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Nugen Audio Lm-correct 2 Upgrade - Auto Loudness Software

Nugen Audio Lm-correct 2 Upgrade - Auto Loudness Software
  • Product Code: eq176707
  • Availability: In Stock

$597.00 $919.38

NuGen Audio LM-Correct 2 Upgrade - Auto Loudness Softwarefrom NuGen Audio LM-Correct 2 Upgrade - Auto Loudness Softwareis software that provides an immediate and hassle-free route to creating loudness-compliant audio, and in the process saves time and prevents costly mistakes. Either within a DAW/NLE, or as a stand-alone application, LM-Correct 2 delivers automated compliance with look ahead True-Peak correction. Used in conjunction with a real-time meter, the program saves iterative adjustments to the mix as target levels are approached, allowing transparent in-edit 'quick-touch' finishing of audio.

For file based-processes LM-Correct rapidly assesses and adjusts the entire file faster than real time. Automatically handling audio files from mono through 5.1, the software is compliant with all current loudness standards, and if needed the optional dialog-gated measure can be specified. Audio can be transformed with a single click from one specification to the next, with faster than real-time processing when delivering multiple versions or re-purposing for different regions and play-out specifications is required.

Upgrade from LM-Correct    True-Peak Measurement and Limiting    1-Click Analysis and Correction    Game Audio (ASWG 7.1 Surround)    Mono to 5.1 Surround    Standalone    AAX, RTAS, AudioSuite    Audio Units, VST, VST3    Mac OS X, Windows

Parameters
Delivery FormatDownload
License TypeUpgrade: Perpetual License
User Support1 User
Standalone OperationYes
System Compatibility/RequirementsOperating System: Windows/macOS Plug In Formats: VST3 / AAX (Native) / VST / AU / AudioSuite / RTAS 

  • M Max measure/correct (dynamic correction)
  • S Max measure/correct (dynamic correction)
  • Single click analysis and correction
  • LRA measure/correct (requires optional DynApt extension)
  • EBU R128 S1 support
  • Game audio (ASWG 7.1 surround)
  • Compact interface
  • Expanded interface
  • Options panel
  • Text file processing summary log

  • Single-click solution to loudness conformance
  • Immediate finishing of audio to loudness standards
  • Editor based and stand alone operation
  • Integrated true-peak back-stop limiter
  • Text file analysis and processing summaries
  • Optional dialog gated measure

  • Automated standard compliance
  • ITU-R BS. 1770 | EBU R128 | CALM Act compliant
  • Integrated loudness target
  • Maximum True Peak level
  • Short-term and momentary loudness limiting
  • Optional DynApt LRA dynamics targeting
  • "EBU Mode"
  • Automatic mono through 5.1 compatibility plus ASWG 7.1 support

  • Clear parameter read out
  • Simple one-click analysis
  • Dial in target values directly
  • One-click correction
  • Offline faster than real-time advantage

Compatible with all recommendations and guidance based upon the international standard ITU-R B.S. 1770, revisions 1, 2 and 3 including

  • ATSC A/85 (Calm Act)
  • EBU R128
  • EBU R128 S1
  • ARIB TR-B32
  • OP-59
  • AGCOM 219/9/CSP
  • Portaria 354
  • DPP

Related Questions and Answers

Q: 1. Is this brand new?

A: This is a brand new, unopened product. All products purchased at B&H are brand new in the original factory box including packaging, all factory included accessories and factory warranty, unless otherwise stated to be USED, Refurbished or Demo.

Q: 2. Recommend this lens or the 80 mm for youth sports? I was also considering the 55-200mm 3.5-4.8.

A: I'm leaning to agree with the former comments. I use the 90mm for its sharpness in landscape photography for compression and for close up subjects. Within sports use while the subjects are moving in and out, you would want the flexibility of zoom control, but as in so many cases in photography, if you had one lens and it were the 90mm f2 one could make it happen, but the loss percentage would probably go up.

Q: 3. Is this lens any good for short films?

A: Great prime lens, very sharp and beautiful color, It would be a great lens for tighter shots.

Q: 4. Is this lens still made in Japan?

A: Our data indicates that the Fuji XF 90mm f/2 R LM WR Lens with UV Filter Kit is made in both Japan and China, as countries of origin.

Q: 5. Ever really use a filter for portrait shooting with this lense?

A: No filters used. This lens is exceptionally sharp! If diffusion or softening is necessary, it is much easier and controlled during post processing.

Q: 6. Is this lens still made in Japan after Fujifilm moved their factory?

A: Yes, the following unit is made in Japan.

Q: 7. I own this lens and when it isn't attached to a powered camera, there is a distinct movement from within the lens. I assume this is because the magnets aren't powered which allows the lens elements to move. Over time (travel etc) can this movement lead to damage within the lens?

A: The quad linear motor and will always make a sound and you're right - when it's not engaged (turned OFF) it makes a knocking sound because the magnets that drive the motor are not engaged. When it's turned on the magnets are engaged and will hum a bit. That's typically how triple linear motors work but it does not affect the image quality, video sound or the camera operation.

Q: 8. Product highlights say Weather-Sealed Construction .But isn't Fujifilm WR only Weather-Resistant ?

A: The Fujifilm WR lenses are weather sealed and the lens you found is a WR lens. It is a Fujifilm XF 90mm f/2 LM WR lens.

Q: 9. Would the be a lens to use for say Capturing whitetail deer at dusk on a Tx2?

A: It would be ok but may be a bit lacking as far as distance, you would be much better off getting a fast tele lens like the 50-140mm, click on the link below; https://bhpho.to/3a1We2C

Q: 10. Does this 90mm lens have image stabilization?

A: No, it does not. BUt I have no problems hand-holding with my X-T1 at 1/160 sec.

14/09/2024

[1 User] If you're on a Mac and deal with a lot of audio, there's nothing faster. It gives you a great view of the waveform with all the tools you would need to get it where you need to go.

5
11/09/2024

[1 User] I have used this Waves De-Esser software way back before 2010 in my Windows XP PC but lost it due to PC failure. The new Waves Sibilance Vocal De-Easier is easier to use because I just turn the Threshold dial to the desired setting and leave the default Detection and Mode settings to 50%. I must say the plug-in removes the essss sound of the vocals much better than the first Waves De-Esser I had used. When I process digital copies of my rare vinyl LP records and saved soundtracks from my DVD collection, the plug-in can only work without combining other VST plug-ins. This plug-in works only on a 64-bit compatible DAW software like Audacity 3.4.2 running under Win10/MacOS Operating system. Audacity 3.4.2 automatically detects the WAVES De-Esser plugin after installation. Audacity can only use VST and VST3 plug-in types. The 2 uploaded images depict how the WAVES Sibilance De-Esser plug-in is used in Audacity 3.4.2.

5
01/09/2024

[1 User] Good!

5
19/08/2024

[Download] Gives your track warmth and stereo width without phasing issues. Use this on almost every track. Love it !

5
17/07/2024

[Yes] This is ia very amazing product that was innovative from the get go and every update is WOW! Great company and a super valuable product for any music producer.


You can edit vocals, any monophonic and what? even clean polyphonic recordings. I even fixed stray note from a guitar track recently...Very helpful stuff.

5
16/07/2024

[Yes] I've been using protools for about 10 years in my recording studio and I think is the best software for record, edit and mix music. I got this version for working in my laptop and now I can work everywhere. The native plug ins woks very well and you can get others of your preference that run well too. For shure I will continue using protools in the future.

5
16/06/2024

[Download] The main benefit of upgrading from personal as you can send more sources into it which is beneficial because you can then move several sources around within the virtual space. It also gives you some more control per source as well, which can be fun to experiment with to give different kinds of reverbs that may be harder to achieve, although technically possible with other configurations

5
15/06/2024

[Yes] Melodyne is the best in the biz for audio tuning. Period.

5
29/05/2024

[Yes] I was debating (and saving) to purchase this program (that I studied and learned in college) when I came across this version, at the same time I had just enough to make the purchase. This is a wonderful program tried and true, top of the line. Any DAW will help you arrange music, but just like cars, some fit differently. A Chevy cobalt will get you to your destination as well as a Rolls Royce. They will both technically do their job of getting you to your destination, but one will feel just right, comfortable, natural. That's what this program is. Comfortable (since it's what I learned on) an extension of my creativity, like a piano or my voice. Thank you B&H, sent from above in his perfect time, for providing this deal when I needed it. This is the Rolls Royce of DAWs for me.

5
26/05/2024

[Download] After recording 32 tracks at a concert and discovering that every single track had popping and clicking I was severely stressing. Izotope saved the day. Lots of work, but incredible results. I almost trashed the recording but it turned out okay after several treatments in Izotope.

5

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