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Tiffen 6.6x6.6" Irnd 1.2 Digital Diffusion Fx 1/2 Filter

Tiffen 6.6x6.6" Irnd 1.2 Digital Diffusion Fx 1/2 Filter
  • Product Code: eq177039
  • Availability: In Stock

$1,849.50 $2,940.70

Combining three distinct effects within a single filter, the Tiffen 6.6x6.6" IRND 1.2 Digital Diffusion FX 1/2 Filterfrom Tiffen 6.6x6.6" IRND 1.2 Digital Diffusion FX 1/2 Filteroffers a 4 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details and textured backgrounds. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened "digital edge" off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 6.6 x 6.6" / 167.6 x 167.6mm to pair well with lightweight or clip-on matte boxes.

IRND and Diffusion Combination Filter    4 Stop Neutral Density Filter    Attenuates Infrared Wavelengths    Greater Control Over Exposures    No. 1/2 Density Digital Diffusion    Softens Skin Details    Smoothes Textured Backgrounds    Ideal for High Definition Video Capture    Water White Glass Construction

Parameters
Size6.6 x 6.6" / 167.6 x 167.6 mm 
Front Accessory Thread / BayonetNo
Filter MaterialGlass

Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use.

IRND 1.2 filter offers a 4 stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required.

Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks.

Digital Diffusion/FX effect softens skin details and textured backgrounds for a smoother image quality.

No. 1/2 diffusion strength provides the least amount of softening, which is less than the 1 strength.

Well-suited to high definition video applications where an over-sharpened "digital look" is undesirable.

Diffusion design remains invisible when lens is stopped down for greater versatility in exposure control.

Constructed from water white optical glass for maintained image quality.

Measures 6.6 x 6.6" / 167.6 x 167.6mm and is ideally suited for use with lightweight clip-on matte boxes.

Related Questions and Answers

Q: 1. Why is it taking so long for this lens to become available? Are there production issues?

A: Olympus has not stated if there were any issues in particular. In any event, the lens is in stock and ready for you to order one.

Q: 2. Is the manual focus ring on this lens different from other Olympus pro lenses? The one I have is not as smooth as my 45mm f1.2

A: We are not sure if you mean tactical or function smoothness. All the lenses made by Olympus have very similar grip so they should all feel about the same. If manually focusing the movement of the ring is not smooth, you might consider exchanging your lens if you just purchased it.

Q: 3. Will the 17mm f/1.2 Pro work in ProCapture Low mode?

A: Yes this lens can work in Pro Capture Low Mode when shooting with the OM-D E-M1 Mark II.

Q: 4. I meant to ask if the contacts allowed focus peaking on the X-E3 and not focus stacking?

A: Yes, focus peaking will be available using this lens.

Q: 5. Would this lens as well as the other Pro prime lenses be too heavy for the PEN bodies?

A: I don't find this lens or the Oly 25mm f/1.2 PRO lens to be too large or too heavy for my Pen-F. I also use the 12-100MM f/4 PRO on the Pen-F and think that maybe this lens is about at the limit of size and weight for this body. I do prefer to use the Olympus ECG-4 Grip for the Pen-F, which I do not believe detracts from the compact size or appearance of the camera, but markedly improves handling with these larger PRO lenses.

Q: 6. Does this lens support the OM-1 Focus Stacking setting?

A: Yes, the Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens supports the OM-1 Focus Stacking setting.

Q: 7. The Olympus digital 1.4 teleconverter is listed as recommended accessory. Are they compatible to use together?

A: No, the Olympus MC-14 M.Zuiko Digital 1.4x Teleconverter will not work with the OM SYSTEM M.Zuiko Digital ED 45mm f/1.2 PRO Lens.

Q: 8. Does the hood rattle a little bit for anybody else? It's not loose enough that I think it's broken or about to come off or anything, but it still feels a tiny bit loose when handled. It just surprised me coming from the PL8-18 (which has the same button release design), the hood on that one has absolutely 0 play and feels like it's completely part of the lens (even reversed).

A: A tiny bit loose, but not enough to rattle. No different than other Oly Pro lenses. I'd rather have it like this than too snug.

Q: 9. What is the diameter of this lens? As in, if I were to put on a seamless follow focus, what size should I use?

A: The outer diameter is 89.8mm.

Q: 10. Is the Viltrox 27mm F/1.2 suitable for video capture?How well is the autofocus in video mode?

A: The Viltrox 27mm f/1.2 Lens (FUJIFILM X) has fast and accurate autofocus in video mode. It works very well for video recording.

13/09/2024

[Glass] Most photographers use at least one diffusion filter for portraits, whether a professional whose clients need to look great, or the rest of us who want to flatter Granny at her 90th birthday celebration party. I have kids with iffy complexions in their adolescence and didn’t want to rely too heavily on Photoshop for the fix.

For use on my Quattro DP2, this filter does a fine job of holding small details like eyelashes, yet blends blemishes well. (One caveat: a large blackhead or dark pimple may be accentuated, depending on circumstances, so a white diffusion filter or dab of concealer could be needed.) Since the eyes and lashes/eyebrows hold their detail portraits can be very flattering with this Tiffen product.

It looks odd by itself as it appears to be glass with a pattern of little black marks all over it, where I more or less expected some type of black screen or grid. Not being an optical engineer and as well as the filter works, I chalk it up to FM.

Also, I prefer to use Tiffen products in general as they have always be good quality, competitively priced, and made in the good ol’ U. S. of A.; what’s not to like?

5
12/09/2024

[Glass] I bought this filter for HDSLR video use. The 1/2 grade provides a very subtle diffusion effect with minimal contrast loss. Ultimately, it takes the edge off of HDSLR video and provides a very close alternative to that elusive film look.

5
25/08/2024

[Glass] This filter performs as advertised. It has a quality finish and threads perfectly in my Nikon glass.

5
06/07/2024

[Glass] The Tiffen Black Diffusion/FX 3 filter produces the effect I was looking for. It's well made with a nice finish and threads easily on my Nikon glass.

5
06/07/2024

[Glass] I bought the filter for two specific shoots. Both went well and I have no complaints. I used the filter on my 77mm Canon 17-40mm L for shoots early morning and late evening in the Fall Colors and the results were fantastic. Would recommend to others. Didn't find anything I didn't like.

5
16/06/2024

[Glass] I have mainly been using the filter to soften the portraits I take because I print straight from the memory card without using computer touch-up. I'm extremely pleased with the softening filter effects. I do make adjustments in my camera to work with the filter as in the sharpness and the coloring to suit my taste for the end results that I'm looking for in the particular portrait that I'm shooting. The results of the filter are very minor but to me that is the way it should be - just enough to take a second look at the photo without realizing why you took a second look.... The camera lens had problems AFing, the photos looked blurry more than not. I tried hard to make it work for me but NO GO.Also it is hard to find much info and samples of the filter's performance on the internet.I still plan to experiment further with the filter on other photo ops besides portraits. But I would recommend this to anyone who enjoys the challenge of producing their end results from the camera and not the computer.Thanks for reading this; I hope it is helpful.Mary Grace@

5
29/05/2024

[Glass] Probably my favorite of this series - I have the series in 72mm. Nice to use on any blonde/fair skinned person. Afternoon shots in overcast days in the #1 is good as well!

5
02/05/2024

[Glass] I love these filters, and I have the FX2 on all of my lenses for wedding videography. I like how it softens faces and reduces fine textures without adding any halation or losing contrast. My only gripe would be the artifacts in the filter are pretty noticeable in the bokeh or when the lens flares, but that's easy enough to work around.

5
25/04/2024

[Glass] I bought it for video to have smoother images but I discovered that I also like it very much for portrait photography to smooth skin without having the dreamy halo effect. To my taste, the effect is very subttle, though...

5
18/04/2024

[Glass] I got this to reduce the jaggies in video on my 6d. It does not totally eliminate them, but it definitely improves them. I haven't yet used this for portraits, but that's in the cards. when I started using this, I got the general veiling that you expect from one of the mist filters. I was disappointed. However, then I cleaned the filter thoroughly. Much much better. I think this is going to work out nicely. I bought another one for a different lens. When I pulled it from the package, it was pretty dirty, too. So my advice is to thoroughly clean your filters. You'll be amazed.

5

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