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Sanken Cos-11d Lavalier Mic For Lectrosonics Transmitters

Sanken Cos-11d Lavalier Mic For Lectrosonics Transmitters
  • Product Code: eq176722
  • Availability: In Stock

$1,287.00 $1,711.71

The gray Sanken COS-11D Lavalier Mic for Lectrosonics Transmittersis a subminiature lav microphone designed to deliver clear, full-bodied sound and reliable performance, making it a popular choice among industry professionals in broadcast, TV, theater, film, videography, and more. 

Engineered to meet the standards of modern digital wireless microphone systems, the COS-11D is RF shielded to eliminate interference issues and ensure a pristine audio signal. The microphone capsule features a rectangular design that sits vertically, increasing the surface area and allowing this tiny mic to offer a rich, full sound that outperforms many larger models.

The mic's 50 Hz to 20 kHz frequency response rolls-off extreme low end and provides accurate, transparent audio reproduction with a small presence boost in the 6 kHz area for crisp, intelligible speech. With a forgiving omnidirectional polar pattern that picks up sound in a 360° pattern, levels stay consistent, even when the subject turns away from the mic.

A water-resistant mesh screen protects against humidity, perspiration, makeup, bad weather, and other potential on-location issues, while the durable cable is also moisture-resistant and built to stay soft and pliable, even after extended use. This version of the COS-11D terminates in a 2.5mm connector and is wired for use with Lectrosonics wireless transmitters. A metal windscreen, holder clip, rubber mount, and plastic case are included.

For Broadcast, Film/Video & Presentation    Omnidirectional for Consistent Levels    For Lectrosonics Transmitters with 2.5mm    Normal Sensitivity Level    Rugged 5.9' Cable Stays Pliable    RF Shielded for Digital Wireless    Water Resistant    Small Size Is Easy to Conceal    Requires 3 to 10 VDC    Includes Windscreen, Mount & Clip

Key Specs
Polar PatternOmnidirectional
Power SourcesPlug-In Power
ColorGray
Microphone
Polar PatternOmnidirectional
Included Tone/Pattern CapsNo
Performance
Frequency Response50 Hz to 20 kHz
Maximum SPL123 dB
Sensitivity8.9 mV/Pa
Dynamic Range95 dB
Equivalent Noise Level28 dB (A-Weighted)
Connectivity
Analog Output1x 2.5 mm TRS Male
Cable Length5.9' / 1.8 m
Cable Diameter0.1" / 2.1 mm
Power
Power SourcesPlug-In Power
Operating Voltage3 to 10 V
Physical
ColorGray
Environmental ResistanceWater-Resistant (Unrated)
Dimensionsø: 0.2 x L: 0.6" / ø: 4 x L: 16.1 mm
Weight0.8 oz / 24 g (Microphone)
Packaging Info
Package Weight0.2 lb
Box Dimensions (LxWxH)4.646 x 3.071 x 1.181"

  • Lectrosonics: Works with Lectrosonics bodypack transmitters and recorders equipped with a 2.5mm connector, including the MM400C and the WM (watertight) models.
  • Also works with third-party wireless transmitters and portable audio recorders that are equipped to supply 3 to 10 VDC through a 2.5mm connector wired for Lectrosonics compatibility.

Related Questions and Answers

Q: 1. Hi, I just ordered this mic a couple weeks ago. So far it has not shown to turn on or record any audio, nor did I receive an instruction manual with it. I have plugged it into my canon 5d mark III and also a Zoom H5 recorder, and both have giving me no sound from the mic and some plug in noise. No levels are shown to record. I have not been able to find any troubleshooting pieces on line. Can you help me?

A: This microphone requires power you need to send it 48V

Q: 2. Can I simply attach this to a shoe mount on the FX3 and use it?

A: Yes. The CS-M1 will work with the FX3

Q: 3. Is it okay to keep it in the rain or should the antenna be covered with a plastic bag?

A: The Lectrosonics ALP620 Perforated LPDA Shark Fin Style Antenna is not IP-rated; therefore, it cannot be left out in the rain. Using a plastic bag or rain cover to protect it will actually affect the wireless range of the antenna, making it prone to RF interference.

Q: 4. Does this work on the Sanken CS-3e on a Sony FX3?

A: Yes, the Sanken ROCS Rubber O-Rings cam be used with the Sanken CS-3e Short Shotgun Microphone and Sony FX3 Cinema Camera.

Q: 5. Would I need this for a Rode NTG-3 to put on a Canon XA-35?

A: Spacers such as the Sanken O-Rings will be required for the NTG-3 and most similar shotgun mics when mounting to a cameras built in mount such as the Canon XA35. These mounts are designed oversized to accommodate a wide variety of mics and mic types.

Q: 6. Do these fit the Sennheiser MKH 416?

A: Yes, these will work with the 416. Please let us know if you have any futher questions.Best,Peter Hannigan323-845-1171Sanken/plus24

Q: 7. Will this work for the Sennheiser MKH8060 or is there a better choice for that?

A: The Rycote Standard Hole Classic Softie Wind-Screen (BH #RYS12M) is a better option for the Sennheiser MKH 8060.

Q: 8. I'm very fond of Sanken mics personally. Thus I wanted to ask how is the reach on this mic. Is there anything you guys could tell in that regards? I know it's not a shotgun mic, however it's Super Card.

A: It very similar to most of other shotgun mics (and it's a shotgun mic). Not as directional as Sennheiser 416, so I wouldn't recommend if you need to capture sounds outdoors very far away.

Q: 9. Will the o rings fit with the Rode NTG3 on AG-UX90 that the holder is set up for 21mm?

A: I use the o rings on an NTG3 on my canon c300 and it works well.

Q: 10. I ordered this but need the bezel that was not included to mount it in my camera slot. How can I get one?

A: Which camera is it?

29/09/2024

[Plug-In Power] You can't beat the sound quality and compact, small size.

5
18/09/2024

[Plug-In Power] I Always trust B&H ❤️

5
02/09/2024

[0.2 lb] I use these mics on portable recorders to capture audio, primarily, for weddings/events. They have a wide area of acceptance and the sound is crisp and bright. People often won't bat and eyelash at dropping thousands on new glass for their cameras so in comparison these are extremely cheap and an extremely good investment. Especially considering how important audio is in video production.

5
27/08/2024

[Plug-In Power] This is exactly the quality I'm looking. Will buy another set soon with the Sony UWP-D21 Wireless.

5
18/08/2024

[Plug-In Power] I devoted a lot of time to researching lavalier microphones before I settled on the Sanken COS-11D. I looked and listened to all of the on-line comparisons I could find and read the technical data. I wanted top sound quality for spoken voices and different options to conceal the microphone. B&H had the XLR connector model in stock and it fulfills all of my wishes. Additionally I have a Sony ECM-55B lavalier, a great mic with a long reputation (and also a great deal from the B&H Used store) but it is relatively large in size. Ive tested the Sony vs the Sanken in different environments and bottom line, the Sanken is the clear winner for overall sound quality. it is that much cleaner and crisper with a lively presence and brightness, even when tucked behind a collar. I will buy another one of these if/when I need another lavalier.

5
13/08/2024

[Gray] Clear, crisp sound. Works perfect with our Sennheiser Evo Wireless. The amount of ambient noise this mic rejects is unbelievable. May seem pricey, but it's extremely well worth it!

5
17/07/2024

[0.2 lb] I've been wanting to get one of these for years but the cost has prevented me. My Sennheiser MKE1 (which I Loved!) finally went out on me so I'm went with this next. So far I Love it!!

5
07/07/2024

[Gray] My favorite lav. Love the sound, low noise floor, and they are easy enough to hide. Perfect all around.

5
02/07/2024

[Plug-In Power] Sound quality is several steps above the competition and I've used several.Vocal quality is pristine -you cannot go wrong for either Lectrosonics use OR with available XLR adapter, using with direct connections to cameras/recorders.

5
08/06/2024

[Gray] The profile and discreet size of this mic combined with the exceptional sound really make it hard to beat. Where discretion is needed for film production, this might just be your golden ticket. It's incredibly versatile and able to be fitted to talent in a wide variety of ways. My favourite is taped vertically inside the shirt behind the buttons. The factory lapel clasp is one of the best I've used in 20 years of audio experience.

5

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