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Tiffen 4x5.65" Irnd 1.2 Digital Diffusion Fx 1/2 Filter

Tiffen 4x5.65" Irnd 1.2 Digital Diffusion Fx 1/2 Filter
  • Product Code: eq177239
  • Availability: In Stock

$1,530.90 $2,082.02

Combining three distinct effects within a single filter, the Tiffen 4x5.65" IRND 1.2 Digital Diffusion FX 1/2 Filterfrom Tiffen 4x5.65" IRND 1.2 Digital Diffusion FX 1/2 Filteroffers a 4 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details and textured backgrounds. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened "digital edge" off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65" / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.

IRND and Diffusion Combination Filter    4 Stop Neutral Density Filter    Attenuates Infrared Wavelengths    Greater Control Over Exposures    No. 1/2 Density Digital Diffusion    Softens Skin Details    Smoothes Textured Backgrounds    Ideal for High Definition Video Capture    Water White Glass Construction

Parameters
Size4 x 5.65" / 101.6 x 143.5 mm 
Front Accessory Thread / BayonetNo
Filter MaterialGlass

Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use.

IRND 1.2 filter offers a 4 stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required.

Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks.

Digital Diffusion/FX effect softens skin details and textured backgrounds for a smoother image quality.

No. 1/2 diffusion strength provides the least amount of softening, which is less than the 1 strength.

Well-suited to high definition video applications where an over-sharpened "digital look" is undesirable.

Diffusion design remains invisible when lens is stopped down for greater versatility in exposure control.

Constructed from water white optical glass for maintained image quality.

Measures 4 x 5.65" / 101.6 x 143.5mm and is ideally suited for use with lightweight clip-on matte boxes.

Related Questions and Answers

Q: 1. Is the manual focus ring on this lens different from other Olympus pro lenses? The one I have is not as smooth as my 45mm f1.2

A: We are not sure if you mean tactical or function smoothness. All the lenses made by Olympus have very similar grip so they should all feel about the same. If manually focusing the movement of the ring is not smooth, you might consider exchanging your lens if you just purchased it.

Q: 2. Is this lens internal focusing, no external movement when turned on or off, or during autofocus?

A: Yes.

Q: 3. Why would a premium ‘L’ class lens like this Canon 50mm f/1.2 omit image stabilization in its design? This seems to imply that image stabilization might degrade the performance, or am I overthinking this?

A: A lens with a large aperture like this one would not necessarily need image stabilization, due to its ability to pull in a lot more light than lenses with a smaller or variable maximum aperture. Additionally, most of the R series bodies, such as the EOS R5/R6 already have stabilization built in to help with the lack of stabilization in the lens.

Q: 4. Does this lens support the OM-1 Focus Stacking setting?

A: Yes, the Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens supports the OM-1 Focus Stacking setting.

Q: 5. Does this lens have an aperture ring?

A: No. It does have a manual focus pull back clutch that simulates the mechanical focus of older lenses with hard stops at the end of it's focus range, no aperture ring though.

Q: 6. Is this lens good for astro photography?

A: This lens is excellent in low light and would work well for astro shooting, however a wider focal length may be more desirable.

Q: 7. Is it Made in Japan like the other Pro lenses?

A: According to the information we have, our current inventory's Country of Origin is Japan. Please be aware this can change over the product's production life without notice.

Q: 8. Is there any difference between this lens and the Olympus lens except the brand name?

A: The OM SYSTEM M.Zuiko Digital ED 25mm f/1.2 PRO Lens is the same lens as the Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens (B&H # OL2512ED). It has been rebranded as the manufacturer is officially now OM Systems.

Q: 9. Why is it taking so long for this lens to become available? Are there production issues?

A: Olympus has not stated if there were any issues in particular. In any event, the lens is in stock and ready for you to order one.

Q: 10. Does the hood rattle a little bit for anybody else? It's not loose enough that I think it's broken or about to come off or anything, but it still feels a tiny bit loose when handled. It just surprised me coming from the PL8-18 (which has the same button release design), the hood on that one has absolutely 0 play and feels like it's completely part of the lens (even reversed).

A: A tiny bit loose, but not enough to rattle. No different than other Oly Pro lenses. I'd rather have it like this than too snug.

29/09/2024

[Glass] I have mainly been using the filter to soften the portraits I take because I print straight from the memory card without using computer touch-up. I'm extremely pleased with the softening filter effects. I do make adjustments in my camera to work with the filter as in the sharpness and the coloring to suit my taste for the end results that I'm looking for in the particular portrait that I'm shooting. The results of the filter are very minor but to me that is the way it should be - just enough to take a second look at the photo without realizing why you took a second look.... The camera lens had problems AFing, the photos looked blurry more than not. I tried hard to make it work for me but NO GO.Also it is hard to find much info and samples of the filter's performance on the internet.I still plan to experiment further with the filter on other photo ops besides portraits. But I would recommend this to anyone who enjoys the challenge of producing their end results from the camera and not the computer.Thanks for reading this; I hope it is helpful.Mary Grace@

5
22/09/2024

[Glass] This filter performs as advertised. It has a quality finish and threads perfectly in my Nikon glass.

5
15/09/2024

[Glass] The Tiffen Black Diffusion/FX 3 filter produces the effect I was looking for. It's well made with a nice finish and threads easily on my Nikon glass.

5
11/09/2024

[Glass] Most photographers use at least one diffusion filter for portraits, whether a professional whose clients need to look great, or the rest of us who want to flatter Granny at her 90th birthday celebration party. I have kids with iffy complexions in their adolescence and didn’t want to rely too heavily on Photoshop for the fix.

For use on my Quattro DP2, this filter does a fine job of holding small details like eyelashes, yet blends blemishes well. (One caveat: a large blackhead or dark pimple may be accentuated, depending on circumstances, so a white diffusion filter or dab of concealer could be needed.) Since the eyes and lashes/eyebrows hold their detail portraits can be very flattering with this Tiffen product.

It looks odd by itself as it appears to be glass with a pattern of little black marks all over it, where I more or less expected some type of black screen or grid. Not being an optical engineer and as well as the filter works, I chalk it up to FM.

Also, I prefer to use Tiffen products in general as they have always be good quality, competitively priced, and made in the good ol’ U. S. of A.; what’s not to like?

5
01/08/2024

[Glass] If you're looking at this filter you likely already know what it is for, and sure enough it does exactly what Tiffen say. Optical resolution drops down but contrast loss and halation are kept to an absolute minimum. Strangely, if you look at Tiffen's triangle of diffusion diagram you'll see they put this filter halfway between resolution reduction and halation, implying you will get some soft highlight spreading. You absolutely do not and I don't know why that particular diagram suggests it when all their text and videos say it doesn't cause halation and, as I said, in use it certainly does not.
Allegedly on wide-angle shots or when using very small apertures you may see the black dots in the image. I can't say I've noticed this myself, but I only use this for shoulder-up shots, typically 50mm, often at fairly wide apertures, so I'm not in that 'danger zone'. If you want to shot wide and stopped down, maybe take caution and check out the Digital Diffusion/FX instead, which is meant to cause the same resolution drop without the black dots getting in the way.

I've had some limited experience with some Tiffen filters having poorly-cut threads, but otherwise the construction quality has been fine. Can't guarantee you'll get a faultless one but the fault rate, in my experience, has at least been very low – about one out of twenty filters having an issue, and even then, not one severe enough to stop the filter from mounting and functioning.

5
11/07/2024

[Glass] The golden glow this filter adds is beautiful! Magnificent on sunny days and blonde or fair skinned subjects!

5
11/07/2024

[Glass] I got this to reduce the jaggies in video on my 6d. It does not totally eliminate them, but it definitely improves them. I haven't yet used this for portraits, but that's in the cards. when I started using this, I got the general veiling that you expect from one of the mist filters. I was disappointed. However, then I cleaned the filter thoroughly. Much much better. I think this is going to work out nicely. I bought another one for a different lens. When I pulled it from the package, it was pretty dirty, too. So my advice is to thoroughly clean your filters. You'll be amazed.

5
05/07/2024

[Glass] I love these filters, and I have the FX2 on all of my lenses for wedding videography. I like how it softens faces and reduces fine textures without adding any halation or losing contrast. My only gripe would be the artifacts in the filter are pretty noticeable in the bokeh or when the lens flares, but that's easy enough to work around.

5
27/06/2024

[Glass] Totally awesome! Pretty much the closest filter to the Alexa look!
Very subtle, doesn't affect colors, and attenuate skin blemishes while retaining overall sharpness. Perfect to refining the cinematic look of your digital camera! This filter is always on my lenses as my default look.

5
07/06/2024

[Glass] I bought the filter for two specific shoots. Both went well and I have no complaints. I used the filter on my 77mm Canon 17-40mm L for shoots early morning and late evening in the Fall Colors and the results were fantastic. Would recommend to others. Didn't find anything I didn't like.

5

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