing board and the sound is quite nice. The banjo doesn't really need a lot of high end amplification, and doesn't produce deep lows -- all of which the dynamic mic doesn't pick up. So the result is a nice warm sound, and much more full-spectrum than the electret mic to my ear. Probably because the diaphragm is larger, I guess. I don't need to hide this rather large (thumb size)lav canister in clothing, like a video person would. It rides in the backside of the banjo. The included tie clip worked fine, clipped to a little jig I sometimes use. But instead I wrapped the body in some dense memory foam, and made my own mount that also acts as a tone regulator behind the head -- it's an open-back banjo thing. Looks like this product is robust and should work for years. Works fine going straight into the mixing board. But when I run it through the Baggs Para DI (which is a preamp as well as a DI) I have to use a transformer to change the signal to HI-Z for the 1/4 inch input. Then the output from the Bagg's male xlr (lo-z again) is too hot for the mixing board, so I use a 20db attenuator between the DI out and the board mic-line in. Works fine that way.

[Black] They work as good as the ones that came with the unit when I purchased it. The price is great also, I purchased 2 for the price of one direct from the manufacture!

[Black] Great size and nice quality.

[7 x 7 x 7"] I have 5 of these. I have recommended them to other performers. I use them on my banjos. The are incredible, I use a tywrap and fix it to a tension hook on the outside of the banjo facing down into a sound hole. It has a great sound, I have used it for years, from a small pa, to onstage for a large audience. It always performs well. I have also used it for recording along with the front mic. With Banjo, when you move off axis it changes the tone, but with this, mic, you have no problem with that. The sound is always consistant. Well Done Shure.

[1 lb] Still a workhorse of the wireless microphone set, this replacement microphone is the exact replacement part for you Lectrosonics wireless mic. Usually the cord fails -- and the failure is usually at the plug. These replacement mics have reinforced strain-relief where the cord comes out of the plug -- highly recommended by me!

[Black] making training dvds and works perfect for our situation.

[1 lb] Exactly what the description said it would be. It's about twice the size of an ECM-50, but it has excellent sound quality for lower level productions. Seems fairly rugged and requires no batteries. Use it for church shoots.