Tiffen 4x5.65" Irnd 1.2 Digital Diffusion Fx 1/2 Filter
- Product Code: eq177239
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Combining three distinct effects within a single filter, the Tiffen 4x5.65" IRND 1.2 Digital Diffusion FX 1/2 Filterfrom Tiffen 4x5.65" IRND 1.2 Digital Diffusion FX 1/2 Filteroffers a 4 stop exposure reduction, attenuates infrared wavelengths, and slightly softens skin details and textured backgrounds. Intended for use with high definition video capture with CMOS and CCD sensors, this filter compensates for the extended red sensitivity of these sensor designs in order to produce cleaner, more accurate colors and also takes the over-sharpened "digital edge" off for a smoother image quality. The filter is constructed from water white optical glass for maintained clarity and measures 4 x 5.65" / 101.6 x 143.5mm to pair well with lightweight or clip-on matte boxes.
IRND and Diffusion Combination Filter 4 Stop Neutral Density Filter Attenuates Infrared Wavelengths Greater Control Over Exposures No. 1/2 Density Digital Diffusion Softens Skin Details Smoothes Textured Backgrounds Ideal for High Definition Video Capture Water White Glass Construction
Parameters | |
---|---|
Size | 4 x 5.65" / 101.6 x 143.5 mm |
Front Accessory Thread / Bayonet | No |
Filter Material | Glass |
Alleviating the need to use multiple filters at once, this filter combines three distinct effects to reduce the number of filter surfaces in use.
IRND 1.2 filter offers a 4 stop exposure reduction to permit working with longer shutter speeds or wider aperture settings than normally required.
Infrared attenuating design is proportionate to the neutral density value, and helps to ensure clean, accurate colors and true blacks.
Digital Diffusion/FX effect softens skin details and textured backgrounds for a smoother image quality.
No. 1/2 diffusion strength provides the least amount of softening, which is less than the 1 strength.
Well-suited to high definition video applications where an over-sharpened "digital look" is undesirable.
Diffusion design remains invisible when lens is stopped down for greater versatility in exposure control.
Constructed from water white optical glass for maintained image quality.
Measures 4 x 5.65" / 101.6 x 143.5mm and is ideally suited for use with lightweight clip-on matte boxes.
Related Questions and Answers
Q: 1. Is the manual focus ring on this lens different from other Olympus pro lenses? The one I have is not as smooth as my 45mm f1.2
A: We are not sure if you mean tactical or function smoothness. All the lenses made by Olympus have very similar grip so they should all feel about the same. If manually focusing the movement of the ring is not smooth, you might consider exchanging your lens if you just purchased it.
Q: 2. Is this lens internal focusing, no external movement when turned on or off, or during autofocus?
A: Yes.
Q: 3. Why would a premium ‘L’ class lens like this Canon 50mm f/1.2 omit image stabilization in its design? This seems to imply that image stabilization might degrade the performance, or am I overthinking this?
A: A lens with a large aperture like this one would not necessarily need image stabilization, due to its ability to pull in a lot more light than lenses with a smaller or variable maximum aperture. Additionally, most of the R series bodies, such as the EOS R5/R6 already have stabilization built in to help with the lack of stabilization in the lens.
Q: 4. Does this lens support the OM-1 Focus Stacking setting?
A: Yes, the Olympus M.Zuiko Digital ED 17mm f/1.2 PRO Lens supports the OM-1 Focus Stacking setting.
Q: 5. Does this lens have an aperture ring?
A: No. It does have a manual focus pull back clutch that simulates the mechanical focus of older lenses with hard stops at the end of it's focus range, no aperture ring though.
Q: 6. Is this lens good for astro photography?
A: This lens is excellent in low light and would work well for astro shooting, however a wider focal length may be more desirable.
Q: 7. Is it Made in Japan like the other Pro lenses?
A: According to the information we have, our current inventory's Country of Origin is Japan. Please be aware this can change over the product's production life without notice.
Q: 8. Is there any difference between this lens and the Olympus lens except the brand name?
A: The OM SYSTEM M.Zuiko Digital ED 25mm f/1.2 PRO Lens is the same lens as the Olympus M.Zuiko Digital ED 25mm f/1.2 PRO Lens (B&H # OL2512ED). It has been rebranded as the manufacturer is officially now OM Systems.
Q: 9. Why is it taking so long for this lens to become available? Are there production issues?
A: Olympus has not stated if there were any issues in particular. In any event, the lens is in stock and ready for you to order one.
Q: 10. Does the hood rattle a little bit for anybody else? It's not loose enough that I think it's broken or about to come off or anything, but it still feels a tiny bit loose when handled. It just surprised me coming from the PL8-18 (which has the same button release design), the hood on that one has absolutely 0 play and feels like it's completely part of the lens (even reversed).
A: A tiny bit loose, but not enough to rattle. No different than other Oly Pro lenses. I'd rather have it like this than too snug.
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