Capture cinema-quality images with the Tokina 100mm T2.9 Macro Lens MFT Mountfrom Tokina. This 4K-ready macro lens covers full-frame 35mm image sensors and features a 1:1 macro close focus working distance of 11.8". It features minimal focus breathing and a wide T2.9 to T32 aperture range offering great control over exposure and depth of field. The lens features a MFT mount.

Its 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.

100mm T2.9 Macro Cinema Lens    11.8" Close Focus, MFT Mount    4K Ready, Minimal Focus Breathing    9-Blade Iris, 85mm Front Diameter    82mm Filter Thread, Metal Housing

Close-focus 1:1 reproduction at 11.8" working distance

Fast, wide T2.9 to T32 aperture range

Full-frame 35mm format support, 4K ready

Minimized focus breathing

Smooth, de-clicked, 9-blade, curved iris for beautiful bokeh

Durable all-metal, cine-style housing with geared focus and aperture rings for use in follow focus systems

Features an 82mm filter thread and an 85mm front diameter

Related Questions and Answers

Q: 1. Does this support Fujinon FMM-6A - allow manual focus from the rear ?

A: No. it does not support any

Q: 2. Is there any vibration control in the lens itself for Nikon DSLR version?

A: The Tokina atx-i 100mm 2.8 Macro Lens does not have vibration control.

Q: 3. Is it compatible with Canon 2000d? And do I need any kind of adaptor with it?

A: Yes, the Tokina atx-i 100mm f/2.8 FF Macro Lens for Canon EF is compatible with the Canon 2000D/Canon EOS Rebel T7 DSLR Camera. You will not need an adapter to use this camera and lens together.

Q: 4. Could you use a 1.5x or 2x telephoto adapter on this lens?

A: The Fujinon MK18-55mm, being a wide to medium zoom, is an unlikely candidate for a teleconverter. Generally speaking, teleconverters are only effective on fast, high quality prime telephoto lenses. Use on other lenses is usually not successful. Mostly the issues are the lens becoming too dark for proper auto or manual focus, softening of the image, introduction of chromatic aberration and inability to mate due to conflicts in design. At this time there are only two E mount teleconverters available on the market. They are made by Sony and the only lens compatible with them at this time is the Sony FE 70-200mm f/2.8 GM OSS.

Q: 5. Can anyone comment on how the image quality of this lens compares to Canon's 24-70 f/2.8II L? Or there other L-series glass.

A: Fujinon lenses are not comparable to Photography lenses at all. This is an apples and oranges type of thing.

Q: 6. is this compatible with a nikon d3400?

A: The Tokina atx-i 100mm f/2.8 FF Macro Lens for Nikon F will work with the d3400 with no problems.

Q: 7. Will they come out with a PL mount? EF? That would be nice. I would buy one right now...

A: No, since this is designed from the get-go as a E mount lens, it is impossible to adapt it to EF or PL. Even if you were able to mount it, the lens could not focus. Since Fujinon did not have to allow for the space of a mirror, it was able to make the lens much smaller and cheaper. For EF/PL it would have been much more expensive.

Q: 8. Parfocal?

A: The Fujinon MK18-55mm T2.9 Cine Zoom Lens for Canon RF is considered a Parfocal lens with minimum focus breathing.

Q: 9. Is this lens fully compatible with NIkon D 7000?

A: Yes, its fully compatible with D7000.

Q: 10. Is this the same lens just rehoused as the atx-i 11-20mm F2.8 CF? Optically the spec out the same.

A: no it is not.