The Tiffen 4x4 Black Satin 1 Filter for Photographycan be applied to purposely reduce the appearance of blemishes and wrinkles while providing an intentional warming effect with granularity over an entire image. This can be useful for creating a more flattering result of a subject while highlights are softened, contrast is reduced, and textures are given a smoother appearance. Additionally, halations around highlights are created which can further enhance a subject's appearance or produce a desired effect while overall sharpness is maintained.

This filter has a grade of 1. Grades of 1/4, 1/2, 2, and 3 are also available where this filter type's effect becomes approximately twice as strong with each grade number increase.

This filter is constructed from water white glass for increased clarity as well as color fidelity. It is made using ColorCore technology, a process that involves laminating the filter substrate between 2 pieces of optical glass and grinding flat to a tolerance of 1/10,000th of an inch.

Reduces Subject Blemishes and Wrinkles    Softens Contrast    Softens Highlights    Halation Effect on Highlights    Smoother Appearance of Textures    Provides Warming Effect and Granularity    Maintains Overall Sharpness    Water White Glass Construction    ColorCore Technology    Padded Pouch

• Softens contrast and highlights
• Reduces the appearance of blemishes and wrinkles
• Provides a smoother appearance of textures while maintaining overall sharpness
• Creates halation effect around highlights
• Intentional warming effect with granularity over an entire image
• Constructed from water white glass for optical clarity
• Padded pouch included for storage and transport

Related Questions and Answers

Q: 1. Is the 49 the correct filter for the Q2 monochrom (with the hood attached)?

A: Yes, the Leica E49 UVa II Filter (Black) is compatible with the Leica Q2 Monochrom Digital Camera with the lens hood attached.

Q: 2. Where do I get the developing times for this film?

A: The manufacturer has instruction on how to find developing times on their website at the bottom of the page here: https://bit.ly/3fO6SOX

Q: 3. Which develope can be develope..?

A: The Film Photography Project Frankenstein 200 ISO Black & White Film (4 x 5", 25 Sheets) can use any standard B&W Film Developer. For example, Kodak Professional D-76 Film Developer (To Make 1 gal, 2019 Version) would work, BH #KOD76DEV (https://bhpho.to/3GoKR6I).

Q: 4. I was wondering where is this Leica 49mm UV filter made? Is it made in Germany? Thank You

A: Its made in Japan.

Q: 5. Can 4X5 SHEET FILM - FPP FRANKENSTEIN 200 BW NEGATIVE FILM be used in a pinhole camera like Harman direct positive paper?

A: Yes, you can use Film Photography Project Frankenstein 200 ISO Black & White Film (4 x 5", 25 Sheets) in a pinhole camera.

Q: 6. Are you able to close this packaging and save the rest of the unused film if you only have enough dark slides for 6 exposures?

A: The film sheets in the Film Photography Project Frankenstein 200 ISO Black & White Film (4 x 5", 25 Sheets) come with a protective plastic bag inside of the box.

Q: 7. Will this fit a 35mm Summarit-M with the 12459 lens hood?

A: This E39 UVa II Filter is not compatible with the Leica Summarit-M 35 f/2.4 ASPH Lens.

Q: 8. Will this filter work with Leica M 21mm Summilux?

A: If you are referring to the Leica Summilux-M 21mm f/1.4 ASPH. Lens, then yes, the Leica Series VIII UVa II Filter (Black) would be compatible for use with the Leica Summilux-M 21mm f/1.4 ASPH. Lens inside the lens hood, whereas if you purchase the Leica E82 Filter Adapter for Leica 21mm f/1.4 Summilux-M Aspherical Lens, B&H # LEARS882, you may also use the Leica E82 UVa II Filter (Black), B&H # LEUVE82, for your usage needs.

Q: 9. Pls provide more details on developers, working solution ratio, developing time & temperature?

A: Film Photography Project Frankenstein 200 ISO Black & White Film (4 x 5", 25 Sheets) can be processed by any standard black and white developer, such as D-76 (KOD76DEV), HC-110 (KOHC110DEV), or XTOL (KOXTOLDEV), at varying times, depending on the temperature and dilution of the developer.

Q: 10. Undeveloped Yeti is distinctly yellow in color. Other undeveloped BW films have a green or blue tine. What accounts for the various colors? With Yeti specifically and BW in general? Is it the anti-halation backing or the emulsion?

A: The distinctly yellow color of undeveloped Film Photography Project Yeti B&W Negative Film is due in part to its emulsion and it being a orthochromatic film. Other B&W films may have a green or blue tone when undeveloped as they would be panochromatic.