Utilizing a nano coating process for consistent color rendition from lens to lens, the Rokinon Cine DS Wide-Angle Lens Kit APS-C Canon EFanswers the challenge of assembling a set of lenses over time. The lens comes in Canon EF mount, and it features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. To aid focus pullers who have to work both sides of the lens, the aperture and focus scales are marked on both sides of the lens.

This 10mm lens produces a 105.9° angle-of-view when used on cameras with APS-C-sized sensors. Hybrid aspherical lenses render sharply defined images with a minimum of distortion and chromatic aberrations, with a minimum focus distance of 7.9" from the lens. A built-in petal shaped lens hood provides flare protection when shooting without a matte box.

10, 16, 24, 35mm Lenses Cover APS-C    24 & 35mm Lenses Cover Full Frame    Consistent Color Multi-Coating    Standard Gearing for Focus and Iris    De-Clicked Iris    Dual Side Focus Scales

Nano Coated lenses minimize flare and ghosting, and the lenses are color matched to a standard, eliminating the need to acquire an entire set of lenses at the same time.

Industry-standard gearing for focus and aperture rings. Each lens in the Rokinon DS series share common focus and iris gear ring positions, which speeds up lens changes as accessories, such as follow focus units or iris motors, don't have to be re-positioned.

The lens features an internal focus mechanism, so the front of the lens doesn't rotate when changing focus, allowing you to use filters and clip-on matte boxes without vignetting as you change (pull) focus.

The lens features a 6-bladed iris that provides round out of focus highlights and a natural looking Bokeh. The declicked aperture ring allows for smooth iris pulls.

A built-in lens hood provides flare protection without a matte box.

Related Questions and Answers

Q: 1. I am wondering if this lens works ok with the metabones speedbooster and the sony fs5?

A: Unfortunately, no it will not. A Speedbooster works it's magic of changing a lenses field of view and making it brighter by making the lens's image circle smaller. The problem is if you do that with this lens and the FS5, the image circle is too small for the cameras sensor. A straight EF to E mount adapter would work because this lens is for APS-C and makes a image circle that can cover Super35.

Q: 2. Is there any problem with getting the Nikon mount and adapters for Canon EF and Sony E?

A: You can use this adapter for Nikon to Canon mounts. I like it for it has the focus aid. FotodioX Pro Lens Mount Adapter for Nikon F Lens to Canon EF-Mount Camera with Dandelion Focus Confirmation Chip B&H # FOPCECANF. You can use the Vello Nikon F Mount Lens to Sony E-Mount Camera Adapter B&H # VELANEXNF.

Q: 3. If this lens is designed for APS-C sensors, then what is it an equivalent to on a BMPCC with Metabones Speedbooster (With a combined crop factor of 1.74x). I really want to get the DS version so I can build a good set, and am looking for a 24mm equivalent, which would be a 16mm (16x1.74 = 24mm). I really don't want to get a 14mm lens as in the future I won't use such a wide lens with a FF sensor. anyone know?

A: On the C100's Super35 sensor using this 16mm lens yes you would get approximately the FOV of a 24mm lens being used on a Full Frame sensor. In the future, just learn what the wide, normal and tele mm's are for the Super35/APS-C sensor. Then you do not have to calculate FOV for a sensor you are not using.

Q: 4. there are full frame?

A: If you have a full frame camera, this would work perfectly well because it is not an APS-C mount.

Q: 5. Does it fish eye at all - or just a solid wide lens?

A: There is some barrel distortion that will be seen in shooting straight lines and doing pans. However, it is not severe and is in keeping with other wide angle lenses of this focal length. In other words, no fish-eye effect.

Q: 6. A 16mm APS-C lens on a APS-C camera, is the equivalent of a 16mm full frame lens on a full frame camera? OR the equivalent of a 16mm full frame lens on a APS-C camera? I think the angle of view of a 16mm full frame lens on an APS-C camera is 82°50 and a 16mm full frame lens on a full frame camera is 106°60?

A: Lenses are listed by their focal length and from there they are subject to the crop factor of the camera. This lens will be subject to the standard 1.5x crop factor of an APS-C Sensor and will be the equivalent of a 24mm lens.

Q: 7. what is the difference between the Rokinon 16mm T2.2 Cine DS Lens for Micro Four Thirds Mount for APS-C and the Rokinon 16mm T2.2 Cine Lens for Micro Four Thirds?

A: B&H Number RO1622MFT is the DS Model, where as B&H Number RO1622TM43DS is the Original Model. DS stands for dual sided meaning the DS Model has focus and iris markers on both sides of the lens. The DS model is also newer with improved optics over the original version of the lens.

Q: 8. in aps-c camera it's produces 16mm or 10mm

A: The Rokinon 10mm T3.1 Cine DS Lens will always be a 10mm lens; it cannot change. What changes is the FOV (Field of View) it produces on different sensors. On an APS-C camera, this lens provides a 96 FOV. To get a 96FOV on a Full Frame camera, you would need a 16mm lens. In the long run, I suggest dropping crop factor for it causes confustion. Learn what the wide-normal-tele lens focal lengths are for the sensor you are using then drop calculating FOV equivalents for a sensor size you are not using.

Q: 9. Is this lens a match with the Red Scarlet Mysterium-x ?How heavy is package ?

A: The SCARLET MYSTERIUM-X has a sensor than is bigger than Super35/APS-C but smaller than full frame. Since these lenses cover full frame, you are OK to use these or any other full frame lenses. All lenses together weigh approximately 8.6 lbs / 3.9 kg.

Q: 10. Hi There,I have a SONY A7Sii Camera with a FULL FRAME SENSOR. (Unfortunately, I'm unfamiliar with APS-C.) Could you please tell me, how does this lens perform with FULL FRAME camera sensors (such as the one on the A7Sii)?Would there be any performance issues of any kind? In advance, thank you for any help/advice you can offer! I really appreciate it!

A: If you were to mount this lens on a full frame sensor camera, the image circle it produces would be too small to cover the entire sensor. The result will be severe darkening of the corners of the frame. This is called vignetting. While sometimes this is a desired effect, generally it is to be avoided.